| | Mika Boy Who Knew Too Much CD - Import Mika Discography of CDs
UK deluxe two CD edition includes one bonus track ('Lover Boy') and a bonus Live CD featuring 17 tracks. 2009 sophomore album, the follow-up to his multi-million selling debut, produced by Mika and Greg Wells (Katy Perry, P!nk). The Boy Who Knew Too Much features guest contributions by Imogen Heap and Final Fantasy's Owen Pallett, and contains the brilliant first single 'We Are Golden'. The album straddles a line between childish na‹vet‚ and world-worn sophistication; Mika likens this transformation as the shift from childhood and his debut's innocence to something more akin to adolescence. The arrangements are bigger and more beautiful than ever before, and the album is underpinned by an open-hearted and accepting idea of what living in the 21st century means in all its contradictory, complicated glory. Boy Who Knew Too Much Music | List Price | $38.99 (You save $2.20) | | Category | Rock/Pop Albums, Rock CDs | | Label | Phantom | | CD Universe Part number | 8008314 | | Discs | 2 | | Release Date | Oct 06, 2009 | | Additional Info | Import |
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There's no shortage of legendary producers in line to work with music world titans U2; when work with Rick Rubin broke off, Brian Eno and Daniel Lanois stepped in. The resulting NO LINE ON THE HORIZON, 2009's offering from the Irish rockers, continues in the grand U2 tradition, as soaring pop anthems like opening single "Get on Your Boots" pair with experimental melanges like "Tripoli," on a striking album featuring touches of all the albums come before, yet hinting at new worlds for Bono to conquer.
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09 collection marking the Hyperdub label’s fifth anniversary. CD1 has new recordings by the likes of Burial, Cooly G, Darkstar, Flying Lotus, Ikonika, Joker & Ginz, King Midas Sound & more. CD2 features unreleased tracks, rarities & vinyl only 12 inches from label’s back catalogue, many making their first ever appearance on CD. 32 tracks.
Not to slight other dubstep-rooted labels productive from 2005 through 2009--Tectonic, Deep Medi, Hessle Audio--but this half-new/half-retrospective set supplies all the evidence necessary in determining the form's supreme source. Released to acknowledge the fifth anniversary of Kode9's Hyperdub, these two discs, assembled in the wake of 30-plus 12" releases and three albums, should be the starting point for anyone late to the party. There is a slight catch, though: only a fraction of the contents is truly dubstep. In short, dubstep extends and mutates dub, drum'n'bass, U.K. garage, and grime in various permutations. That the first disc contains the new material speaks to the label's desire to continue pushing. It does not quite surpass the second disc of past highlights, yet it's nothing short of generous. A handful of comrades who hadn't previously appeared on the label, like Flying Lotus and Martyn, make appearances; perhaps unsurprisingly, it's the Hyperdub artists who deliver the most moving tracks. King Midas Sound's "Meltdown" is psych ward lovers rock. On "Time Patrol," Kode9 places crisp, tightly coiled percussive friction and jabbing strings beneath the Space Ape and Cha Cha's urgently whispered threats/come-ons. Ikonika's "Sahara Michael," enhanced with sub bass and swarming strings, is one of the most complex productions, stunningly layered with drums that switch between a swaying lurch and a stomp as acidic bleeps flutter and gurgle. The second disc features most of the label's essentials, including Darkstar's "Need You," Joker's "Digidesign," Samiyam's "Return," and the Rustie mix of Zomby's "Spliff Dub," all of which are unique and equally representative of Hyperdub.
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Issued in the U.K. during late 2006, Jarvis Cocker's solo debut finds the ex-Pulp frontman returning to the well-honed Britpop sound of his lauded former band after a brief stint heading up the Relaxed Muscle techno project. While JARVIS lacks the cinematic expanse of Pulp's swansong, WE LOVE LIFE, and the darkly brooding atmosphere of THIS IS HARDCORE, it hews fairly closely to the pop-savvy rock sound of HIS 'N' HERS and DIFFERENT CLASS. ...
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