| | Mahler: Symphony No. 1 "Titan" CD - Import Honeck / Mahler / Pittsburgh Sym Orch CDS
Mahler: Symphony No. 1 "Titan" Music | List Price | $25.98 (You save $2.49) | | Label | Exton | | Orig Year | 11/10/2009 | | All Time Sales Rank |  34513  | | CD Universe Part number | 8012427 | | Catalog number | 26 | | Discs | 1 | | Release Date | Nov 10, 2009 | | Mono/Stereo | Mixed |
Mahler: Symphony No. 1 "Titan" Review
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Mahler: Symphony No. 1 "Titan" Songs Purchase Mahler: Symphony No. 1 "Titan" To buy, Click on price to add to cart | Chicago Symphony Orchestra Vienna CD (2006) Super Audio CD
Mahler: Symphony No. 1 "Titan"
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DR. STRANGELOVE OR: HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB is Stanley Kubrick's Cold War masterpiece. Based on the novel RED ALERT by Peter George, the film is set at the height of the tensions between Russia and the United States, when all it would take to destroy the world was one push of a button. And General Jack D. Ripper (Sterling Hayden) is just the man to do it.
Convinced that the Russians have infiltrated America's "vital essence," the crazed Ripper gives the go code to the 843rd bomb wing to attack Russia, setting in motion a series of darkly hilarious vignettes involving gung-ho soldiers, wacky generals, spying Russians, drunken premiers, battles with soda machines, fights in the War Room, and the Russians' top-secret Doomsday Machine. Shot in black and white, the film has three main centers of action: one of the B-52 bombers, on which a group of loyal men know they are about to start World War III; Burpelson Air Force Base, where Group Captain Lionel Mandrake (Peter Sellers) is trying to convince everyone that Ripper has gone mad and the bombing must be stopped; and the War Room, where President Merkin Muffley (Sellers again) is trying to make peace with the Russians. The finale featuring Sellers as Dr. Strangelove is a comic gem. Hayden, George C. Scott, Slim Pickens, Keenan Wynn, and Sellers (in three roles) are especially terrific in what may be the funniest, most poignant black comedy ever made, a vicious satire on the farcical aspects of the military and the cold war.
Black & White; Widescreen; Soundtrack English; Soundtrack French; English Subtitles; French Subtitles; Special ...
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The Few Against Many are one of those Scandinavian side projects -- in this case helmed by former Scar Symmetry vocalist Christian Älvestam -- whose intra-personnel bloodlines are so convoluted that making sense of what part each plays in the eventual new musical sum is a largely fruitless and unquestionably exhausting proposition. They play death metal, OK? And their 2009 debut clarifies this position as particularly aggressive and frenetic death metal (lots of blastbeats), either streaked with scattershot symphonic embellishments (opener "Hädanfärd" and the title track) or densely integrated orchestrations and synthesizers (as in the highlights "Bränd Mark" and "Skapelsens Sorti"). Also, with the exception of the tracks "Abider" and "One with the Shadow," which received lyric contributions from Katatonia's Jonas Renske and Dark Tranquillity's Mikael Stanne, respectively, the remaining cuts were all penned in Swedish by Älvestam, who notably stays clear of his accomplished clean singing voice and goes strictly Cookie Monster throughout. Problem is, between the synthetic, rather cheap-sounding nature of those aforementioned symphonics and the limited amount of material on hand -- just eight songs lasting 36 minutes ...
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A wild mix of personal stories, high concept, and mixtape presentation, Toussaint St. Jean: From the Hut, To the Projects, To the Mansion is the sound of Wyclef Jean following all of his whims and desires as far as they'll take him, which apparently isn't as far as a whole album. According to the liner notes, this 17-track release is actually an EP, but like the mixtape branding of this being a "DJ Drama Presents" effort, all signs point to Wyclef marketing this as sideline release and not as part of his main discography. There are plenty of reasons to this, one being Wyclef's underdevelopment of this title character "Toussaint St. Jean," who is one-part 18th century Haitian hero, one part Wyclef rapping rather than singing. The character allows Wyclef freedom to complain about Auto-Tune, the spotlight shifting from Wyclef to will.i.am, and some other personal annoyances, but this free-wheeling mixtape will suddenly shift to more global concerns, and enlist Cyndi Lauper for help on the elaborate highlight "Slumdog Millionaire." Elsewhere it's Lil' Kim bringing some serious gutter talk to the table, and Timbaland bringing the club-worthy, ultra-cool beats, and while Wyclef has made sensible, well-flowing albums out of this kind of diverse material before, here he takes the mixtape tactic and gives Drama a shout-out when the going gets rough. It doesn't spoil the show, and listening to Wyclef go every which way while exorcising some demons will still please fans no matter how bumpy the ride. Casual listeners may prefer one of his saner and more stable official albums, but as free-form diversions go, this one is rather thrilling. ~ David ...
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