Bleu Redhead CD

This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.
Personnel includes: Bleu (vocals, guitar, toy piano, upright piano, Hammond B-3 organ, synthesizer, glockenspiel, vibaraphone, timpani); Bill Guerra (guitar); John Cutter (Wurlitzer piano); Max Toste, John Fields (bass); Dustin Hengst (bass, programming); Dylan Halacy, Jamie Vavra (drums); The Mansfield Men's Choir, The Brown Rainbow, The Los Angeles Swinger Singers (background vocals).
This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.
Personnel: Bleu McAuley (vocals, guitar, acoustic guitar, strings, toy piano, Wurlitzer organ, Mellotron, synthesizer, bass synthesizer, vibraphone, timpani, drum programming, background vocals); Laddermen, Brown Rainbow, Mansfield Men's Choir, Los Angeles Celebrity Swinger Singers (vocals); John Fields (guitar, piano, Wurlitzer organ, synthesizer, glockenspiel, drum programming); Bill Guerra (guitar, background vocals); Phil Solem (guitar); John Cutler, John Paul Powell (Wurlitzer organ); Dustin Hengst, Jamie Vavra, Dylan Halacy, William J. McAuley III, Michael Bland (drums); Dorian Crozier (computer); Dan Wilson, Digital Dorris, Southie Tabernacle Choral Ensemble, Aaron Lippert, Andy Sturmer (background vocals).
Audio Mixers: David Thoener; Ducky Carlisle; Bleu McAuley; John Fields .
Photographers: Kim Genereux; Bleu McAuley; John Cutler; Rachel Cipriano; Stephen Stickler; John Fields .
Unknown Contributor Roles: Aurisha Smolarski; Ameena Khawaja.
Headroom established Bleu as a Boston sensation, but his "Somebody Else" on the blockbuster soundtrack to Spiderman introduced him to more mainstream audiences and paved the way for his second record, Redhead. While it is the proper follow-up to Headroom, Redhead also includes re-recorded versions of four cuts from that album, along with "Somebody Else" and nine new tracks. The most noticeable change from the debut is evident in the execution: The subtle electronic elements on Headroom, along with some of that disc's charming quirkiness, have been replaced with a muscular, straightforward mainstream rock sound. At first this can be a little disconcerting, since Redhead feels like a slightly more anonymous work, but the quality of the new cuts saves the entire affair. The Andy Sturmer co-penned cut "Could Be Worse" sounds exactly like you'd imagine -- Bleu and Jellyfish mixed together, with an end product something like Supertramp. Storming power pop like "Ursula Major, Ursula Minor" sits comfortably next to gorgeous ballads like "We'll Do It All Again." Bleu does occasionally let his more maudlin, dramatic vocal sensibilities run wild here, making him at times sound like a rockier Rufus Wainwright, but even the biggest departures aren't shockingly different from Headroom. Redhead is just a pop record, but it feels like a manifesto, playing smoothly from end to end. Fans of modern guitar pop and singer/songwriters can't miss with this. ~ Jason Damas
Headroom established Bleu as a Boston sensation, but his "Somebody Else" on the blockbuster soundtrack to Spiderman introduced him to more mainstream audiences and paved the way for his second record, Redhead. While it is the proper follow-up to Headroom, Redhead also includes re-recorded versions of four cuts from that album, along with "Somebody Else" and nine new tracks. The most noticeable change from the debut is evident in the execution: The subtle electronic elements on Headroom, along with some of that disc's charming quirkiness, have been replaced with a muscular, straightforward mainstream rock sound. At first this can be a little disconcerting, since Redhead feels like a slightly more anonymous work, but the quality of the new cuts saves the entire affair. The Andy Sturmer co-penned cut "Could Be Worse" sounds exactly like you'd imagine -- Bleu and Jellyfish mixed together, with an end product something like Supertramp. Storming powEntertainment Weekly (6/20/03, p.73) - "...Embedded in lush melodies loamy with layered guitars and rich, soaring vocals...REDHEAD is a sustained meditation on romantic obsession..." - Rating: A
Alternative Press (9/03, p.112) - 3 out of 5 - "...Bleu's soaring melodies, boundless voice and winning songcraft will keep REDHEAD close to your stereo..."