| | Jon Irabagon The Observer CD Jon Irabagon Discography of CDs
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Jon Irabagon's third recording as a leader, aside from his duties with Most Other People Do the Killing, is a refined, straight-ahead jazz effort that locks into his potential as a post-to-neo-bop player with an original sound on his alto sax. Joining the young man is a dream-team rhythm section of pianist Kenny Barron, bassist Rufus Reid, and drummer Victor Lewis, as cohesive and professional a trio as is available in current jazz circles. With slightly soured shadings à la Jackie McLean, Irabagon and his group steam through these original compositions straight out of the Blue Note/Prestige label bag of modern jazz established in the '50s and '60s, updated but not taken in contemporary or trendy contexts. The lyrical flow of Irabagon's horn is easy to enjoy, yet there's a bit of tension and release that identifies his personal sound. After all, he did not win the prestigious Thelonious Monk Jazz Competition based on playing fakebook tunes, or copying his idols. Irabagon's consistency is heard during the bluesy, modal "January Dream," which sounds like an extension of Wayne Shorter's "Nefertiti"; the good swinger "The Observer," where he proves quite adept at building a solo; Gigi Gryce's beautiful ballad "Infant's Song," initially in accord with Reid's bass; or "Makai & Tacoma," which could easily be flanked alongside the standard "Secret Love." The change-ups include the pensive, soulful, midtempo waltz "Acceptance," the loose bop version of Tom McIntosh's "Cup Bearers," and the circular, cascading piano of Barron cuing a pretty, light funk on top of "Closing Arguments." Trumpeter Nicholas Payton joins in on the hip, contemporary, caravan beat of "Joy's Secret" favorably comparable to a typical Woody Shaw tune, while the hard bopper "Big Jim's Twins" hearkens back to the days of Art Blakey's Jazz Messengers, as Irabagon and Payton play in perfect unison, happily swinging until daybreak. Finally, there's a languorous duet with pianist Bertha Hope on her husband Elmo Hope's "Barfly." Those expecting the wildly progressive approach of Irabagon's previous outings, or music similar to MOPDTK, should be aware of the conscious change that affects this repertoire. Regardless of personal preferences, many should be pleased at how Irabagon and his crack band expertly maneuver though this tasteful set of swinging mainstream jazz originals. ~ Michael G. Nastos
Personnel: Jon Irabagon (alto saxophone); Kenny Barron (piano); Victor Lewis (drums).
Audio Mixer: Rudy Van Gelder.
JazzTimes (p.63) - "For someone of Irabagon's skills, the sky's the limit. But this firmly grounded version of the young saxophonist sets the bar high." Jon Irabagon The Observer Songs The Observer Music Review Purchase The Observer CD To buy, Click on price to add to cart | Joe Farnsworth It's Prime Time CD (2004)
The Observer
$14.99 Drummer Joe Farnsworth has been the drummer of choice for many New York recording sessions over a dozen-year stretch prior to this CD, which is his recording debut as a leader. Having studied with two great drummers, the late Art Taylor and the late Alan Dawson, Farnsworth keeps things moving as he works with a variety of quartets and quintets, with bassist Ron Carter joining him throughout the session. Pianist Harold Mabern contributed the hard bop opener, "Sweet Poppa," ...
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$20.49 When pianist Jason Lindner first led his own big band in 1995 at the overnight jazz hang Small's in New York City, it was a diamond in the rough. Ten years hence, it was refined, enriched, and enlivened like few other comparable ...
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| | Miles Davis Birdland 1951 CD (2004) Remastered
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$8.29 These ten tracks, taken from radio broadcasts from the legendary Birdland in 1951, represent a particularly fruitful period in Miles Davis' development as a bandleader. There are three different broadcasts included here; two comprising six cuts in total were from June and September and have been issued in various forms on bootlegs over the decades. Four cuts, however, taken from a broadcast on February 17, have never been available in any form and it is these as well the marginally better fidelity of the entire set that makes this worth ...
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