| | RJD2 Horror CD RJD2 Discography of CDs
This includes a bonus DVD disc.
Personnel: RJD2, Aesop Rock, Vast Aire, Murs, Blue Print.
Audio Mixer: Ernie Stackmore.
Recording information: The Bowery Ballroom (12/27/2000).
Photographer: Cory Piehowicz.The Wire (5/03, p.78) - "...The Ohio kid's mixes and beats support the thesis that the best kinds of resourcefulness come from those in the most out of the way places..."
CMJ (5/12/03, p.8) - "...Cut from the same cloth as DEADRINGER'S intricate weave of various samples intertwined into a cohesive whole. What THE HORROR does differently, however, is allow listeners to delve a bit deeper into the talents of RJD2..." RJD2 Horror Songs | | Horror CD DISC 1: DISC ONE: |
| 1. | Horror, The |
| 2. | Ghostwriter [Remix] - (remix) |
| 3. | Final Frontier [Remix] - (remix) |
| 4. | Bus Stop Bitties |
| 5. | Good Times Roll Pt. 1 |
| 6. | Sell the World |
| 7. | June [Remix] - (remix) |
| 8. | Counseling Inst. |
| 9. | Final Frontier [Instrumental] |
| 10. | f.h.h inst. |
| 11. | Sleepaway, The |
| 12. | When It Wobbles |
| | Horror Songs DISC 2: DISC TWO: |
| 1. | Exclusive Live Footage: at Beta Lounge SF & Bowery Ballroom NYC (W/ El-P, MURS & Aesop) [Video] [CD-ROM Track] - (live) |
| 2. | Horror: Animated [Video] [CD-ROM Track], The |
| 3. | Sneak Peak: The Making of The Horror Music Video [Video] [CD-ROM Track] |
| 4. | Interactive Photo Gallery [CD-ROM Track] |
|
Horror Review
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Purchase Horror CD To buy, Click on price to add to cart | Janet Jackson Number Ones CDs (2009)
Horror album
 $15.98    
Number Ones replaces Design of a Decade, released 14 years prior. Excepting the new song "Make Me" (hard neo-disco/funk excellence), each song here was indeed a number one hit on Billboard's various charts, though "Got 'Til It's Gone" sneaks through a side door via the Japanese charts. One number one, oddly, is missing: "So Excited," a perfectly fine, 2006 single which topped the club chart. This set is more thorough with 1986-1996, too, adding Herb Alpert's "Diamonds" -- which would not have been out of place on Control, given Jam & Lewis' production and Janet's precedence over Alpert's trumpet -- as well as "The Best Things in Life Are Free" (with Luther Vandross) -- all the smashes off janet., and "Scream" (with her brother). Say what you want about Janet peaking with Jam & Lewis during the latter half of the '80s -- to be fair, the argument is valid -- but she did rack up a career's worth of solid hits during the years that followed. Even if they were not as sonically innovative and lacked the same amount of pop appeal of the Control/Rhythm Nation-era singles, they clearly made a significant impact and ...
| | Jay Sean All Or Nothing CD (2009)
Horror CD music
$11.16
Borrowing the best bits of his 2008 U.K. release My Own Way while adding a handful of new tracks, All or Nothing is R&B singer Jay Sean's big play for American success. Released by Birdman and Lil Wayne's Cash Money label, the album ushers Sean into a new realm of slickness with the widescreen love song "Down," plus the ridiculously infectious "Do You Remember," which bounces along with dancehall superstar Sean Paul and the King ...
| | Willie Clayton Love, Romance & Respect CD (2009) (Import) Bonus Track
Horror music CDs
$13.89
| | Little Dragon Machine Dreams CD (2009)
Horror songs
$14.38
Lest you believe Little Dragon lack an aesthetic spine, their shift away from low-key left-field hip-hop, plaintive piano ballads, and acoustic jazz--a combination that helped make their debut a cult classic--seems more natural after a couple spins. There's no way around the fact that most of MACHINE DREAMS is icy electro-pop, but it is not as if the truly singular Yukimi Nagano, an enamoring vocalist, has switched to drone mode, forsaking her grounding in R&B. She has kind of perked up, in fact, with her hooks carrying more lift to suit her band's rubbery rhythms and liquid synthesizer patterns. Just as "Twice" was the standout on LITTLE DRAGON, the songs here that resonate most--the opening "A New" and closing ...
| | Barry White All-Time Greatest Hits CD (1995)
Horror album
$11.99 
Barry White's ALL-TIME GREATEST HITS contains the original single versions of his classic solo hits, as well as two songs White performed as the lead vocalist of the Love Unlimited Orchestra. All tracks were previously released on the 20th Century Records label.
All tracks digitally remastered by Gary Mayo (Polygram Studios).
It took quite a while for a definitive Barry White compilation to hit the market, but All-Time Greatest Hits -- part of Mercury's Funk Essentials series -- finally filled the bill in 1995. Boasting a full 20 tracks from White's heyday of 1973-1978, more than half of which made the R&B Top Ten, All-Time Greatest Hits is easily the most generous single-disc White collection on the market. It includes the edited single versions, not the full-length album tracks, which actually makes for a more digestible introduction to White's achievements. Like his forebear Isaac Hayes, White was not just a deep-voiced crooner, but a talented producer and arranger who'd spent years honing his craft behind the scenes in the industry. And like Hayes, White spent a great deal of time setting up moods on his albums, using lush, sweeping orchestrations to build very gradually to climaxes. (Actually, that probably explains a good deal of his effectiveness.) But White was not simply a Hayes disciple; his swirling productions were less complex than Hayes', but more in tune with the emerging disco sound, which certainly boosted his popularity. Plus, he took full advantage of R&B's new lyrical permissiveness in the wake of Marvin Gaye's Let's Get It On. ...
| | Best Of Sade CD (1994)
Horror CD music
$9.59 
Digitally remastered by Tom Coyne (Sterling Sound, New York, New York).
Nigerian vocalist Sade Adu has carved out a cosmpolitan niche for herself over the past decade, gathering together elements of cool jazz, samba, reggae, funk and pop all under the pastoral umbrella of her suede-and-velvet voice. A pop stylist with a musical universe all her own, Sade has endured and matured over the past decade, seemingly unaffected by changes in taste and fashion--a movement unto herself.
As her most recent single (Percy Mayfield's "Please Send Me Someone To Love" from the PHILADELPHIA soundtrack) illustrates, Sade's coy caressing voice speaks more of commitment and trust, of relationships in flux ("Nothing Can Come Between Us") than of the heat of the moment: from the the coy duplicity of "Smooth Operator" to the positive reinforcement of "The Sweetest Taboo" and the sweet ambiguities of "Love Is Stronger Than Pride."
Outside of Sade's mentholated vocals, it is the serene, understated quality of her arrangements that lend THE BEST OF SADE its classic touch of elegance. Delicate washes of percussion and acoustic guitar, the coiled intensity of Stewart Matthewman's tenor saxophone counterpoint, Andrew Hale's suave, elusive keyboard colorations, and Paul S. Denman's discretely dancing bass provide a maximum of smoke, but precious little fire. The simmering ...
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