Bon Jovi Greatest Hits CD

Bon Jovi Greatest Hits songs Adele's 2009 debut album, 19, was a Grammy-winning smash hit that revealed the British singer/songwriter's knack for bittersweet soul and folk-infused love songs that brought to mind an infectious mix of Dusty Springfield and Terry Callier. The album earned her a ton of fans, and interest was high for the inevitable follow-up. In many ways, her sophomore album, the similarly age-appropriate-titled 21, is a continuation of the sounds and themes Adele was working with on 19. She is still the bluesy pop diva with a singer/songwriter's soul and seemingly bottomless capacity for heartbreak. The best thing the album does is to showcase Adele's titanic vocal ability, which -- more than a few times on 21 -- is simply spine-tingling. Last time around we got the gauzy, Callier-esque folk-soul ballad "Daydreamer" to slowly draw us into the album; here, Adele immediately injects us with the propulsive gospel fever-blues anthem "Rolling in the Deep." While the track certainly owes a heavy debt to the punk-blues of Beth Ditto and the Gossip, it is also ridiculously sexy and one of the best singles of any decade. Elsewhere, we get tracks like the blues-inflected Ryan Tedder co-write "Rumour Has It" and the old-school-style soul cut "He Won't Go," which are terrifically catchy, booty-shaking numbers and exactly the kind of songs you want and expect from Adele. Similarly enthralling is the centerpiece of the album, the mega-ballad showstopper "Take It All." Co-written by her "Chasing Pavements" partner Francis White, the song begins with Adele proclaiming "Didn't I give it all?" Delivered starkly at first with Adele set against simple piano accompaniment and later backed by a gospel choir, it's an instant-classic sort of song in the tradition of "The Rose," "And I Am Telling You I Am Not Going," and "All by Myself" that could stand over the years as a career landmark for the singer and a cathartic moment for fans who identify with their idol's Pyrrhic lovelorn persona. Ultimately, Adele does give us her all on 21, and for now that is enough. ~ Matt Collar Editor: Dana Nielsen. Photographer: Lauren Dukoff. Personnel: Adele (vocals). Recording information: AirStudios, London, England; Angel Studios, London, England; Eastcote Studios, London, England; Harmony Studios, West Hollywood, CA; metropolis Studios, London, England; Myaudiotonic Studios, London, England; Patriot Studios, Denver, CO; Serenity Sound, Hollywood, CA; Shangri La Studios, Malibu, CA; Sphere Studios, London, ...

Bon Jovi Greatest Hits buy CD music When a genre-defining group like Metallica, whose past albums have rocked the charts with virtually no airplay, enlists the aid of a hit-making producer like Bob Rock, the result is bound to be monumental. METALLICA, their sixth studio release, surpasses all expectations. METALLICA is an extremely heavy album. It carries a presence, a huge, live sound different from that heard on their previous recordings. What once could not be tamed has been refined, resulting in a fuller, more powerful guitar sound in an already guitar-intensive band. They have evolved from the messy, unabashed thrashers of their youth into a more confident, poised and angry bunch, not only retaining their fire but stoking it into a chunky, tight-fisted maelstrom of scowling energy. Serious riffs provide punch and punctuation for James Hetfield's gruff vocals which rage against society and religion, and revel in suspicion and sarcasm. METALLICA is full of songs just as potent as the hugely popular "Enter Sandman," yet is not as complicated as their recent albums have seemed. "Sad But True," which is just as low down and dirty as anything labeled "grunge," exemplifies the poise of the metal band that can foresee the punchlines to their riffs and has the patience to wait for them. Recorded at One On One Recording, Los Angeles, California between October 1990 and June 1991. Personnel: James Hetfield (vocals, guitar); Kirk Hammett (guitar); Lars Ulrich (drums). Recording information: One On One Recording, Los Angeles, CA (10/1990-06/1991). Arranger: Michael Kamen. Metallica: James Hetfield (vocals, guitar); Kirk Hammett (guitar); Jason Newstead (bass); Lars Ulrich (drums).

Bon Jovi Greatest Hits album for sale Recorded between 1974 & 1997. Includes liner notes by Jim Jenkins, Jacky Smith, Andy Davis, Phil Symes. With Queen officially enshrined in the Rock & Roll Hall of Fame, Hollywood Records reintroduces the band yet again with the release of Platinum Collection, Vols. 1-3. While Vols. I & II are full of Queen classics you already know by heart, the third cobbles together odds and sods from the far corners of Queen's canon along with solo cuts from Freddie Mercury and Brian May. Opening with the operatic rock classic "Bohemian Rhapsody," it's easy to hear not only how this British quartet achieved the kind of global acclaim that ensured they'd be enshrined alongside the likes of the Beatles and Led Zeppelin. When they weren't dabbling in playful, '50s-flavored rock & roll ("Crazy Little Thing Called Love"), catchy glam ("Killer Queen"), or hard-edged funk ("Another One Bites the Dust"), Queen was capable of delivering heartfelt love letters ("You're My Best Friend"). The band's '80s output is equally intriguing, ranging from the hard-hitting "Headlong" to duets with David Bowie ("Under Pressure") and soaring movie anthems ("One Vision"). The third volume features more movie themes ("Princes of the Universe"), Freddie Mercury covering the Platters ("The Great Pretender"), and cameos by contemporary artists like Wyclef Jean, George Michael, and Elton John. All tracks have been digitally remastered. Producers include: Queen, David Bowie, Freddie Mercury, David Richards, Mike Moran. Queen: Freddie Mercury, Brian May, Roger Taylor, John Deacon. Additional personnel: Elton John, George Michael, David Bowie, Montserrat Caballe (vocals); Wyclef Jean, Pras (rap vocals). 3 CDs

Bon Jovi Greatest Hits CD music Bursting forth in the late 1970s, Van Halen made its mark by melding the hammering wallop of hard rock with an iconoclastic approach to the guitar. With striking virtuosity, Eddie Van Halen's guitar playing succeeded in turning the heads and dropping the jaws of a wide range of listeners. Matched with the acrobatic energy of frontman David Lee Roth and the formidable rhythm section of bassist Michael Anthony and drummer Alex Van Halen, these combined elements added up to Van Halen's hugely success musical formula. THE BEST OF BOTH WORLDS is a two-disc overview of more than 25 years of Van Halen recordings. The set contains a few of the now-standard new songs included in such offerings. Placed on the first disc, this trio of tunes finds VH's second singer, Sammy Hagar, back on board (he'd left in '96 when the band planned to record with Roth again). In fact, the compilation's title (taken from the Hagar-era song) is a reference to the band's two major eras, as demarcated by their distinctly different frontmen. The result is a collection that features raucous, hyperactive songs with Roth ("Hot for Teacher," "Jump," "Unchained") and soaring ballads and mid-tempo anthems with Hagar ("Dreams," "Right Now," "Finish What Ya Started"). Includes three previously unreleased tracks. 2CD Career Retrospective W/ 3 New Tracks. Van Halen: David Lee Roth, Eddie Van Halen, Alex Van Halen, Michael Anthony , Sammy Hagar. Personnel: Sammy Hagar (vocals, acoustic guitar, electric guitar); David Lee Roth (vocals); Alex Van Halen (drums, percussion, background vocals); Michael Anthony (background vocals). Audio Remasterer: Stephen Marcussen. Liner Note Author: David Wild. Photographer: Kevin Westenberg.

Bon Jovi Greatest Hits buy CD music Born Free, Kid Rock's follow-up to 2007's platinum (three times over) Rock N Roll Jesus, was produced by Rick Rubin and features guest appearances from T.I., Martina McBride, Trace Adkins, Zac Brown, Sheryl Crow, Bob Seger, and James Hetfield. 2010 studio album from artist, European pressing has different running order & 2 extra tracks over standard U.S. release "The Midwest Fall" and 'One Woman Man". 14 tracks Recording information: 800 East, Atlanta, GA; Akademie Mathematique of Philosophical Sound Research,; Blackbird Studios, Nashville, TN; Shangri La Studios, Malibu, CA; Silent Sound, Atlantic, GA; Sound City Studios, Van Nuys, CA; The Allen Roadhouse, Clarkston, MI. Editor: Dan Monti. Photographer: Clay Patrick McBride. Personnel: Herschel Boone, Stacey Michelle, Jessica Wagner (background vocals). Audio Mixers: Greg Fidelman; Andrew Scheps.

Bon Jovi Greatest Hits songs Pop and country have become increasingly interchangeable in the 21st century, and few artists have benefited more than Keith Urban. On paper, he's a wealth of contradictions -- a country boy with an exotic accent, a balladeer with rock & roll chops, a stubbled face framed by flat-ironed hair. On his albums, though, Urban molds those would-be incompatibilities into some of the slickest country songs this side of Taylor Swift, appealing to his longtime Nashville supporters while still targeting fans who wouldn't be caught dead inside a honky tonk. Released one year after 2009's Defying Gravity, Get Closer is another country-pop hybrid, executed with swagger and professionalism by the man who helped bring drum machines to Music City. The bad news is that the album is short. Super short. Unless fans want to drive to Target, which has exclusive rights to the full version of Get Closer, they'll have to settle for a shorter album that clocks in at eight tracks. This so-called "standard" edition feels more like an EP, and the fact that Target's version only adds two more originals -- coupled with a remake of Santana's "Winning" and four live tracks from the Love, Pain & the Whole Crazy Thing tour -- provides little relief. The good news is that Get Closer, in all its abridged glory, contains some of Urban's best work to date. He co-writes most of the material and chooses his songwriting partners wisely, working with Sarah Buxton (who wrote the Grammy-winning "Stupid Boy") on "Put You in a Song" and collaborating with longtime partner Darrell Brown on the country-rocker "Georgia Woods," which may be the best tune here. Those two songs -- along with "You Gonna Fly," "Long Hot Summer," and "Shut Out the Lights" -- round out the rock section, and Urban decorates them with an arsenal of stringed instruments, from bazouki to banjo to E-bow guitar. A former session player who performed on Garth Brooks' Double Live, he sometimes lets his own professionalism get the best of him, downplaying his guitar skills on record to make each song as commercial as possible. The rockers on Get Closer are an exception to the rule, though, filled with the sort of two-minute guitar workouts that are only rivaled by contemporaries like Brad Paisley and John Mayer. If the fast songs are an excuse for Urban to flex his chops, then the slower numbers give him a chance to sing directly to his wife, Nicole Kidman, whose influence helps replace the weepy ballads of past albums with measured, midtempo highlights like "Without You." Get Closer may be 34 minutes long, but it uses its time wisely, featuring a virtually filler-free track list that contains some of Urban's sharpest open-highway tunes and bedroom ballads. ~ Andrew Leahey Audio Mixer: Justin Niebank. Recording information: Aimeeland; Hound's Ear. Photographers: Max Vadukal; Jean-Philippe Piter.