| | Scooter Under The Radar Over The Top CD - Import Scooter Discography of CDs
UK version of the German outfit’s hit 2009 album. Includes a 40 track PAL DVD of Scooters biggest videos going back to the very beginning. 52 tracks. Under The Radar Over The Top Music | List Price | $36.99 (You save $6.80) | | Category | Rock/Pop Albums, Rock CDs | | Label | Phantom | | CD Universe Part number | 8038755 | | Discs | 2 | | Release Date | New Scooter CD release date Nov 24, 2009 | | Additional Info | Import |
Scooter Under The Radar Over The Top Songs | 1. | Stelth |
| 2. | J´adore Hardcore |
| 3. | Ti Sento |
| 4. | State of Mind |
| 5. | Wher the Beats... |
| 6. | Bit a Bad Boy |
| 7. | The Sound Abover My Hair |
| 8. | See Your Smile |
| 9. | Clic Clac |
| 10. | Second Skin |
| 11. | Stuck On Replay |
| 12. | Metropolis |
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Under The Radar Over The Top Music Under The Radar Over The Top Review
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Purchase Under The Radar Over The Top CD To buy, Click on price to add to cart | Gov't Mule By A Thread CD (2009)
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BY A THREAD is Gov't Mule's first studio album since HIGH & MIGHTY was issued in 2006. Since that time, bassist Andy Hess has been replaced by Jorgen Carlsson, though Hess appears on two tracks at the end of the album. Carlsson's playing style is much more aggressive than Hess', and is therefore closer - in spirit anyway - to Gov't Mule's original bassist, the late Allen Woody, though he possesses an adventurous sense of time and is harmonically more colorful than either Woody or Hess. Carlsson and drummer Matt Abst are a solid match, since Abst is a drummer used to shifting time signatures and allowing the unexpected in while still driving a band. The band's keyboardist and rhythm guitarist, Danny Louis, is a shape-shifter, playing to whatever is needed in a given track. His manner ...
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| | Young People CD (2002)
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A striking first album, Young People introduces the group's unique blend of lilting, traditional-sounding melodies, experimental instrumentation, and Katie Eastburn's gorgeously flawed vocals. Shades of Palace, the Dirty Three, Cat Power, and the Velvet Underground haunt the band's music, but it still sounds remarkably fresh and timeless at once -- call it avant Americana. The spare, simple beauty of songs like "Ron Jeremy" (named for, but not about, the famed adult movie star) and "Repent" is both unusual and extremely affecting; Young People ...
| | Michael Nesmith Silver Moon (Audio Legends) CD (2002)
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Although the cover art might suggest that this compiles, features, or in some way includes material from Michael Nesmith's four-year (1966-1970) tenure as a Monkee, this isn't the case at all. Additionally confusing matters is that the same 25 tracks on this collection are replicated -- right down to the exact running order -- on the unimaginatively titled Best Of: Original Hits. Regardless, the contents of both have been culled from Nesmith's first half-dozen post-Monkees long-players. The tune stack is well represented by the First National Band LPs Magnetic ...
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Audio Mixer: Gary Langan.
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$10.49 | | Beatles Let It Be CD (1970) Limited Edition; Remastered; Digipak; Enhanced CD
Under The Radar Over The Top music CDs
$15.55
LET IT BE...NAKED contains a FLY ON THE WALL bonus disc including song rehearsals and conversation snatches.
Includes liner notes by Kevin Howlett and interview excerpts with The Beatles
This reissue of LET IT BE has been digitally re-mastered. It comes packaged with replicated original U.K. album art, an expanded booklet containing original and newly written liner notes, and rare photos. Limited quantities of the CD are embedded with a brief documentary film about the album.
Original Soundtrack/The Beatles: Paul McCartney (vocals, guitar, piano, bass instrument); John Lennon, George Harrison (vocals, guitar); Ringo Starr (drums).
In its original form, LET IT BE signaled the end of an era, closing the book on the Beatles, as well as literally and figuratively marking the end of the '60s. The 1970 release evolved from friction-filled sessions the Beatles intended to be an organic, bare-bones return to their roots. Instead, the endless hours of tapes were eventually handed over to Phil Spector, since neither the quickly splintering Beatles nor their longtime producer George Martin wanted to sift through the voluminous results.
LET IT BE... NAKED sets the record straight, revisiting the contentious sessions, stripping away the Spectorian orchestrations, reworking the running order, and losing all extemporaneous in-studio banter. On this version of the album, filler tracks ("Dig It," "Maggie Mae") are dropped, while juicy b-side "Don't Let Me Down" is added. The most obvious revamping is on the songs handled heavily by Spector. Removing the orchestrations from "The Long and Winding Road" and "Across the Universe" gives Paul McCartney's vocals considerably more resonance on the former, doing the same for John Lennon's voice and guitar on the latter. This alternate take on LET IT BE enhances the album's power, reclaiming the raw, unadorned quality that was meant to be its calling card from the beginning.
Generally regarded as the Beatles' last album, LET IT BE was actually recorded in 1969, before the recording and release of ABBEY ROAD. LET IT BE was greeted with mixed reviews when it came out in 1970, and is still a controversial disc in the band's catalogue--many fans reject it, while others defend it fiercely. Notable for its difference from anything else the Beatles recorded, LET ...
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