| | Trick Daddy Crooked Souf CD Trick Daddy Discography of CDs
Crooked Souf Music | List Price | $12.97 (You save $2.32) | | Category | Rap Albums | | Label | Rell | | All Time Sales Rank | 583677  | | CD Universe Part number | 8008264 | | Catalog number | 40754 | | Discs | 1 | | Release Date | Oct 27, 2009 |
Crooked Souf Review
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Purchase Crooked Souf CD To buy, Click on price to add to cart | Only Doo-Wop Collection You'll Ever Need CDs (2005)
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| | Chainsaw Men Electric Juju CD (2006) (Import)
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$17.99 "In just the space of a dozen songs, the Chainsaw Men reignite the long-smoldering spirit of punk rock -- the aggressive, soul-on-ice '76 spirit, not the whining, emasculated, noise-for-the-sake-of-boys 2000 spirit -- channelling the twin Detroit/Oz axis and delivering manifestos with the kind of ripped-jean vigor so rare, and therefore precious, nowadays. Small wonder: the Chainsaw Men sprung from the ashes of Australia's Vanilla Chainsaws and San Diego's Gamma Men (hence the combined moniker), a not-to-be-missed transcontinental summit meeting for fans who like their hi-nrg material both tuneful and meaningful."Fred Mills (Magnet #47 website)CHAINSAW MEN.... with ex VANILLA CHAINSAW (australia) and pre solo SIMON CHAINSAW on vocal and guitar, ex GAMMA MAN and NOISE FOR HEROES ZINE/SITE (usa), STEVE GARDENER on Drums. This disc was always destined to be a 70's punk spirit classic. Every track is full of the enthusiasm that made the initial punk movement so contageous. The sound before the punk formula and dogma set in. Just imagine the early punk songs (nerves etc) with great late 90's studio production, and that's what you have here... great songs and great production. No pretence.. just fantastic rock'n'roll."The Chainsaw Men's Electric Juju brings together a lot of elements you probably thought had left the rawwwk for good -- thrashin' punk energy from the rock-solid engine room, combined with plenty guitar damage (the confluence of buzzsaw rhythm and soaring leads) and anthemic tunes. Sure, the post-grunge era is the Age of the Non-Singer, but Simon Drew's got pipes AND tunes, and Bro. Gardner matches him shot-for-shot in the compositional stakes. The NKVD slogan -- "Energy, Melody, Guts" -- definitely applies here. Listening to ...
| | From The Repertoire Of German Goldenshteyn Book/Ge CD (2007)
Crooked Souf album
$44.29 This is a CD/Transcription Book Set featuring the tunes of the great master klezmer clarinetist German Goldenshteyn. The CD, "German Goldenshteyn: A Living Tradition," described below, features Goldenshteyn who at KlezKamp 2005, together with a hand-picked rhythm section of today’s greatest Yiddish musicians, sat down and recorded 20 tunes from his staggering collection of over 800 bulgars, freylakhs, horas, khosidls and sirbas. German Goldenshteyn's brilliant command of an old world klezmer sound and repertoire thought lost makes him the 21st century Dave Tarras, Naftule Brandwein, or Shloimke Beckerman.The book, "From the Repertoire of German Goldenshteyn" is a collection of 100 bulgars, freylakhs, hongas, khosidls and zhokuls from German Goldenshteyn's unique repertoire. Includes all the melodies on the German Goldenshteyn: A Living Tradition CD. For Bb instruments. (A book for C instruments is forthcoming).Just two weeks before the CD was to be officially released, German Goldenshteyn died unexpectedly of a heart attack ...
| | Variousrious When Radio Was King: The Vocalists CDs (2009)
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| | Jim Reeves Faboulous CD (2009) (Import)
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| | El Perro Del Mar Love Is Not Pop CD (2009)
Crooked Souf songs
$11.99 El Perro del Mar could have kept making the same desolate, heartbreakingly crushed record over and over with no diminishing returns. Maybe the pristine arrangements and fragile chamber pop sound were starting to feel limiting to Sarah Assbring and she needed a change. To that end, when the time came to start working on a follow-up to her 2008 album FROM THE VALLEY TO THE STARS, Assbring picked Studio's Rasmus Hägg as a collaborator. On LOVE IS NOT POP the pair have opened up El Perro's approach beyond the limits of the past, and have incorporated new ideas and sounds. One change is that the songs are much longer, averaging around five minutes and taking their time to ebb, flow, and reach devastating emotional levels. Another is that even though it's the work of just Assbring and Hägg, the record sounds very much like a full band, rather than a one-person operation. The interplay between instruments and the layered arrangements help with that impression. So do the innovations Hägg brought to the project. His background in dance music means there are a couple of songs ("Gotta Get Smart," "L is for Love") you could almost imagine yourself dancing to, albeit very sadly. Elsewhere, the warm synth tones, dubby sound effects, and overall expansive feel of the record can probably be attributed to his influence. Assbring's rigidly defined chamber pop sound gets a look in, too; on songs like "It is Something (To Have Wept)" and "A Better Love," she sounds as composed and precise (and broken) as ever. The sonic touches Hägg adds to her songs only makes them better. The combination of their gifts has resulted in something pretty special, possibly the best work either of them has done to date, and hopefully something that will continue.
El Perro del Mar could have kept making the same desolate, heartbreakingly ...
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