Muddy Waters and The Rolling Stones: Live at the Checkerboard Lounge DVD

Muddy Waters and The Rolling Stones: Live at the Checkerboard Lounge video As the electric guitar ace Joe Bonamassa was so strongly inspired by blues and blues-oriented six-stringers (i.e., Clapton, Johnny Winter), many of his fans would politely pester him about doing a disc of blues standards. Originally done as a lark, the results of such a session were deemed by Bonamassa good enough to be released--hence, BLUES DELUXE, on which he covers some lesser-known songs and includes three originals. Of course, his fierce, scorching guitar is center stage. If axe-men such as Peter Green, Rory Gallagher, and Buddy Guy are your cup of tea, this DELUXE item is a necessity. Recorded at Unique Studios, New York, New York. Includes liner notes by Harris Cohen. Personnel: Joe Bonamassa (vocals, guitar); Jon Paris (harmonica); Benny harrison (Hammond B-3 organ); Eric Czar (electric bass); Kenny Kramme (drums).

Muddy Waters and The Rolling Stones: Live at the Checkerboard Lounge movie Shepherd's reverence for his musical roots are centerstage on this CD/DVD package featuring the guitarslinger with rhythm section of bassist Tommy Shannon and drumer Chris slayton performing with some of the greatest blues players of our time as well as lesser-known but historically significant bluesmen. Traveling to their hometowns to record everywhere from juke joints to front porches, from New Orleans to Kansas, Shepherd celebrates and becomes part of blues history. More than a mere live album, this collection of impromptu performances, recorded at both established venues and in kitchens and on front porches throughout the American South, captures a rapidly vanishing generation of bluesmen and women singing and playing with the blues musician Kenny Wayne Shepherd and his Double Trouble rhythm section. Featuring well-known artists such as B.B. King and Clarence "Gatemouth" Brown, as well as lesser-known performers such as Wild Child Butler and Cootie Stark, this combination CD and DVD is both a tribute to and a record of the musicians who influenced Shepherd, and a chance to observe the art form that laid the foundations for much of modern music. Often supported only by Shepherd's acoustic guitar, artists of the caliber of Cootie Stark, whose "Prison Blues" is a highlight, and the pianist Pinetop Perkins, whose "Grindin' Man" is accompanied by Muddy Waters' band, exude a matter-of-fact mastery born of decades of hard-won experience. Born In Louisiana The Thrill Is Gone Chapel Hill Boogie Knoxville Rag Big Daddy Boogie Tears Come Rollin' Down Got My Mojo Working DVD Features: DVD includes: Personnel: Kenny Wayne Shepherd (vocals, guitar); Tommy Shannon (bass guitar); Chris Layton (drums); Clarence "Gatemouth" Brown, Cootie Stark, Etta Baker, George "Wild Child" Butler, Henry Gray, Henry Townsend, Hubert Sumlin, Jerry "Boogie" McCain, John Dee Holeman, Muddy Waters Band, Neal Pattman, Pinetop Perkins, B.B. King, Bryan Lee, Buddy Flett. Tina Marie Honky Tonk Potato Patch Prison Blues U-Haul Red Rooster Spoonful Grindin' Man

Muddy Waters and The Rolling Stones: Live at the Checkerboard Lounge DVD for sale Revelator is the debut studio album from the 11-piece Tedeschi-Trucks Band, who already have a reputation as a wildly exciting live jam group. That said, the record that Susan Tedeschi and husband Derek Trucks have recorded proves something beyond their well-founded reputation as a live unit: that they can write, perform, and produce great songs that capture the authentic, emotional fire and original arrangements that so many modern blues and roots recordings lack. The duo forged their two individual solo bands (Trucks remains with the Allman Brothers Band) and added some other players. Oteil and Kofi Burbridge and Mike Mattison, as well as drummers Tyler Greenwell and J.J. Johnson are on board, as well as backing vocalists and a horn section. Produced by Trucks and Jim Scott, these 12 songs seamlessly meld blues, rock, Southern soul, gospel, and funk traditions into a heady, seductive, spine-slipping stew. The record also showcases Tedeschi as one of the finest vocal stylists in roots music, and Trucks, has become the only true heir of Duane Allman's bell-like slide guitar tone, his taste and restraint. More than this, Revelator offers proof that this pair and their bandmates are serious songwriters as well as players--anyone remember the original Little Feat? It's like that, but with a woman up front. While the single, "Midnight in Harlem," highlights the softer,side of the band with Tedeschi's soulful croon and Trucks' swooning slide, it's the harder numbers that fill out the story. The sexy opener "Come See About Me," the bluesy, gospelized "Don't Let Me Slide" (one of two cuts written by Trucks and Tedeschi with Jayhawk Gary Louris), the second-line funk-blues of "Bound for Glory" with its punchy horns; all of these offer evidence of the real depth that this band abundantly possesses. There's the skittering, slow-tempo guitar and B-3 soul-blues of "Simple Things," and the New Orleans-style horns introducing "Until You Remember," which can distract the listener for a moment from experiencing these songs for what they are-- until Tedeschi opens her mouth and lets the lyrics come up from her belly and drip from her lips and Trucks matches her emotion in his solo-- love songs; the likes of which we haven't heard since Delaney & Bonnie. The Eastern modal tinge in Trucks' playing and tablas dustinguishes "These Walls," tempered by the quiet conviction in the grain of Tedeschi's vocal would have made for a better single. The nasty, funky, Hendrixian droning blues of "Learn How to Love" is textured by Kofi's funky clavinet and Wurlitzer. Speaking of funk, Tedeschi takes her own smoking guitar break in "Love Has Something Else to Say," a slamming, break-ridden funk tune that quakes. It combines hard Southern Stax-styled rhythm, soul, blues, and nasty-ass rock. Revelator is a roots record that sets a modern standard even as it draws its inspiration from the past. It's got everything a listener could want: grit, groove, raw, spiritual emotion, and expert-level musical truth. ~ Thom Jurek Recording information: Plyrz Studios; Rong-Tai Studio; Studio P, Sausalito, CA; Swamp Raga Studios, Jacksonville, FL. Photographers: James Minchin; Jessica Shouse. Personnel: J.J. Johnson (drums). Audio Mixer: Jim Scott .

Muddy Waters and The Rolling Stones: Live at the Checkerboard Lounge film Reunited in concert for the first time in 40 years, Eric Clapton and Steve Winwood stormed the stage at Madison Square Garden in 2008, playing songs from every stage in their legendary careers. In addition to hits such as "Cocaine," "Voodoo Chile," and "After Midnight," the duo also performed the complete A-side of the first and only Blind Faith album. This energetic live release features the concert in its entirety, as well as rare archival footage of Cream, Traffic, and Blind Faith from back in the day. In this sold-out 3-gig stand at Madison Square Garden in late February 2008, icons Clapton and Winwood performed together for the first time since their all-too-brief days in the legendary Blind Faith in 1969. On this 2-DVD edition, fans everywhere are able to experience the sound and the glory of a performance on that famous stage by two of rock's greatest artists. The 2nd DVD includes The Road to Madison Square Garden, an exclusive documentary featuring new interviews with Eric and Steve, with rare footage and photographs of Cream, Traffic and Blind Faith. Rambling On My Mind: The final preparation for the 3 performances highlighted by an acoustic soundcheck performance by Eric, plus bonus MSG performances.

Muddy Waters and The Rolling Stones: Live at the Checkerboard Lounge review The Tedeschi Trucks Band is an 11-piece ensemble made up of guitarist-vocalist Susan Tedeschi's and guitarist Derek Trucks' individual bands. They made their debut with 2011's Grammy-winning Revelator, a sprawling collection that showcased funky R&B, gospel, blues, and scorching large band rock. Everybody's Talkin', a double disc, is a live offering from that supporting tour. Produced by Trucks, it includes live versions of some album tracks and six beautifully chosen covers; all its tunes are given extended, imaginatively arranged treatments. It's an unusual live record because its balance of sonic precision and stage-born kinetics is perfect -- this band transitions seamlessly between R&B, blues, rock, gospel, and jazz. These performances never succumb to mere jam band clichés. On disc one, "Midnight in Harlem" is introduced by a mini raga played as a slide solo by Trucks. The band enters gradually, and Tedeschi's soulful vocal carries them all the way in. (Tedeschi is revealed, song after song -- far beyond her solo records or even Revelator -- to be among the truly great singers in modern blues and rock; by turns graceful and grainy, her expression reaches the spiritual in execution.) At over 11 minutes, the interplay between guitarists, Mike Mattison's backing vocals, keyboards, and rhythm section are impeccable. Things get rowdier on "Learn How to Love," with nasty guitar work by Tedeschi, and a burning tenor sax solo by Kebbi Williams. The horn section really pops in "Bound for Glory"; the exchange between the Burbridge brothers on bass and keys, with drummers Tyler Greenwell and J.J. Johnson, adds a knotty improv bridge where deep funk and blues grind together. The disc closes with an astonishing reading of John Sebastian's "Darlin" Be Home Soon." With horns tastefully accenting and underscoring lead vocals, Trucks' slide solo stays melodically true, yet moves through the band's shimmering groove into the stratosphere (and he does this throughout this album, over and over again, helping to elevate not only the tune, but the sense of groove, space, and texture). Disc two contains only four cuts but they're all gems: Pearl Woods' "That Did It" (a Bobby "Blue" Bland vehicle) is a down and gritty strut, with excellent, in-the-grain guitar work by Tedeschi. Stevie Wonder's "Uptight" is a 15-minute soul rave-up with a beautiful jazz interlude and scat singing from Oteil Burbridge in its middle, followed by a wonderfully imagined slide solo by Trucks. It's followed by the deep, horn-driven, wah-wah funk of "Love Has Something Else to Say" before closing with a stirring read of Sam Cooke's "Wade in the Water." It's a spooky gospel-blues with gorgeous alternate lead vocals by Mark Rivers and Tedeschi. Everybody's Talkin' is what every live album should be: an accurate, exciting reflection of a band at its peak, playing full-throttle and providing plenty of surprises. ~ Thom Jurek Recording information: Farfield Theatre Company At The Klein, Bridgeport, CT (10/25/2011); The Danforth Music Hall, Toronto, ON (10/25/2011); The Warner Theatre, Washington, D.C. (10/25/2011); Farfield Theatre Company At The Klein, Bridgeport, CT (10/28/2011); The Danforth Music Hall, Toronto, ON (10/28/2011); The Warner Theatre, Washington, D.C. (10/28/2011); Farfield Theatre Company At The Klein, Bridgeport, CT (10/29/2011); The Danforth Music Hall, Toronto, ON (10/29/2011); The Warner Theatre, Washington, D.C. (10/29/2011). Photographer: C. Taylor Crothers. Personnel: Susan Tedeschi (vocals, guitar); Mike Mattison, Mark Rivers (vocals); Derek Trucks (guitar); Kebbi Williams (saxophone); Maurice Brown (trumpet); Kofi Burbridge (keyboards); J.J. Johnson , Tyler Greenwell (drums, percussion). Audio Mixer: Jim Scott .

Muddy Waters and The Rolling Stones: Live at the Checkerboard Lounge DVD for sale Track Listing of songs: Earth Blues; Somewhere; Hear My Train A-Comin'; Bleeding Heart; Let Me Move You; Izabella; Easy Blues; Crash Landing; Inside Out; Hey Gypsy Boy; Mojo Man; Villanova Junction Blues;