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Fats Domino Blueberry Hill CD - Import

 Fats Domino Discography of CDs

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2009 Euro two disc budget collection.
Blueberry Hill Music


Detailed Blueberry Hill Music Information



List Price $22.98 (You save $0.93)
Category Rock Albums
Label Indie Europe / Zoom
CD Universe Part number 8037161
Discs 2
Release Date Oct 19, 2009
Additional Info Import
Fats Domino Blueberry Hill Songs


Fats Domino Blueberry Hill Album Track Listing



1.Blueberry Hill  
2.I'm Ready  
3.Ain't That A Shame  
4.So Long - Medly With C.C. Rider  
5.Hello Josephine  
6.Blue Monday  
7.Jambalaya  
8.Oh What A Price
9.I'm In The Mood For Love  
10.Let The Four Winds Blow  
11.I Want To Walk You Home  
12.I'm Gonna Be A Wheel Someday  
13.Whole Lotta Loving  
14.Domino Twist$0.99
15.The Fat Man  
16.Please Don't Leave Me  
17.I'm In Love Again  
18.Be My Guest  
19.Red Sails In The Sunset  $0.99
20.Goin' Home  
21.I'm Walkin'  
22.Lady Madonna
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Black Gives Way To Blue
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CD $12.59  4.6 stars Top 100 Audio Samples
When Layne Staley died from a drug overdose in 2002, it had already been several years since most Alice in Chains fans stopped hoping for a new album. The singer had become a recluse since the late-`90s, and there was little indication that AIC would ever again produce much in the way of new music. As a result, when the remaining members reunited to release BLACK GIVES WAY TO BLUE in 2009, expectations were low. To the delight of all however, the album proved to be perhaps the Seattle combo's most energetic and consistent effort since its masterpiece DIRT. Perhaps the most surprising element of the new record was how much it sounded exactly like Alice in Chains. While new singer William DuVall was not an exact Staley soundalike, he managed to evoke both the unique timbre and sense of deep angst that were the ...
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After the dark and chilling themes of 2006's BLACK CADILLAC, which saw Rosanne Cash dealing with the deaths of her mother, Vivian Liberto, her father, Johnny Cash, and her stepmother, June Carter Cash -- all of whom passed within a two-year span -- one might assume that her next project would move into an even deeper level of bleakness, but with THE LIST, it's immediately clear that she has instead found a more measured place to stand. It's a lovely and redemptive outing that looks back to go forward. When Cash turned 18, her father, alarmed that his daughter only knew the songs that were getting played on the radio, gave her a list of what he considered 100 essential American songs; Cash kept that list, and now she's drawn on it for this wonderfully nuanced outing that brims with a kind of redemptive timelessness. THE LIST is a renewal and a testament to life, and it belongs to her father as much as it belongs to her, a beautiful restatement of her father's passions, only now, they've become his daughter's treasures, as well. It's an affirming story, but that's all it would be if Cash didn't sing her heart out here. The opener, a version of Jimmie Rodgers' "Miss the Mississippi and You," is full of comfortable grace and sentiment, and Cash keeps that fine emotional tone throughout this set. Songs like the folk classic "500 Miles" feel at once both lovingly rendered and reborn for a new century in Cash's hands. There's also her fine rendering of Bob Dylan's "Girl from the North Country," a nice turn at Harlan Howard's "Heartaches by the Number" (which features Elvis Costello), a calm but still spooky duet with Jeff Tweedy on the faux-murder ballad "Long Black Veil," and a duet with Bruce Springsteen on Hal David and ...
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A surprise best-seller when it was first released, this mostly improvised pairing of singer/keyboardist/producer Al Kooper with two major guitar heroes of the day sounds fascinating all these years later precisely because of the distance of time--nobody makes records like this any more. The material runs the gamut from folk pop (covers of Donovan and Dylan), to blues ("Albert's Shuffle," "You Don't Love Me"), to heady jams ("His Holy Modal Majesty"), to big-band jazz ("Harvey's Tune"). All the tunes make effective templates for the kind off-the-cuff music-making that in less capable hands might have resulted in simple noodling. In fact, although Bloomfield and Stills don't play together on any of the cuts (Bloomfield played on one side of the original LP, Stills on the other), all three principals get off lots of good licks and producer Kooper has some interesting tricks up his sleeve, as in the over-the-top phasing he lavishes on "You Don't Love Me." The only real disappointment here is that Stills, a far better singer than Kooper, never opens his mouth. Those familiar with the Live Adventures album these two recorded at the Fillmore West know how brilliant they could be on stage, and here's another gem, recorded at the Fillmore East this time and featuring 'One Way Out,' 'It's My Own Fault' (with Bloomfield trading licks with Johnny Winter...Johnny was signed to Columbia after this gig!). Newly remastered & now with 4 bonus tracks, 'Albert's Shuffle' (2002 Remix w/o Horns), 'Season of the Witch.' (2002 Remix w/o Horns), 'Blues For Nothing' (Studio Outtake) ...
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Every once in a while a singer/songwriter comes down the pike in the grand emotive tradition of Neil Young and Van Morrison. In the early 2000s, the quietly intense folk of Iron & Wine and the rootsy-experimental stylings of Sufjan Stevens continued that lineage. Ray LaMontagne, whose impressive 2004 debut, TROUBLE, draws on alt-country, roots rock, and progressive folk in a unique, strikingly sincere way, seems a likely candidate for the keeper of the flame. The title track, which opens the album, introduces LaMontagne's deeply textured singing. Simultaneously raw, lilting, and expansive, LaMontagne's voice bristles with emotion, and immediately commands the listener's attention. Though the instrumentation on the album rarely changes--strummed acoustic guitar, tasteful string arrangements, bass, drums, and electric guitar for accents--the moods ...
The Ultimate Bee Gees
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Blueberry Hill
CD $18.94  SALE Top 100 Audio Samples
Functioning as something of a replacement for the 2001 collection Their Greatest Hits: The Record, The Ultimate Bee Gees covers much of the same ground as that double-disc set, albeit in not quite so linear a fashion. The Record marched through its 40 tracks chronologically, opening with the stately baroque Beatlesque pop of the '60s and then winding through the '70s, whereas this opens with the bright, fabulous blast of "You Should Be Dancing" and remains in their late-'70s heyday for a while before fast-forwarding to such latter-day adult contemporary hits as "One." We don't get to "I've Gotta Get a Message to You" and "I Started a Joke" until halfway through the second disc, and this jumbled, almost haphazard sequencing is a little disconcerting since it appears to follow no true rhyme or reason. Nevertheless, scattershot is still plenty entertaining when the music ...
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Clusone 3 Soft Lights & Sweet Music CD  (2009) (Import)

Blueberry Hill
CD $38.09
Track Listing of songs: Soft Lights And Sweet Music; There's No Business Like Show Business; The Song Is Ended; Anything ...
Irene
Left Setter Irene CD  (2009)

Blueberry Hill
CD $13.15
Left Setter returns in late Summer 2009 with the release of "IRENE". Nine socially conscious tracks documenting the hope and confusion of life within a struggling society and its disassociation with interpersonal relationships. A Chicago-based independent/alternative hard rock band, Left Setter is highly recognized for their energetic live performances and sonic recordings. Left Setter has a DIY attitude and approach to putting their art first.Forming and releasing a 5-song EP in late 2001, Left Setter released their first full-length album, the self-titled "Left Setter", in spring of 2003. Critically acclaimed press reviews for the album helped earn Left Setter a Budweiser "True Music Live" sponsorship. Music videos for the songs "Trainwreck" and "Invasion" visually promoted the band to new video and cable outlets such as Fuse, MTV2 and Music Choice, while "Teardrop" and "11:11" helped break the band onto local, national and international radio charts. "Durbin's Poison" also earned a spot on Blender Magazine's "Best of Unsigned ...
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Roger Morris First Album CD  (2009) (Import)

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Japanese Mini LP sleeve
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La Brigade Un Esprit Libre Ne Meurt CD  (Import)

Blueberry Hill
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Synesthesia CD  (Import)

Blueberry Hill
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COMPILED BY DJ OMLINE
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Lisa 'Left Eye' Lopes Eye Legacy CD  (Import)

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Ange Ou Demon
Manigance Ange Ou Demon CD  (2006) (Import)

Blueberry Hill
CD $12.89
Here's the first "real" album of MANIGANCE ! Released in 2002 (5 years after their first self financed 6 tracks EP came out), "Ange Ou Demon" starts everything.This albums proves that French lyrics can be perfect for heavy metal ! Because even if these days the melodic power metal is not the hippest style of ā€œhard rockā€ anymore. Out of the huge wave of bands coming from all over the world since the late 90’s, just a few will really stay. Although many of them like to sing, only the strong survive… and the list is short: HammerFall from Sweden, Edguy from Germany, Sonata Arctica from Finland, Rhapsody from Italy and, why not, Manigance from France… They have been a lot on the road and at their several concert as the headliner or with other acts like Freedom Call, Royal Hunt, U.D.O, Angra, Sonata Arctica, Stratovarius or, in July 2005, The Scorpions at the prestigious Olympia Hall in Paris, and even more recently with Whitesnake in Toulouse. They are easily recognized in the metal world from their distinctive sound, which is given more of a trademark by their singing in French. In a predominantly English lyric market place where almost everyone sings (or tries to sing) in English, Manigance has made their own space. Maybe they aren’t widely known, but they have a very secure and fresh hold on the music scene in areas such as music quality and language where the majority of bands cannot compete with them. If you like ...
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Cessna Terminus CD  (2004)

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