| | King Diamond The Graveyard CD King Diamond Discography of CDs
King Diamond: King Diamond (vocals, keyboards); Andy LaRocque, Herb Simonsen (guitar); Chris Estes (bass); Darrin Anthony (drums). Recorded at Dallas Sound Lab, Dallas, Texas from March to May, 1996. Personnel: King Diamond (vocals, keyboards); Andy LaRocque (guitar); Chris Estes (bass guitar). Audio Mixers: King Diamond; Tim Kimsey. Audio Remasterer: Andy LaRocque. Liner Note Author: King Diamond. Photographer: Chris Estes. When King Diamond emerged with the archetypal black metal outfit Mercyful Fate in the early '80s, his alarmingly satanic lyrics were downright scary. But as a solo artist, he has become a reliable source of harmless, B-movie horror fun with his well-done concept albums. The Graveyard isn't one of his best, due to less memorable material and a tight, dry production which, while it sounds cleaner than that of earlier albums like Fatal Portrait and Abigail, doesn't convey the dark theatricality of the material as well as those albums do. Diamond's backing band never disappoints, however; guitarists Andy LaRocque and Herb Simonsen contribute plenty of flawless neo-classical solos with imagination and spirit. ~ Andy Hinds King Diamond The Graveyard Songs The Graveyard Review
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Purchase The Graveyard CD To buy, Click on price to add to cart | Kreator Coma Of Souls CD (1990)
The Graveyard
$10.45 Kreator: Mille (vocals, guitar); Frank (guitar); Rob (bass); Ventor (drums). Personnel: Mille (vocals, guitar); Frank Blackfire (guitar); Ventor (drums). Audio Mixers: Steve ...
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The Graveyard
$12.95 Overkill: Derek Tailer (guitar); D.D. Verni (bass guitar); Tim Mallere (drums); Dave Linsk, Bobby "Blitz" Ellsworth. Personnel: Bobby "Blitz" Ellsworth (vocals); Dave Linsk (guitar); Tim Mallare (drums). Audio Mixers: Jon D'Uva; Overkill. Recording information: Gear Recording ...
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The Graveyard
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The Graveyard
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The Graveyard
$11.18 King Diamond: King Diamond (vocals, keyboards); Andy La Rocque (guitar, keyboards); Glen Drover (guitar); Dave Harbour (bass); John Herbert (drums). Additional keyboards: Kol Marshall. Producers: King Diamond, Andy La Rocque, Kol Marshall. Recorded at Nomad Recording Studio, Carrollton, Texas. Personnel: ...
| | Leonard Cohen Dear Heather CD (2004) (Import) Bonus Track; Japan
The Graveyard
$39.19 Japanese pressing of the acclaimed singer/songwriter's 2004 album, includes the exclusive live version of 'Tennessee Waltz'. Sony.
There is an air of finality on Leonard Cohen's Dear Heather. Cohen, who turned 70 in September of 2004, offers no air of personal mortality -- thank God; may this elegant Canadian bard of the holy and profane live forever. It nonetheless looks back -- to teachers, lovers, and friends -- and celebrates life spent in the process of actually living it. The album's bookend tracks provide some evidence: Lord Byron's bittersweet "Go No More A-Roving," set to music and sung by Cohen and Sharon Robinson (and dedicated to Cohen's ailing mentor, Irving Layton), and a beautifully crafted reading of country music's greatest lost love song, "Tennessee Waltz." Cohen's voice is even quieter, almost whispering, nearly sepulchral. The tone of the album is mellow, hushed, nocturnal. Its instrumentation is drenched in the beat nightclub atmospherics of Ten New Songs: trippy, skeletal R&B and pop and Casio keyboard- and beatbox-propelled rhythm tracks are graced by brushed drums, spectral saxophones, and vibes, along with an all but imperceptible acoustic guitar lilting sleepily through it all. But this doesn't get it, because there's so much more than this, too. That said, Dear Heather is Cohen's most upbeat offering. Rather than focus on loss as an end, it looks upon experience as something to be accepted as a portal to wisdom and gratitude. Women permeate these songs both literally and metaphorically. Robinson, who collaborated with Cohen last time, is here, but so is Anjani Thomas. Leanne Ungar also lends production help. Cohen blatantly sums up his amorous life in "Because Of": "Because of a few songs/Wherein I spoke of their mystery/Women have been exceptionally kind to my old age/They ...
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