Beatles - 1967-1970 CD

1967-1970 CD music Each copy of this limited edition is sequentially numbered. The packaging recreates the original double-gatefold sleeve and includes the original poster as well as the individual photos of each band member. Additional personnel includes: Yoko Ono (vocals); Eric Clapton (electric guitar); Mal Evans (trumpet, tambourine); George Martin (piano, harmonium); Chris Thomas (harpsichord, Mellotron); Maureen Starkey, Patti Harrison (background vocals). This reissue of THE WHITE ALBUM has been digitally re-mastered. It comes packaged with replicated original U.K. album art, an expanded booklet containing original and newly written liner notes, and rare photos. Limited quantities of the CD are embedded with a brief documentary film about the album. THE BEATLES (generally known as "The White Album" because of its cover) was a sprawling two-record set, highlighting the distinct personalities in the group as they matured and moved further away from each other. With the four Beatles playing like session men on each other's songs, the making of the album was fraught with tension. John Lennon's songs included a bitter take on people who read too much into the Beatles' lyrics ("Glass Onion"), reflections on loneliness and alienation ("Yer Blues," "I'm So Tired"), and the avant garde sound collage "Revolution 9." George Harrison's songs offered black humor ("Piggies") and tender sadness ("While My Guitar Gently Weeps," with Eric Clapton on guitar). Paul McCartney provided both light, lyric songs ("Ob-La-Di, Ob-La-Da," "Honey Pie"), and rockers ("Back In The U.S.S.R.," the explosive "Helter Skelter"). Ringo Starr made his solo songwriting debut with the goofy country/ska lilt of "Don't Pass Me By" and sang the album closer "Good Night." Recorded at Abbey Road Studios and Trident Studios, London, England between May and October 1968. The Beatles: George Harrison (vocals, acoustic & electric guitars, violin, organ, bass, tambourine, firebell); John Lennon (vocals, acoustic & electric guitars, harmonica, saxophone, piano, organ, harmonium, bass, 6-string bass, maracas, tambourine, tape loops); Paul McCartney (vocals, acoustic & electric guitars, flute, flugelhorn, piano, Hammond organ, bass, drums, bongos, timpani, percussion); ...

1967-1970 album for sale ABBEY ROAD, recorded in the summer of 1969, was the last album recorded by the Beatles (LET IT BE was released in 1970, but recorded in early '69). This reissue of ABBEY ROAD has been digitally re-mastered. It comes packaged with replicated original U.K. album art, an expanded booklet containing original and newly written liner notes, and rare photos. Limited quantities of the CD are embedded with a brief documentary film about the album. After the laborious disorganization and infighting that characterized early 1969's LET IT BE sessions (as famously captured on film), the fractious four were willing to let George Martin take the reins and to work with him as a cohesive unit for the much more succinct production of their (and the decade's) swan song, ABBEY ROAD. The superb performances make the album an artistic high point for all members of the group. Paul McCartney inspired the suite of songs that begins with "You Never Give Me Your Money." Often thought of as two long medleys, the songs that fill most of the second half of ABBEY ROAD segue seamlessly into one another, but are programmed as separate CD tracks. George Harrison had his first A-side on a Beatles' single ("Something"); John Lennon contributed a pair of heavy rockers ("Come Together" and "I Want You"); and Ringo Starr's "Octopus's Garden" was a favorite with children. The Beatles: Paul McCartney (vocals, guitar, keyboards, bass); John Lennon (vocals, guitar, keyboards); George Harrison (vocals, guitar, synthesizer); Ringo Starr (vocals, drums, percussion). Audio Remasterers: Sam Okell; Sean Magee; Steve Rooke; Guy Massey; Paul Hicks. Liner Note Authors: Mike Heatley; Kevin Howlett. Photographer: Iain Macmillan.

1967-1970 buy CD music This reissue of REVOLVER has been digitally re-mastered. It comes packaged with replicated original U.K. album art, an expanded booklet containing original and newly written liner notes, and rare photos. Limited quantities of the CD are embedded with a brief documentary film about the album. Arguably the first psychedelic rock album, REVOLVER was praised for its musical experimentation--the Indian sounds of "Love You To," the Motown-inspired "Got To Get You Into My Life," the backwards guitar in "I'm Only Sleeping." "Tomorrow Never Knows" was the most radical departure from previous Beatles' recordings for its skeletal bass/drums propulsion enhanced only with tape loops (contributed by all four Beatles and added in the mix-down process), more backwards guitar, and an eerie John Lennon vocal. Still, the Beatles' experimentation grew out of their songwriting, which had matured beyond formula pop. "Tomorrow Never Knows" was inspired by the Tibetan Book of the Dead, Harrison's "Taxman" was a bitter diatribe, and McCartney's "Eleanor Rigby" was a bleak portrait of loneliness. Balanced with upbeat songs like "Good Day Sunshine" and "Yellow Submarine," REVOLVER proved The Beatles were not mere pop stars, but musical artists in search of new sounds and ideas. Additional personnel includes: Alan Civil (French horn); Anil Bhagwat (tabla); Brian Jones (background vocals). Audio Remasterers: Sam Okell; Sean Magee; Steve Rooke; Guy Massey; Paul Hicks. Liner Note Authors: Mike Heatley; Kevin Howlett. The Beatles: George Harrison (vocals, guitar, sitar); Paul McCartney (vocals, guitar, piano, keyboards, bass); John Lennon (vocals, guitar); Ringo Starr (vocals, drums).

1967-1970 songs Includes a 28-page booklet with rare photos, notes on the recording sessions and lyrics. Additional personnel includes: Neil Aspinall (tamboura, harmonica); Mal Evans (harmonica, alarm clock); George Martin (piano, harmonium, Wurlitzer organ, organ); Sounds Incorporated (saxophone, French Includes liner notes by George Martin, Mark Lewisohn and Peter Blake. This reissue of SGT. PEPPER'S LONELY HEARTS CLUB BAND has been digitally re-mastered. It comes packaged with replicated original U.K. album art, an expanded booklet containing original and newly written liner notes, and rare photos. Limited quantities of the CD are embedded with a brief documentary film about the album. One of the most famous and influential albums ever recorded, SGT. PEPPER'S LONELY HEARTS CLUB BAND had a huge impact on the music world, signaling the beginning of a new era of sophistication and maturity in rock. The musical experimentation was dynamic and fresh, several tracks were edited to create seamless transitions, and even the visual design was more elaborate than anything previously attempted. Producer George Martin and The Beatles searched for new sounds and studio effects. They added crowd sounds and animal cries from sound-effects recordings, sped up Paul McCartney's vocals in "When I'm Sixty-Four" (to make him sound younger), and sustained a single piano chord for 40 seconds to end "A Day In The Life." The orchestrations, scored by Martin, were hailed by critics as bridging the gap between pop and classical music, and many people who had never bought a rock record bought SGT. PEPPER'S. horn, trombone). Recorded at Abbey Road Studios and Regent Sound Studio, London, England between December 6, 1966 and April 21, 1967. The Beatles: George Harrison (vocals, acoustic & electric guitars, sitar, tamboura, harmonica, tambourine, comb & paper); John Lennon (vocals, acoustic & electric guitars, piano, Hammond organ, maracas, comb & paper); Paul McCartney (vocals, acoustic & electric guitars, piano, harpsichord, Hammond organ, bass, comb & paper); Ringo Starr (vocals, harmonica, piano, drums, bongos). Engineers include: Geoff Emerick, Malcolm Addey, Ken Townsend. Audio Remasterers: Sam Okell; Sean Magee; Steve Rooke; Guy Massey; Paul Hicks. Liner Note Authors: Mike Heatley; Mark Lewisohn; Kevin Howlett. Photographer: Michael Cooper.

1967-1970 album for sale This reissue of RUBBER SOUL has been digitally re-mastered. It comes packaged with replicated original U.K. album art, an expanded booklet containing original and newly written liner notes, and rare photos. Limited quantities of the CD are embedded with a brief documentary film about the album. Though some might argue that the Beatles' unprecedented evolution from British Invasion pin-ups to pop music visionaries began with BEATLES FOR SALE, RUBBER SOUL is without a doubt the first album to definitively put the Fab Four in the running for Greatest Band Ever. Virtually every aspect of the Liverpool quartet's incredibly diverse sound is in evidence here: the dark, irony-filled Dylanism ("Norwegian Wood," "Nowhere Man"), pop perfection ("In My Life"), the passion for classic tin pan alley balladry ("Girl," "Michelle"), and the love of good 'ol rock & roll music ("Drive My Car"). Peppered with nasty fuzz bass, exotic sitar, cartoonishly sped-up piano that sounds like harpsichord, and elements of country, Motown, and classical music, the album reveals a creative scope and willingness to experiment so revolutionary it can now only be termed "Beatlesque." Though the Fabs don't go as far out on a limb here as on the more overtly experimental REVOLVER, RUBBER SOUL is perhaps the Beatles' most finely crafted and accessible work, and consequently many fans' and critics' favorite. Audio Remasterers: Sam Okell; Sean Magee; Steve Rooke; Guy Massey; Paul Hicks. Liner Note Authors: Mike Heatley; Kevin Howlett. Photographer: Robert Freeman. The Beatles: George Harrison (vocals, guitar, sitar); John Lennon (vocals, guitar, keyboards); Paul McCartney (vocals, guitar, piano, bass); Ringo Starr (vocals, organ, drums). Additional personnel: George Martin (piano); Mal Evans (organ).

1967-1970 CD music This superb compilation, often called "the red album," brings together the majority of the Beatles' hits from the early to mid '60s. Consequently, it plays like an overview of the some of the most popular and indelible rock songs of all time. From the "yeah, yeah, yeah"'s of "She Loves You" through the amped-up giddiness of "I Want to Hold Your Hand," the minor-key melodicism of "And I Love Her," and on to the chiming power pop of "Eight Days a Week" and the tweaky feedback of "I Feel Fine," these are the songs that turned the entire Western world on its ear. The second half of the set--in addition to its phenomenal songs-- is interesting in that it charts the Beatles' move from straightforward pop toward the new chapter of rock the band would help script in the late '60s. After the expansive chords and slinky melodies of "Ticket to Ride," the band becomes alternately darkly introspective ("Yesterday") and looser and more groove-obsessed ("Drive My Car"), while trying on allegorical Dylan-inspired narratives ("Norwegian Wood (This Bird Has Flown)"), and happy-go-luck psychedelia ("Yellow Submarine"). These songs are part of our living, breathing cultural identity, and--as this collection reminds us--for good reason. Liner Note Author: Bill Flanagan.