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Electric Age album for sale Product Description
Electric Age album for sale by Overkill was released May 15, 2012 on the Nuclear Blast (USA) label. At this point in their career, every time Overkill come back with a new album it feels as if they're giving the metal world a much needed lecture in thrash 101. Much like 2010's Ironbound, The Electric Age is a window to a more straightforward era in heavy metal's past, reminding the world of a time when the genre was a rebellious loner that thrived on volume and aggression and not a nomenclature-obsessed librarian. Electric Age CD music is a 2-disc set with 12 songs. ...See Full Description
Overkill - Electric Age Album Track Listing
Electric Age buy CD music Customer Reviews
| Average Rating: |  |
| Great! With only a few suprises they know what works get this now! By duskidrow (Southgate MI.)  This review is for a different format. |
| Can't go wrong with Overkill It's your typical Overkill Cd. Old school thrash from start to finish. A must have for any Overkill fan. By John (Chesapekae, Va. USA) This review is for a different format. |
| Killer Cd These guys keep putting out agressive,in your face type metal. This cd will pump you up and continues the Overkill tradition of excellent musicianship. These guys have been underrated thoughout thier career and they deserve better. By tuccinator22 (Chicago,IL,USA)  This review is for a different format. |
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Electric Age songs Product Details
| CD Universe Part number | 8695292 |
| Label | Nuclear Blast (USA) |
| Orig Year | 2012 |
| Catalog number | 977337 |
| Discs | 2 |
| Release Date | May 15, 2012 |
| Studio/Live | Studio |
| Mono/Stereo | Stereo |
| Producer | Overkill |
| Engineer | Jon Ciorciari; D.D. Verni; Dave Linsk |
| Recording Time | 50 minutes |
| Personnel | Bobby "Blitz" Ellsworth - vocals Dave Linsk - guitar Ron Lipnicki - drums
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Ironbound CD (2010)
Electric Age CD music Although during the heyday of `80s thrash, they were frequently overshadowed by more inventive, consistent, or commercial competitors (you know, little bands like Metallica, Anthrax, Slayer, etc.), New Jersey's Overkill have since outlasted, out-produced, and certainly out-moshed many former foes. Add to that nearly 30 years of hard toil and trauma, ranging from your everyday bandmember turnover (and lots of it) to watching your singer suffer a minor stroke on-stage (!) for little glory and littler bank accounts, and one can totally understand why the steadfast Overkill christened their fifteenth studio album Ironbound. Their first release for the E1/Koch label, it joins a string of gradually resurgent new millennium predecessors (the `90s were mostly wasted with fruitless groove metal dabbling) in reasserting the band's purest thrash fundamentals -- just when hundreds of younger bands were busy copying their every trick. And, having obviously been inspired by recent efforts from old contemporaries like Metallica, Exodus, and Vio-Lence (via Robb Flynn's current band, Machine Head), Overkill have surprisingly gone "epic" like never before on Ironbound; chucking their three-minute standards in the trash bin so as to crank out a number of songs both longer and more elaborate, if no less frantic, than usual. Take Blue Öyster Cult-referencing opener "The Green and Black," for example, which astonishingly breaches the eight-minute mark amid a "Master of Puppets"-like multitude of riffs, fast and slow tempos, hard/soft dynamics, opening the door to further displays of technique and imagination like the motivational screech of a title track, the religion-damning "The Goal Is Your Soul," and the downright philosophical "Killing for a Living" (where Bobby Blitz occasionally seems to be speaking in tongues). But fans hungering for the simpler, frill-free, slam-dancing pleasures of Overkill at their most manic need not fear; there are also plenty of decapitating double kickdrum-driven onslaughts like "Bring Me the Night," "Endless War," and "The SRC," to be found here, that'll put them all in neck braces. In combination, both strains even each other out and produce a welcome, fresh mixture of variety and familiarity for dyed-in-the-wool Overkill fans to froth and flail over, without suffering through reminders of the ill-advised experiments of the band's lost years. ~ Eduardo Rivadavia
Recording information: Gear Recording Studio, Shrewsbury, NJ (07/2009-09/2009); Jrod Productions (07/2009-09/2009); SKH Recording Studios (07/2009-09/2009).
Editor: Dan Korneff.
Photographer: Eddie Malluk.
Personnel: Bobby "Blitz" Ellsworth (vocals); Dave Linsk (guitar); Ron Lipnicki (drums).
Audio Mixer: Peter Tägtgren.
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 Also Bought |
Iced Earth Dystopia CD (2011)
Electric Age buy CD music Iced Earth look back on some old ideas on their tenth studio album, Dystopia, their first album with new vocalist Stu Block (formerly of Into Eternity), who joined the band after Matt Barlow decided to depart the band a second time to focus on his family. The album finds Block pushing his vocals into new territories, moving away from the anguished growl he perfected with Into Eternity in favor of a more soaring singing style. Block handles the change well, easily adapting his style to fill some pretty big shoes in the power metal outfit. While fans might be torn about the new singer, they can find solace in the return of the "Something Wicked" story line, giving them a little taste of something old to ease them into this new period of Iced Earth's history, which -- regardless of whether you're running hot or cold on their new frontman -- still delivers plenty of the intense power/thrash goodness. ~ Gregory Heaney
Recording information: Morrisound Studios, Tampa, Florida (07/2011-08/2011).
Director: Bill Murphy .
Personnel: Stu Block (vocals); Jon Schaffer (guitar, acoustic guitar, background vocals); Troy Seele (guitar); Freddie Vidales (bass guitar, background vocals); Brent Smedley (drums); Jim Morris , Howard Helm (background vocals).
Audio Mixer: Jim Morris .
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