| | Ethel Waters Love Is The Thing CD - Import Ethel Waters Discography of CDs
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2009 collection. Ethel Waters had a long and varied career, and was one of the first true Jazz singers to record. Defying racism with her talent and bravery, Waters became a stage and movie star in the 1930s and `40s without leaving the U.S. Recordings of Ethel Waters were inducted into the Grammy Hall of Fame, which is a special Grammy award established in 1973 to honor recordings that are at least 25 years old, and that have qualitative or historical significance. 23 tracks. Bygone Days. Love Is The Thing Review
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By late 1966, it seemed as if every TV commercial and every pop arranger had latched onto the Herb Alpert "Ameriachi" sound -- at which point the resourceful originator of that sound began to pare it down and loosen it up a bit. S.R.O. (Standing Room Only), referring to the Tijuana Brass' string of sold-out concerts, is an accurate title, for this LP is about a seven-piece band loaded with experienced jazzers who groove and swing together to a greater degree than on their previous albums. Sure, the arrangements are very tightly knit and don't allow much room for spontaneity, but they still sound fresh and uninhibited, and Alpert often allows the flavor of jazz to come through more clearly. Indeed, two of the album's three hit singles, ...
| | Aarktica In Sea CD (2009)
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For his sixth album under the Aarktica name, Jon DeRosa continues exploring the possibilities of drone-as-song, caught somewhere in suspended space between pure atmospherics and understated, almost hidden melodic grace. If anything, his slowly building discography over time reflects the general passion of his work, to the point where he can now end an album with a seemingly out-of-nowhere cover -- "Am I Demon?" taken from the debut album of Danzig -- and have it sound completely like his own song, the brawling strut now replaced by understatedly sung, entrancing tension. It's of a piece with In Sea as a whole, the Terry Riley-referencing title one of several nods to DeRosa's other inspirations -- "LYMZ," the second song, takes its name from the initials of LaMonte Young and Marian Zazeela, and its dark, low tones suggest shafts of light losing themselves in oceanic depths. "Corpse Reviver No. 2," despite the seemingly peppy name, is equally shadow-laden, a heavily treated guitar part forming the almost-hidden center of a stark, steady progression, while "When We're Ghosts" reaches for a same awesome counterbalance between quiet melody and howling noise that suggests prime Flying Saucer Attack more often than not. In a more straightforward vein are songs like "Hollow Earth Theory," with DeRosa's softly yearning voice and warm, constantly rising core melody layered with beautiful backward guitar touches, and the gently charging instrumental "Young Light." ~ Ned Raggett
'Aarktica's songs are extended reveries, built on loops of guitars & drums & occasional voices. The musical elements hover & circle, float by or bristle with distortion as the songs drift through serenity & trouble.' ~ Jon Pareles, The New York Times In Sea is Jon DeRosa's sixth-full length release as Aarktica & a return to the sound Aarktica has been famous for since its debut No Solace In Sleep in 2000. The story of NSIS is mythic. In the winter of 1999, after learning ...
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