Anita Baker - Original Album Series CD

Original Album Series songs The finest example of perfect disco pop, and a record that should be prescribed to musical snobs and manic depressives. The album is a true ambassador of what pop music can be. Jackson whoops and dances through a suite of unforgettable melodies that should be danced to with a smile on your face. Each track offers at least one musical hook, whether it is the beauty of 'Human Nature' (who can resist the 'dada dada da da da') or the 'whoo whoo' of 'Billie Jean'. It's all too good. Principally recorded at Westlake Audio, Los Angeles, California. Additional Tracks Personnel: Vincent Price (rap vocals, spoken vocals); Steve Lukather (guitar, electric bass); Dean Parks, Eddie Van Halen, Paul Jackson, Jr. , David E. Williams (guitar); Larry Andrew Williams (flute, saxophone); Gary Grant, Jerry Hey (trumpet, flugelhorn); William Frank "Bill" Reichenbach Jr. (trombone); David Paich (piano, synthesizer); Greg Phillinganes (Fender Rhodes piano, keyboards, synthesizer, hand claps); Bill Wolfer (keyboards, synthesizer); Tom Bahler (keyboards, Synclavier); Michael Boddicker (synthesizer, vocoder); Greg "Frosty" Smith, Rod Temperton, Steve Porcaro, David Foster, Brian Banks (synthesizer); Jeff Porcaro, Leon "Ndugu" Chancler (drums); James Ingram (hand claps, background vocals); Louis Johnson, Steven Ray (hand claps); Paulinho Da Costa (percussion); Becky Lopez, Howard Hewett, Janet Jackson, Julia Waters, La Toya Jackson, Maxine Willard Waters, Oren Waters, Bunny Hull (background vocals). Audio Mixer: Bruce Swedien. Audio Remasterer: Bernie Grundman. Recording information: Westlake studios. Editor: Stuart Brawley. Photographers: Stephen Vaughan; Dick Zimmerman; Sam Emerson; Ralph Nelson; Lester Cohen. Arrangers: David Paich; James Ingram ; Quincy Jones; Rod Temperton; Steve Lukather; Steve Porcaro. Personnel includes: Michael Jackson (vocals, percussion); Paul McCartney (vocals); Vincent Price (spoken vocals); Steve Lukather (guitar, bass); Eddie Van Halen, Dean Parks, Paul Jackson (guitar); Larry Williams (flute, saxophone); Jerry Hey (trumpet, flugelhorn); Bill Reichenbach (trombone); David Paich (piano, synthesizer); Greg Phillinganes (Fender Rhodes piano, synthesizer, programming); Steve Porcaro (synthesizer, programming); David Foster, Rod Temperton (synthesizer); Tom Bahler (Synclavier); Louis Johnson (bass); Ndugu Chancler, Jeff Porcaro (drums); Paulinho Da Costa (percussion); Brian ...

Original Album Series buy CD music Adele's 2009 debut album, 19, was a Grammy-winning smash hit that revealed the British singer/songwriter's knack for bittersweet soul and folk-infused love songs that brought to mind an infectious mix of Dusty Springfield and Terry Callier. The album earned her a ton of fans, and interest was high for the inevitable follow-up. In many ways, her sophomore album, the similarly age-appropriate-titled 21, is a continuation of the sounds and themes Adele was working with on 19. She is still the bluesy pop diva with a singer/songwriter's soul and seemingly bottomless capacity for heartbreak. The best thing the album does is to showcase Adele's titanic vocal ability, which -- more than a few times on 21 -- is simply spine-tingling. Last time around we got the gauzy, Callier-esque folk-soul ballad "Daydreamer" to slowly draw us into the album; here, Adele immediately injects us with the propulsive gospel fever-blues anthem "Rolling in the Deep." While the track certainly owes a heavy debt to the punk-blues of Beth Ditto and the Gossip, it is also ridiculously sexy and one of the best singles of any decade. Elsewhere, we get tracks like the blues-inflected Ryan Tedder co-write "Rumour Has It" and the old-school-style soul cut "He Won't Go," which are terrifically catchy, booty-shaking numbers and exactly the kind of songs you want and expect from Adele. Similarly enthralling is the centerpiece of the album, the mega-ballad showstopper "Take It All." Co-written by her "Chasing Pavements" partner Francis White, the song begins with Adele proclaiming "Didn't I give it all?" Delivered starkly at first with Adele set against simple piano accompaniment and later backed by a gospel choir, it's an instant-classic sort of song in the tradition of "The Rose," "And I Am Telling You I Am Not Going," and "All by Myself" that could stand over the years as a career landmark for the singer and a cathartic moment for fans who identify with their idol's Pyrrhic lovelorn persona. Ultimately, Adele does give us her all on 21, and for now that is enough. ~ Matt Collar Editor: Dana Nielsen. Photographer: Lauren Dukoff. Personnel: Adele (vocals). Recording information: AirStudios, London, England; Angel Studios, London, England; Eastcote Studios, London, England; Harmony Studios, West Hollywood, CA; metropolis Studios, London, England; Myaudiotonic Studios, London, England; Patriot Studios, Denver, CO; Serenity Sound, Hollywood, CA; Shangri La Studios, Malibu, CA; Sphere Studios, London, England; Wendyhouse Productions, London, England.

Original Album Series album for sale Track Listing of songs: Angel; You're the Best Thing Yet; No More Tears; Sweet Love; Caught Up in the Rapture; You Bring Me Joy; Same Ole Love; No One in the World; Ain't No Need to Worry; Giving You the Best That I Got; Good Love; Just Because; Lead Me Into Love; Fairy Tales; Talk to Me; Body and Soul; I Apologize; It's Been You;

Original Album Series CD music Digitally remastered using 24-bit technology by Kevin Reeves. The 4-CD set AT THE CLOSE OF A CENTURY is a chronological history of Stevie Wonder's commercial successes. The first CD documents his early Motown years on tracks that emphasize his frenetic singing and superb harmonica playing. The songs taken from MUSIC OF MY MIND, his first fully written and produced effort, show significant vocal development. CDs two and three include material from INNERVISIONS, SONGS IN THE KEY OF LIFE, and TALKING BOOK, a creative period that is considered Wonder's strongest. It is on these cuts that Wonder uses his most varied production techniques and instrumentation to share his vivid creative spirit. The fourth disc continues with pop hits recorded during the '80s and '90s, beginning with three songs he recorded for MUSIQUARIUM, and concluding with his duet with Babyface, "How Come, How Long." Disc four should surprise listeners who may remember only "I Just Called to Say I Love You" from Wonder's '80s work. Tracks like "Overjoyed" and "Ribbon in the Sky" make clear that Wonder had far more than one great song during the period. This box set is a great introduction to Stevie Wonder, and even after listening to all four discs in succession, fans will be left wanting more. Includes 96-page full-color booklet. Includes liner notes by David Ritz and Leonard Pitts Jr. Personnel includes: Stevie Wonder (vocals, various instruments, harmonica, piano, Fender Rhodes piano, Clavinet, keyboards, Moog & ARP synthesizers, drums, cabasa, percussion, vocoder, sound effects); Luther Vandross (vocals); Dean Parks (acoustic & electric guitars); Babyface (acoustic guitar, keyboards, background vocals); Michael Sembello, Buzzy Feiton, Earl Klugh (guitar); Bobbi Humphrey (flute); Greg Phillinganes (piano, keyboards); Herbie Hancock (keyboards); James Jamerson (acoustic & electric basses); Nathan East (bass); Benny Benjamin, Uriel Jones (drums); Lenny Castro (congas); Sheila E. (percussion); Betty Wright, Michael Jackson, Minnie Ripperton, Paul Anka, George Benson, Philip Bailey (background vocals). Producers include: Berry Gordy, Henry Cosby, Clarence Paul, Don Hunter, Harvey Fuqua. Compilation producer: Harry Weinger. Personnel: Stevie Wonder (Fender Rhodes piano, drums); Dean Parks, Ben Bridges (guitar, acoustic guitar); Earl Klugh, Michael Sembello (guitar); Ralph Hammer (acoustic guitar); David T. Walker (electric guitar); Hank DeVito (steel guitar); Dorothy Ashby (harp); Bobbi Humphrey (flute); Hank Redd (saxophone, alto saxophone); Bob Malach (saxophone); Raymond Maldonado (trumpet, percussion); Steve Madaio, Larry Gittens (trumpet); Clarence Bell (organ); Greg Phillinganes, Herbie Hancock (keyboards); Malcolm Cecil, Robert Margouleff (ARP synthesizer, Moog synthesizer); James Jamerson (acoustic bass); Dennis Davis, Alvino Bennett, Raymond Lee Pounds (drums); Kwasi "Rocky" Dzidzornu, Lenny Castro, Daniel Ben Zebulon (congas); Sheila Wilkerson (bongos); Yusuf Roahman (shaker); Nathan Alford, Jr., Sheila E., Nathan Watts, Earl DeRouen, Bobbye Hall (percussion); Robert A. Arbittier (computer); Minnie Riperton, The Jackson 5 (background vocals). Audio Mixer: Kevin Reeves. Arrangers: Clarence Paul; Paul Riser; Stevie Wonder; David Van De Pitte. 4 Cds

Original Album Series buy CD music All the subtle variations on Kem's sound -- his exceptionally smooth adult contemporary R&B, modern quiet storm that has earned the singer two gold-selling albums -- add up to a set that doesn't sound like a mere rehash of his past successes. While Intimacy features his familiar gentle, less-is-more touch throughout, it's more forwardly sensual -- skillfully so, without being too brash or overt for his audience -- and upfront all-around, from the romantic material to the odes to mothers and inner peace. On Kemistry and Album II, there often was a slight distance to Kem's voice, both sonically and lyrically, but there is no such air of mystery here. His voice is clear over the sparse arrangements, and his words are more direct than before. That said, the biggest surprise is "Golden Days," in which Jill Scott, the first vocal guest on a Kem album, rants and preaches for over a minute. ~ Andy Kellman Recording information: 54 Sound, Ferndale, MI; Entourage Studios, North Hollywood, CA; Masterpiece Sound, Detroit, MI; Pac 3 Studio, Dearborn, MI; Studio A, Dearborn Heights, MI; Twyman Studio, North Hollywood, CA. Photographers: Meeno Peluce; Arthur King ; Treagen Colston.

Original Album Series songs Released in 2012, 24/7 features the smooth jazz super-duo of guitarist Norman Brown and saxophonist Gerald Albright. Two of the biggest names in contemporary instrumental pop, Brown and Albright are a perfect pair to team up and 24/7 makes the most of their talents. Sounding slick but never too slick, the album features stylish production by both artists along with keyboardist Herman Jackson. Brown and Albright primarily stick to the more soulful contemporary R&B end of smooth jazz here, and cuts such as the bright and melodic leadoff cut "In the Moment," the cinematic "Perfect Love," and the sensuous title track -- featuring vocals by Gerald's daughter Selina Albright -- are finger-snapping, head-bobbing numbers that set a romantic, positive-minded mood. Elsewhere, we get the Brazilian funk of "Buenos Amigos," the club-ready "Yes I Can," and the old-school R&B of "Champagne Life," once again featuring the attractive, sweetly soulful vocals of the younger Albright. More than a few cuts on 24/7 have an old-school vibe that, while never getting too deep into any decade-specific production, do evince a clear passion for various R&B sounds from the '70s through the '90s. For longtime fans of either of these contemporary jazz titans, 24/7 will certainly be a round-the-clock pleasure. ~ Matt Collar Audio Mixers: Don Murray ; Michael Blum. Recording information: 2nd Bedroom Studios, Atlanta, GA; Ahhsum Studios, West Covina, CA; Bright Music Studios, Castle Rock, CO; CCI Media, Torrance, CA; Gitt Traxx Studios, Atlanta, GA; In Your Ear Studios; jLaj-Muzic Studios, Fredericksburg, VA; Permanent Studios, Sherman Oaks, CA; Reseource Studio, West Covina, CA; Titan Sound, Sherman Oaks, CA. Photographer: Lori Stoll.