Whiteout - Great White CD

Great White CD music Rench has teamed up with T.O.N.E-z (the same rapper featured on "Long Hard Times To Come" and "On The Run" as seen on Justified) and some hot bluegrass players to produce a full length album of serious bluegrass picking and sick flow on the mic like you won't hear anywhere else. The album also includes a track featuring Brooklyn underground emcee Tomasia and a track featuring the incredible voice of bluegrass singer Jen Larson. The beats are pure ...

Great White album for sale "On Revolute" is Dave Weiner's second studio recording. It features 11 tracks, 76 minutes of today's most cutting edge progressive guitar playing. Dave's songwriting style is very focused on creating just that, a song, not a backing track with guitar wankery all over it. The songs are aimed at musicians and non-musicians alike containing verses, choruses, strong melodies, ear-catching hooks and clever ideas that will make players say "I wish I thought of that!" Dave is best known for his 11-year tenure in the Steve Vai band ('99 - present). ...

Great White songs This Album Was Recorded In 2003 & is Now Re Released ..

Great White buy CD music The summer of 2008 Runt of the Jivin Scientists moved to Oklahoma and wrote the 6th album called " Autumn" a joint project with well known Tucson Producer DefacedProperty. The album is the end result of Runt living alone in the back woods of Oklahoma and loosing his mind on record. Just one more chapter in the on going story of the Jivin Scientists.

Great White CD music Ramona - the band that never meant to be a band. Ramona began as a creative outlet for producer/engineer/guitarist Dave Fritz. When he wasn't engineering or playing guitar in other live acts he was recording demos at home. He finally decided to commit five of the songs to an EP with the sole intention of giving a few copies away to friends and family. Dave started to take Ramona more seriously when others began taking unsolicited interest in the project. Upon hearing the song 'A Way Over' bass player Matt Trotter insisted Ramona begin performing live and that he be part of it. Dave's former band mate Jeremy Knowles, who had already contributed to the EP, hopped on board as drummer. A superb talent in her own right, keyboardist/vocalist Elliot Caroll was the only person to reply to an online advert posted by the band. As fate would have it she was also the missing piece that fit perfectly into the Ramona puzzle. The completed Ramona line up had a finished EP, secured a record deal and filmed a music video long before they had even played a single show together. Ramona's debut EP 'Mornington Crescent Now Open' was recorded by Dave in Toronto at Savile Row studio. Inspired by classic 60's mod bands, the EP was a conscious effort to make a recording that was rough around the edges and organic. A sonic departure from the heavily produced rock albums that dominate the music scene in North America. The EP will be released in Japan this spring, a "hat-trick" of sorts, as it marks the third Japanese release ...

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Great White album for sale Arrigo Cappelletti is Italy's Keith Jarrett, not because he more often than not plays in a solo setting, but because his diversity is truly wondrous. From classical to jazz to improvisation, Cappelletti is a musician respected by both the neo-trad jazzers and the free improvisers alike. Ananda is a concert set in which Cappelletti uses Ellington, Monk, Rodgers & Hart, and Bill Evans to arrive at the heart of his own music. Opening with a stunning if spare rendition of "Prelude to a Kiss" (everything but the harmony is removed), and then sliding first into his well-known "Reflections, No. 1" and shifting to pointillistic mode on his tribute to Paul Bley, "Bleyniana," and moving through a series of intervallic and sonant moods before coming out on the other end with Monk's "Reflections" -- this is how Cappelletti structures a concert, where timbral registers are addressed in mood and mode, chromatic syntax is argued with elegance, and the ostinato flow like wine. Cappelletti then carries himself from Monk to "You Are Too Beautiful," and then back into his own takes on Tristano's interval phrasing as he chooses three or four scalar inventions to get him to Bill Evans and Duke Ellington while visiting Bartok and Schubert along the way. Finally, Capelletti moves through his own tunes, four of them to nearly close the set, touching on improvisational fragments as well as full-blown harmonic ideas and rhythmic inventions before pulsing his way into "Monk's Mood" to close it out breathlessly. This, like Keith Jarrett's Köln Concert or his Bremen-Lausanne discs, is essential modern piano music that reveals a master working through his own musical epiphanies in front of a live audience. Amazing. ~ Thom Jurek