| | Miles Davis - Miles Electric: A Different Kind Of Blue DVD Miles Davis CDS
(4 Customer Reviews)
| Category | Music Video - Jazz DVDs, Music Video Movies, Pop Music Videos Videos, Music (General), Live Performances, Concert, Recommended, Jazz, Concert Footage, Interviews, 1970s, Jazz Musicians, Jazz Legends, Jazz Instrumental, Jazz Fusion | | Featured | Carlos Santana, Joni Mitchell | | Music Performer | Miles Davis |
Standard Screen; Soundtrack English; Dolby Digital 5.1 Re Just like Bob Dylan before him, Miles Davis challenged the boundaries of an entire genre of music by going "electric" on his groundbreaking 1969 album BITCHES BREW. Expanding upon Miles' previous experiments in jazz fusion, BITCHES BREW blended improvisational rock and jazz into an exciting new style that was highly controversial upon its release, but has since made the album one of the most influential records of all time. MILES ELECTRIC: A DIFFERENT KIND OF BLUE finds the jazz trumpeter performing BITCHES BREW live in concert at the legendary 1970 music festival Isle of Wight. Performance footage is interspersed with interviewed appearances by Miles' former band members Chick Corea and Herbie Hancock, as well as admirers such as Carlos Santana and Joni Mitchell. Miles Davis - Miles Electric: A Different Kind Of Blue Reviews: "Interviews with key players including Keith Jarrett, Chick Corea and Davis himself make the case for Davis' plugged-in elegance."
-- Michael Azerrad, Rolling Stone "[The] exhilarating 40-minute set appears uncut here for the first time..."
-- Uncut Staff, Uncut "Beautifully shot and fascinating throughout, it's a masterful portrait..."
-- Glenn Kenny, Premiere Miles Davis - Miles Electric: A Different Kind Of Blue | List Price | $14.97 (You save $2.32) | | Studio | RED Distribution | | Orig Year | 1970 | | DVD Encoding | Region 1 | | All Time Sales Rank | 2259  | | CD Universe Part number | 6796750 | | Catalog number | 39020 | | Discs | 1 | | Release Date | Nov 16, 2004 | | Rating | Not Rated | | Running Time | 73 Minutes | | Movie Details | Color |
Miles Davis - Miles Electric: A Different Kind Of Blue Movie Review Miles Davis - Miles Electric: A Different Kind Of Blue DVD Region 1 Keep Case Full Frame - 1.33 Audio: 5.1 - English Stereo - English
Miles Davis - Miles Electric: A Different Kind Of Blue Video Purchase Miles Davis - Miles Electric: A Different Kind Of Blue Movie To buy, Click on price to add to cart | Video X: Evidence DVD (2001)
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Miles Davis - Miles Electric: A Different Kind Of Blue review
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Also includes a 92-page booklet with rare photos, complete discography and essays by Michael Cuscuna and Bob Blumenthal.
All tracks have been digitally mastered using 24-bit technology.
In the 1960s, trumpeter Miles Davis became a star outside of the jazz world, first with what history refers to as "the Quintet" with Wayne Shorter and Herbie Hancock, then with his highly influential post-BITCHES BREW electric bands. But there was a "transitional" period, after John Coltrane left Davis's employ and before the Shorter/Hancock era, which the SEVEN STEPS box set based around the SEVEN STEPS TO HEAVEN album documents in its entirety, often in a live context.
Davis was seeking the right combination of musicians for his sonic flights, where hard-bop and modal styles could be combined with a wide-open, increasingly elastic sound. Before settling on Shorter (present here), he tried the conventionally hearty, blues-accented bop approach of saxophonist George Coleman and the rippling, somewhat more avant-garde Sam Rivers. Both soar and sear at their respective best, providing remarkable contrast ...
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There is an entire universe contained in this box. Sumptuously packaged and scrupulously annotated, CELLAR DOOR SESSIONS 1970 is a six-disc set that documents Miles Davis's extended residency at the Washington, D.C., club. Davis is backed by a group of genius musicians: keyboardist Keith Jarrett, drummer Jack DeJohnette, bassist Michael Henderson, saxophonist Gary Bartz, percussionist Airto Moreira and guitarist John McLaughlin (who appears only on the last two discs). Together they pioneered an ecstatic fusion of jazz, rock, funk, and abstract sound-painting that established the blueprint for the future of progressive music.
Each disc contains a different live set, and while songs are often repeated across the set lists, no two tracks sound the same. The players improvise at a fever-pitch, pushing themselves to endless invention, and the ensemble's interplay--expressionistic, protean, and fierce--is near telepathic. The influence of rock artists like Sly ...
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