Tinariwen Imidiwan: Companions CD

Imidiwan: Companions Music

List Price	$18.97 (You save $4.08)
Category	Rock/Pop Albums, African CDs, Mali, World, Afro-Pop
Label	World Village
All Time Sales Rank	211320
CD Universe Part number	8007860
Catalog number	468096
Discs	1
Release Date	Oct 13, 2009

Tinariwen Imidiwan: Companions Songs

1.	Imidiwan Afrik Temdam
2.	Lulla	$0.99
3.	Tenhert	$0.99
4.	Enseqi Ehad Didagh	$0.99
5.	Tahult In	$0.99
6.	Tamodjerazt Assis
7.	Intitlayaghen	$0.99
8.	Imazeghen n Adagh
9.	Tenalle Chegret	$0.99
10.	Kel Tamashek	$0.99
11.	Assuf Ag Assuf	$0.99
12.	Chabiba	$0.99
13.	Ere Tasfata Adounia
14.	Desert Wind	$0.99

Imidiwan: Companions Review

Guidelines
Remember to focus your comments on Tinariwen Imidiwan: Companions CD - Import.
Check our review guidelines for specific details regarding customer review policy.

To submit your review, please fill out the above form and click "Submit Review." A staff member will then verify your review meets our guidelines. Upon approval, your review will be published within a few days.

Please do not use this form to comment on web site errors or for order related questions. If you have concerns of this nature, please contact customer service by filling out this form.

To buy, Click on price to add to cart

Also Bought

Wondrous Love - A World Folk Song Collection / Chanticleer CD (1997)

Imidiwan: Companions

$13.05

Also Bought

Buzzcocks Flat-Pack Philosophy CD (2006)

Imidiwan: Companions

$13.19

Buzzcocks: Tony Barber (bass guitar); Pete Shelley, Philip Barker, Steve Diggle.
Personnel: Pete Shelley, Steve Diggle (vocals, guitar); Philip Barker (drums).
Audio Remixer: John A. Rivers.
Recording information: Southern Studios, England.
Arranger: Tony Barber .
Thirty years after their 1976 formation in Manchester, England, the Buzzcocks released FLAT-PACK PHILOSOPHY, an album of invigorated punk tunes that sports the group's straightforward, streamlined sound. Fronting a lineup that has stayed consistent since the ensemble's 1993 reunion, founding guitarists/vocalists Pete Shelley ...

Also Bought

Sadies In Concert: Vol. 1 CDs (2006) Digipak

Imidiwan: Companions

$13.89

The Sadies: Travis Good (vocals, guitar, fiddle); Mike Belitsky (vocals, guitar, drums); Dallas Good (vocals, guitar); Sean Dean (bass instrument).
Additional personnel: Bruce Good (vocals, autoharp); Margaret Good (vocals); Paul Brainard (pedal steel guitar, trumpet); Joel Burns (cello); Paul Aucoin (vibraphone); Greg Keelor (background vocals); Garth Hudson, Jon Langford, Jon Spencer , Kelly Hogan, Neko Case, Bob Egan.
There has always been plenty of evidence that the Sadies are tremendous songwriters and a talented backup band, but many fans have had to take on faith their reputation as a great live band. Well, no longer. The two-disc IN CONCERT, VOL. I includes 41 tracks recorded over two nights in the band's hometown of Toronto, and it's about as much fun as a concert ...

Also Bought

Beirut Flying Club Cup CD (2007)

Imidiwan: Companions

$10.99

Beirut: Zach Condon (vocals, mandolin, ukulele, conch shell, accordion, trumpet, flugelhorn, French horn, euphonium, piano, Wurlitzer piano, organ, Farfisa, glockenspiel, percussion); Owen Pallett (vocals, violin, piano, celesta, harpsichord, organ, steel drum); Jason Poranski (guitar, mandolin, background vocals); Nick Petree (guitar, percussion, background vocals); Paul Collins (bouzouki); Jon Natchez (mandolin, flute, clarinet, bass clarinet, baritone saxophone); Heather Trost (violin, viola); Kristin ...

Also Bought

Robert Plant Raising Sand CD (2007)

Imidiwan: Companions

$13.65

Those who find the pairing of '70s rock god Robert Plant with contemporary bluegrass queen Alison Krauss unlikely have probably not been paying attention to Plant's latter-day work, which is full of intimate, acoustic-flavored balladry. While the organic-sounding, low-key Plant/Krauss collaboration, RAISING SAND, is a far cry from Led Zeppelin's stadium rock, it offers up some hauntingly moody textures that should appeal to "Battle of Evermore" admirers.
Consisting mostly of sagely chosen cover tunes, the album finds Plant and Krauss bringing their warm-but-eerie harmonies to everything from Townes Van Zandt's nihilistic folk poetry ("Nothin'") to the crumbled beauty of latter-day Tom Waits ("Trampled Rose"). Determined not ...

Also Bought

James Taylor One Man Band CD (2007) With DVD

Imidiwan: Companions

$17.35

With ONE MAN BAND, James Taylor becomes the third major musical icon, after Paul McCartney and Joni Mitchell, to sign with the Starbucks-affiliated music label Hear Music for a new releases. Unlike Mitchell and McCartney, Taylor is using his fresh start to take a well-deserved retrospective look over the course of his career. ONE MAN BAND is a two-disc set incorporating a live concert and a documentary DVD. The DVD is an exhaustive work directed by filmmaker Sydney Pollack that mixes new live concert material and interviews with rare archival footage, including both vintage television appearances and, appropriately for a documentary about an artist who has treated his musical career as a lifelong running autobiography, home movies and personal photographs. True to the album's title, the live concert on ...

Alexander "Skip" Spence Oar CD (1969) Remastered

Imidiwan: Companions

$14.45

Digitally remastered reissue of the now-legendary 1969 solo debut by this member of Moby Grape. Features 10 bonus tracks, all recorded during the last days of the heady and historic album sessions ('This Time He Has Come', 'It's The Best Thing For You', 'Keep Everything Under Your Hat', 'Furry Heroine (Halo Of Gold)', 'Givin' Up Things', 'If I'm Good', 'You Know', 'Doodle', 'Fountain' and 'I Think You And I'). 22 tracks total. 1999 release. Solo performer: Alexander Skip Spence (vocals, various instruments).
Engineers: Charlie Bradley, Mike Figlio, Don Meehan.
Recorded at Columbia Studios, Nashville, Tennessee in December 1968.
Includes liner notes by David Fricke, Greil Marcus and Jud Cost.
Digitally remastered by Ken Robertson.
No one except psychedelic Renaissance man Alexander "Skippy" Spence could have created an album such as Oar. Alternately heralded as a "soundtrack to schizophrenia" and a "visionary solo effort," Oar became delegated to cut out and bargain bins shortly after its release in the spring of 1969. However those who did hear it were instantly drawn into Spence's inimitable sonic surrealism. As his illustrious past in the Jefferson Airplane, Quicksilver Messenger Service, and Moby Grape would suggest, this album is a pastiche of folk and rock. In reality, however, while these original compositions may draw from those genres, each song has the individuality of a fingerprint. As a solo recording, Oar is paramount as Spence performed and produced every sound on the album himself at Columbia Records studios in Nashville in the space of less than two weeks. This burst of creativity was directly preceded by a six month incarceration in New York City's Bellevue Hospital after chopping down a door at the Albert Hotel en route to do the same to fellow Moby Grape members Jerry Miller and Don Stevenson. A common motif to this album is the presence of ...