| | Paul Davis Ride 'Em Cowboy CD Paul Davis Discography of CDs
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Our Price: $10.65  CDFor Sale Usually ships in 1-2 days
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Ride 'Em Cowboy Music | List Price | $12.97 (You save $2.32) | | Category | Rock/Pop Albums, Rock CDs | | Label | Wounded Bird | | Orig Year | 1974 | | All Time Sales Rank |  101461  | | CD Universe Part number | 8012086 | | Catalog number | 401 | | Discs | 1 | | Release Date | Nov 10, 2009 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Paul Davis |
Paul Davis Ride 'Em Cowboy Songs Ride 'Em Cowboy Review
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Purchase Ride 'Em Cowboy CD To buy, Click on price to add to cart | Al Stewart 24 Carrots CD (1980) Bonus Tracks
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"Here In Angola," "Pandora," and "Indian Summer" were originally released on the LP INDIAN SUMMER.
24 CARROTS is folk-rocker Al Stewart's 1980 album, recorded with Shot in the Dark. This reissue features five bonus tracks, "Here in Angola", "Indian Summer", "Pandora", "Delia's Gone", and "Princess Olivia".
The pun of the title of 24 Carrots -- the first overt signal of humor Al Stewart has displayed in years, possibly ever -- illustrates that a lot has changed since 1978's Time Passages. The loosening of his wit is perhaps the most evident, but the most significant is the departure of producer Alan Parsons, who collaborated with Stewart on his mid-'70s triptych of masterpieces. In truth, 24 Carrots isn't far removed from those high points, because he is indeed still writing at a remarkably consistent pace. No, this record isn't quite at the high standard of the previous three albums, ...
| | Doors Soft Parade CD (1969) Gold; Remastered
Ride 'Em Cowboy CD music
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Dismissed by the benighted as the Doors' "pop album," SOFT PARADE is one of the band's most adventurous recordings, utilizing strings and horns without resorting to schlocky over-production and moving far beyond their blues roots. Morrison was fully into his shaman phase by 1969, and his obsession with that image is reflected in the proselytizing air of "Tell All the People," and of course "Shaman's Blues." The album's biggest hit "Touch Me," while easily the group's most radio-friendly offering, is a pop classic that ranks among the great '60s AM radio tunes. "Wild Child" is a brief return to the blues-rock of yore, but the title track ...
| | Little Bit Of Paul Davis CD (1971)
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| | Paul Davis Southern Tracks & Fantasies CD (1976)
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| | Paul Davis Singer Of Songs - Teller Of Tales CD (1977)
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| | Paul Davis CD (1980)
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| | Todd Rundgren's Utopia CD (1974) (Import) Japan; Mini LP Sleeve
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| | Holy Sons Criminal's Return CD (2009)
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| | Buddy Miles Chapter VII CD (1973) Bonus Tracks
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| | Telestjernen Ungt Blod CD (2009)
Ride 'Em Cowboy CD music
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| | Red Chord Fed Through The Teeth Machine CD (2009)
Ride 'Em Cowboy music CDs
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Massachusetts-based metalcore band the Red Chord has become ever so slightly more palatable on FRED THROUGH THE TEETH MACHINE, their fourth album. They're still not writing songs with traditional verse-chorus structures for the most part, but "Hour of Rats" has some catchy parts (plus the great lyric "We've known each other too long to be friends"), and several other songs offer moments of pleasure amid the general atmosphere of discordant chaos. Like many other bands in the extreme metal realm these days, the Red Chord's extraordinary instrumental talent gets plenty of spotlight time throughout their albums, but their ability to subvert listener expectations with a sudden left turn -- an unexpected solo, or a riff that seems to have nothing to do with the one immediately before it -- is often given pride of place over writing a memorable song. Their music is a roller-coaster ride, exciting in the moment but not something you can mull over in your mind afterward; it all goes by too fast, and changes too much along the way. It mixes grindcore and progressive death metal, occasionally letting the songs swirl around and get almost psychedelic, as on the weird "Floating Through the Vein," but most of the time it's aggression that carries the day, so that just as something's starting to catch your ear (like the bass fills in "Ingest the Ash," leading to a pretty interesting guitar break), they shift to another blastbeat. This is a frustrating album, and it seems like the Red Chord like it that way.
Massachusetts-based metalcore band the Red Chord has become ever so slightly more palatable on this fourth album. They're still not writing songs with traditional verse-chorus structures for the most part, but "Hour of Rats" has some catchy parts (plus the great lyric "We've known each other too long to be friends"), and several other songs offer moments of pleasure amid the general atmosphere of discordant chaos. Like many other bands in the extreme metal realm these days, the Red Chord's extraordinary instrumental talent gets plenty of spotlight time throughout their albums, but their ability to subvert listener expectations ...
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