To Kill a Mockingbird Blu-ray

To Kill a Mockingbird video In one of his most memorable roles, Steve McQueen stars as Detective Frank Bullitt, a hard-driving, tough-as-nails San Francisco cop. Bullitt has just received what sounds like a routine assignment: keep a star witness out of sight and out of danger for 48 hours, then deliver him to the courtroom on Monday morning. But before the night is out, the witness will lie dying of shotgun wounds, and Bullitt, a no-glitter, all-guts cop, won't rest until he nabs the gunmen and the elusive underworld kingpin who hired them. From opening shot to closing shootout, Peter Yates's edge-of-the seat thriller is packed with authentic touches, from on-location San Francisco filming and believably crisp dialogue to uncompromisingly detailed police, hospital, and morgue procedures. The most memorable scene is BULLITT's celebrated car chase. McQueen, an expert automobile and motorcycle racer, does his own stunt driving as he propels his high-performance Mustang GT around and over San Francisco's fabled hills at speeds up to 115 miles an hour. The film is based on Robert L. Pike's book, MUTE WITNESS. His new assignment seems routine: protecting a star witness for an important trial. But before the night is out, the witness lies dying and cool, no-nonsense Detective Frank Bullitt (Steve McQueen) won't rest until the shooters and the kingpin pulling their strings are nailed. From opening shot to closing shootout, Bullitt crackles with authenticity: San Francisco locations, crisp dialogue and to-the-letter police, hospital and morgue procedures. An Oscar winner for Best Film Editing (1968), this razor-edged thriller features one of cinema history's most memorable car chases. Buckle up and brace for ...

To Kill a Mockingbird film A classic Western regarded by many as the best of the genre, John Ford's THE SEARCHERS has been acknowledged by several directors who came into their own in the 1970s, including Martin Scorsese, Steven Spielberg, Paul Schrader, and George Lucas, as a powerful influence on their work. The film stars John Wayne as Ethan Edwards, a case-hardened Civil War veteran returning to his brother Aaron's (Walter Coy) Texas home in 1868. When Rev. Samuel Johnson Clayton (Ward Bond) arrives to raise a posse to run down the Comanche who have stolen the cattle of neighbor Lars Jorgenson (John Qualen), Ethan is among those who join him. They return to find the Edwards family slaughtered and the two girls, Lucy (Pippa Scott) and Debbie (Natalie Wood), missing. The posse continues to search for the girls but turns back as winter settles in. However, Ethan and his reluctantly accepted companion, Martin Pawley (Jeffrey Hunter), the girls' part-Cherokee stepbrother, press on for another seven years, with the Indian-hating veteran becoming ever more fanatical as the hard seasons pass. In his epic meditation on racism, obsession, paranoia, and the myth of the West, Ford explores the ugly underside of a genre that he had imbued with optimism in his early career. Wayne gives perhaps his most powerful performance as the embittered Edwards, but it's the visual poetry of what are possibly Ford's most carefully framed, lit, and composed images that shape this masterwork from beginning to end. As Wayne walks through the doorway at the film's end, he grabs his elbow in a tribute to his and Ford's close friend Harry Carey Sr., a Western film icon who had passed away a few years before. Working together for the 12th time, John Wayne and director John Ford forged The Searchers into an indelible image of the frontier and the men and women who challenged it. Wayne plays ex-Confederate soldier Ethan Edwards, a believer more in bullets than in words. He's seeking his niece, captured by Comanches who massacred his family. He won't surrender to hunger, thirst, the elements or loneliness. And in his obsessive, five-year quest, Ethan encounters something he didn't expect to find: his own humanity.

To Kill a Mockingbird review NORTH BY NORTHWEST is a suspense thriller that finds Cary Grant in the role of Roger Thornhill, a Manhattan advertising executive mistaken for a spy. Considered by many to be the prototypical pure action movie (creating the template for later James Bond and Indiana Jones films), the film is a cross-country roller-coaster ride with Alfred Hitchcock at the helm. The film is duly famous for several classic and indelible scenes, including the desert biplane encounter and the Mt. Rushmore climax. The original title was THE MAN IN LINCOLN'S NOSE, which was replaced by a reference to a line from William Shakespeare's HAMLET (in which Hamlet says, "I am but mad north-north-west."). The magical combination of Hitchcock and the debonair Grant--who made four wonderful films together--makes NORTH BY NORTHWEST a suspense-filled standout. When Thornhill finds himself in the wrong place at the wrong time, the world as he knows it comes to an end. Suddenly danger threatens as the hapless businessman is targeted as an American intelligence agent and set up as a killer. All of Thornhill's attempts to straighten things out only make matters worse--and soon the desperate man is on the run from murderous foreign operatives, the CIA, and the police. The supporting cast, including Eva Marie Saint, James Mason, and Martin Landau, is uniformly excellent. Cary Grant stars as a Manhattan executive who is framed for murder in this 1959 Alfred Hitchcock film.

To Kill a Mockingbird BRAY for sale Dashing Gregory Peck stars as General Frank Savage, commander of the 8th Air Force during World War II. Loosely based on the true story of Major General Frank A. Armstrong, TWELVE O'CLOCK HIGH begins with Savage appearing to be a fearless fighter with almost no compassion for his men. Told in flashback from the perspective of Major Harvey Stovall (Dean Jagger), the story unfolds as Savage takes over Stovall's Bomb Group in 1942. The company has suffered numerous losses, morale is at an all-time low, and the tired pilots and their crews are immediately antagonized by Savage's obsession with discipline, leaving Savage and Stovall with the onerous task of rebuilding the pride of a fighting force that despises its leader. Jagger received an Oscar for his efforts, but the real star is Peck, exhibiting a vast repertoire to portray a complicated character. Using actual combat footage from both American and German cameras, director Henry King creates an environment in which bravery and heroism count but war itself is anything but romantic. An Allied flight commander and his successor run daylight bombing raids out of England. Directed by Henry King. Stars Gregory Peck, Dean Jagger, Gary Merrill, Hugh Marlowe et al