What Women Want Soundtrack CD

Frank Sinatra,Nancy Wilson,Lou Rawls,Meredith Brooks,Peggy Le

Producers: Glen Brunman, Bonnie Greenberg-Goodman.
Engineers include: Robert Fernandez.
Audio Mixer: Don Murray .
Audio Remixers: Bill Schnee; Richard Perry.
Arrangers: Eddie Arkin; Marty Manning; Nelson Riddle.
The film What Women Want is a fantasy and romantic comedy centered on an advertising executive who loves the 1950s music of Frank Sinatra and embodies some of its "ring-a-ding-ding" attitudes until one of those magical things that happen only in the movies changes his outlook. The character's musical taste drives this various-artists soundtrack album (Alan Silvestri's score is restricted to a three-minute excerpt at the end), one of the few ever to boast Sinatra tracks when Sinatra himself didn't star in the film, along with similar material performed by Sinatra contemporaries Tony Bennett, Bobby Darin, Sammy Davis, Jr., Peggy Lee, Lou Rawls, and Nancy Wilson, with the Temptations contributing a reading of Cole Porter's "Night and Day" and Nnenna Freelon a newly recorded version of the 1929 song "If I Had You." All of this makes for a reasonable sampler of '50s and early-'60s style pop singing, except for a couple of late-'90s hits jarringly thrown into the mix. No doubt Meredith Brooks' "Bitch" and Christina Aguilera's "What a Girl Wants" comment on the film's basic plot -- a man who suddenly finds himself able to read women's minds -- but these contemporary pop/rock recordings seriously upset the album's mood. So it goes with soundtrack albums, though, and people buying the album as a souvenir of the film probably won't mind. ~ William Ruhlmann
The film WHAT WOMEN WANT, starring the indefatigable Mel Gibson, is a comedy about a man with the ability to hear women's thoughts. Aside from the expected comic hijinks, this gift leads him to a deeper understanding of the opposite gender. Accordingly, the film's soundtrack is full of love songs as rendered by a combination of old-school pop crooners and contemporary artists.
All conceptual threads aside, listening to Tony Bennett belt his way through "The Good Life," or to Frank Sinatra's insinuating "I've Got You Under My Skin," is an experience intrinsically worth the price of admission. The intermingling of a more modern aesthetic via Christina Aguilera's teen-pop anthem "What a Girl Wants" and Meredith Brooks' fiesty "Bitch" keeps listeners on their toes, but not enough to unbalance the overall sonic experience.