Ramones Adios Amigos CD - Import

Deluxe UK reissue of the punk legends' 1995 album features 14 tracks including 1 ultra-rare bonus track, 'R.A.M.O.N.E.S.' (Motorhead cover), packaged in a slipcase. Captain Oi! 2004.

The Ramones: Joey Ramone (vocals); Johnny Ramone (guitar); C.J. Ramone (vocals, bass); Marky Ramone (drums).
Recorded at Baby Monster Studio, New York.
Personnel: Joey Ramone, C.J. Ramone (vocals); Johnny Ramone (guitar); Marky Ramone (drums).
Liner Note Authors: Frank Meyer; Monte Melnick.
The Ramones announced before the release of ­Adios Amigos! that the record would likely be their last -- unless it sold in massive quantities, that is. While it's hardly their best effort, ­Adios Amigos! is an admirable way to bow out. The Ramones haven't progressed much since the mid-'80s, yet they have recaptured a bit of the inspiration that fueled their last great album, Too Tough to Die. Even with the extra kick of energy, there are moments on the album that veer too close to self-parody -- even the grungy stomp through Tom Waits' "I Don't Wanna Grow Up," one of the record's best moments, seems forced. Still, the weakest moments of the record outshine the best songs on the stiff and over-produced Brain Drain and Mondo Bizarro. They might not have been on the top of their game, yet the Ramones knew that a record like ­Adios Amigos! was the right way to call it a day -- it rocks and it rolls, and it's not an embarrassment. ~ Stephen Thomas Erlewine
Rumored to be The Ramones' final album, ADIOS AMIGOS isn't so much a summing up as it is a quick trip down memory lane, a farewell message or two, and a whole bunch of parting gifts from the kings of American punk rock. You didn't expect them to get all teary-eyed, but then you probably never figured them for the smart guys they are either. The Ramones have always had a way of sounding brainless no matter how clever they were, and now they manage to slip some sentimentality into the act as well.
ADIOS AMIGOS includes an ode to a pro wrestling loser ("The Crusher") and a brilliantly dumb anthem for burn-outs ("Got A Lot To Say"), along with such classic Ramones-isms as "I don't wanna open a can worms and I don't want any Spaghetti-O's," which newest Ramone C.J. utters during "Makin' Monsters For My Friends." Dee Dee Ramone, whom C.J. replaced, emerged from the shadows to co-write six of these songs. Johnny Ramone's guitar hammers along joyously--his punk and hardcore riffs constantly running up against pop changes in classic Ramones style. But here The Ramones save their biggest pop moments for pointedly life-affirming messages: "Life's A Gas," for example, consists of Joey la-la-la-ing and crying out the title over and over in his thick Queens accent, while Johnny power-chords his way through innocent 1950s pop changes.
But, hey, these are still The Ramones, and elsewhere on ADIOS AMIGOS they warn you not to believe anyone who tells you to "Have A Nice Day." And Dee Dee's seemingly final message about a lonely drug death, "Born To Die In Berlin," turns out to be a false serious ending. After fifteen seconds of silence comes an unlisted punk-pop ode to Spiderman that doesn't seem to say "good bye" so much as it seems to say "gabba gabba hey."
The Ramones announced before the release of ­Adios Amigos! that the record would likely be their last -- unless it sold in massive quantities, that is. While it's hardly their best effort, ­Adios Amigos! is an admirable way to bow out. The Ramones haven't progressed much since the mid-'80s, yet they have recaptured a bit of the inspiration that fueled their last great album, Too Tough to Die. Even with the extra kick of energy, there are moments on the album that veer too close to self-parody -- even the grungy stomp through Tom Waits' "I Don't Wanna Grow Up," one of the record's best moments, seems forced. Still, the weakest moments of the record outshine the best songs on the stiff and over-produced Brain Drain and Mondo Bizarro. They might not haveRolling Stone (7/13-7/27/95, p.111) - 3 Stars - Good - "...The album contains some of their angriest, most powerful material in years, reflecting the alienation of wizened outsiders rather than the snotty adolescent rebellion that had become a Ramones cliche....the best Ramones album in years..."
Entertainment Weekly (7/14/95, p.56) - "...confirm[s] their blitzkrieg bop not only hasn't aged but is timelier than ever. Let's hope this isn't the swan song hinted at in the album title." - Rating: A-
Q (7/95, pp.127-128) - 3 Stars - Good - "...a lively reminder that they are not yet ready for the sheltered housing complex..."
Uncut (p.135) - 3 stars out of 5 - "[A] good way of saying goodbye."
Alternative Press (10/95, p.74) - "...the first good, solid Ramones album in years..."
NME (Magazine) (6/24/95, p.54) - "...ADIOS AMIGOS is the return of gimpoid lyrics over cretin punk tunes with only the smallest hangover from the [Ramones'] metal years..."