| | Cuarenta Anos CD - Import Noberto Pedreira Quartet Discography of CDs
Noberto Pedreira Quartet: Juan Carlos Caceres (chant, piano); Bobby Rangell (soprano, flute, alto saxophone); Norberto Pedreira (guitar); Pablo Rodríguez, Minino Garay, Jorge "Negrito" Trasante, Pablo Mendez (percussion); Jean Wellers. Cuarenta Anos Review
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The versatility of Bach's music has been explored in a number of recordings. Most often the music survives the transition, for with Bach, composition was a universal language, something sublime and expressive which was not connected with particular instruments or idioms. In this recording Edgar Meyer performs the Cello Suites of Bach ...
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Personnel: Joan Stiles (piano); Joan Stiles; Terry Dodgion (saxophone); Jerry Dodgion (soprano saxophone, alto saxophone); John Webber (bass instrument); Joe Temperley (bass clarinet, saxophone, baritone saxophone); Frank Wess (tenor saxophone); Clark Terry (trumpet, flugelhorn); Warren Vaché (trumpet); Benny Powell, Wayne Goodman (trombone); Gregory Hutchinson (drums).
Liner Note Author: Bill Milkowski.
Recording information: Sound-On-Sound, New York, NY (01/17/1998/01/18/1998); The Studio, New York, NY (01/17/1998/01/18/1998).
Photographer: David Bartolomi.
Arranger: Joan Stiles.
The back cover of Love Call, Joan Stiles' first album as a leader, lists her as a "pianist and arranger." Why was it necessary for Stiles to point out that she's an arranger? Because it's a major part of her musical identity -- an identity that serves the native New Yorker well on Love Call, which was recorded in 1998 and boasts major names like Clark Terry (trumpet, flugelhorn), Frank Wess (tenor sax), and Warren Vaché (trumpet), as well as trombonist Benny Powell, saxman Jerry Dodgion, and Joe Temperley (an excellent but underexposed baritone saxophonist who is also heard on bass clarinet). Different combinations of players are employed on different songs, but whoever Stiles is featuring on this bop-oriented CD, she brings a real bandleader/arranger mentality to the table. Stiles' arrangements are consistently tasteful, and her sidemen have no problem bringing them to life. If Love Call has any noticeable shortcoming, it is Stiles' tendency to be much too conservative in her choice of material -- most of the time, she sticks to warhorses that have been beaten to death over the years. Describing "Surrey With the Fringe on Top," "When I Fall in Love," and "Almost Like Being in Love" as warhorses ...
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