| | Limp Bizkit Three Dollar Bill, Y'All CD Limp Bizkit Discography of CDs
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Limp Bizkit: Fred Durst (vocals); Wes Borland (guitar); Sam Rivers (bass); John Otto (drums); DJ Lethal (DJ).
Additional personnel: Scott Borland (keyboards).
Recorded at Indigo Ranch Studio, Malibu, California.
Audio Mixers: Andy Wallace; Steve Sisco.
Recording information: Indigo Ranch Studio Malibu, CA.
With their major-label debut, Three Dollar Bill Y'All, Limp Bizkit quickly rose to the top of the alt-metal subgenre known as "rapcore." Part of the reason the band stood out from their peers was their kinetic, frenzied energy. They might not have many original ideas -- they are largely an outgrowth of Korn, Faith No More, and the Red Hot Chili Peppers -- but they do the sound well. They have a powerful rhythm section and memorable hooks, most of which make up for the uneven songwriting. Then again, you're not looking for perfection on a debut -- you're looking for a promising sound, and on that front, Limp Bizkit deliver. ~ Stephen Thomas Erlewine
THREE DOLLAR BILL, YALL$, mixes a funky rhythm section, screeching guitars, half rapped, half screamed vocals and noisy sound sculpting (courtesy of DJ Lethal of House Of Pain fame) into a stew that wastes no time simmering and heads straight for a rolling boil. Taking cues from Rage Against The Machine and buddies Korn, the band creates a nearly impenetrable wall of sound.
Singer Fred Durst obviously has some issues to work out, and he uses the band as an opportunity to vent. Whether he's railing against fake scenesters ("Counterfeit"), a gold-digging girlfriend ("Stuck") or his own insecurities ("Nobody Loves Me"), Durst makes his opinions known in no uncertain terms, and at the top of his lungs to boot. Throw in a cover of George Michael's "Faith" and you've got a killer CD. Three Dollar Bill, Y'All Music Limp Bizkit Three Dollar Bill, Y'All Songs Three Dollar Bill, Y'All Music Three Dollar Bill, Y'All Music Review Average Rating: (3.5 out of 5 stars)   List All Reviews Rap-Metal At It's Best
I think this is a great cd, just think of all the bands that this cd inspired, Linkin Park, Alien Ant Farm, Papa Roach, P.O.D., Pillar! Buy It, it's great!! Especially if your into the whole rap-metal thing, if you're not, and you like good old metal, get Megadeth's "Rust In Peace"
Submitted by Gabrielrockz (Portland, Oregon)
Was This Review Helpful? Yes No 2 of 2 found this helpful.
 its a start
this is not a good cd after this one it got better
Submitted by insane_j (Tampa, FL)
Was This Review Helpful? Yes No 1 of 1 found this helpful.
Ha!
Watered down ripped off Korn riffs, qausi rapped vocals, really stupid lyrics, Nirvana type song structure, little babies screaming and 100% trendy! Enough said.
Submitted by blup (Shooting Fred Durst in the head, TX, USA)
Was This Review Helpful? Yes No 1 of 1 found this helpful. Nu-Metal Garbage
This band is the epitome of fake, sellout, crappy, useless posers that give music a bad name. This album proves it too. What will it take to make people see that rap and rock will never go together? By the way rap sucks too. nu metal (limp bizkit, deftones, mudvayne, korn, linkin park, staind, system of a down, disturbed, slipknot ect. ect.)is so fake and shouldn't have word "metal" in it, it doesn't deserve it. Fred Durst IS NOT in it for the music, passion, or fans anyway, he could care less. He's in it for the $ and the chicks. He thinks he's god's gift to women when the fact of the matter is that he wears his little red ny yankee cap to hide his bald head. It's pathetic because he thinks he's so invincible and trys to act like a walking razor blade, especially on stage, lol. God, I can't believe that he doesn't know why so many people hate his guts. What a loser. I also can't believe that they ripped off local guitarists buy stealing their 60 second riffs at a guitar center "guitarist audition", in which they stole these riffs to probably use in their later albums to make more $. What fake musicians. These guys need to be shot. If you want some Real Metal, go out and buy some Exodus, Slayer, Testament, Megadeth, Iron Maiden, Judas Priest, 80's Ozzy, or Old Metallica with Cliff. The day that limp bizkit breaks up, I'm throwing a "Real" 80's Heavy Metal party. 'Nuff said.
Submitted by a reviewer (Seattle, WA)
Was This Review Helpful? Yes No 1 of 1 found this helpful. The Beginning Of The End For Rock Music
I don't know what else I can say about it, the headline above says it all.
Submitted by Ryan (Ohio)
Was This Review Helpful? Yes No List All Reviews | Have you heard this album? |  |
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| | Spring Heel Jack Amassed CD (2002)
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Featuring Jason Pierce (Spiritualized), the all stars of British Jazz, including such luminaries as Evan Parker, Kenny Wheeler, Han Bennick and Paul Rutherford. Nominated for innovative jazz recording of the year (BBC). Thirsty Ear. 2002.
Spring Heel Jack: John Coxon, Ashley Wales.
Additional personnel: J Spaceman (electric guitar); Ed Coxon (violin); Evan Parker (soprano & tenor saxophones); Kenny Wheeler (trumpet, flugelhorn); Paul Rutherford (trombone); Matthew Shipp (Fender Rhodes piano); George Trebar (acoustic & electric double bass); John Edwards (double bass); Han Bennink (drums).
Recorded at the Strongroom, London, England, and Gateway Studio, Kingston, Jamaica.
Personnel: Jason Pierce (electric guitar); Ed Coxon (violin); Evan Parker (soprano saxophone, tenor saxophone); Kenny Wheeler (trumpet, flugelhorn); Matthew Shipp (Fender Rhodes piano); George Trebar (double bass, electric bass); John Edwards (double bass); Han Bennink (drums).
Recording information: Gateway Studio, Kingston, Jamaica; Strongroom, London, England.
Photographer: Cynthia Fetty.
The transformation of Spring Heel Jack into its own brand of avant electronic jazz continues with Amassed, rather logically following up on the previous year's Masses as another entry in the "Blue Series." Performers like Evan Parker ...
| | Uriah Heep High & Mighty CD (1975) (Import) Bonus Tracks; England; United Kingdom
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UK expanded de-luxe reissue of the progressive metal act's 1976 album features 18 remastered tracks including 8 bonus tracks, 'Name Of The Game' (Previously Unreleased Version), 'Sundown' (Alternate Version), 'Weep In Silence' (Previously Unreleased Extended Version), 'Name Of The Game' (Demo Version), 'Does Anything Matter' (Demo Version), 'I Close My Eyes' (Demo Version), 'Take Care' (Demo Version), & 'Can't Keep A Good Band Down' (Edited Version). Slipcase. Sanctuary. 2004.
Uriah Heep includes: David Byron (vocals); Mick Box (guitar, background vocals); Ken Hensley (keyboards); John Wetton (bass, background vocals); Lee Keslake (drums).
Producer: Uriah Heep.
Reissue producer: Mick Carpenter.
Recorded at Roundhouse Studios, London, England between December 1975 & March 1976. Includes liner notes by Robert M. Corich.
All tracks have been digitally remastered.
Uriah Heep's HIGH & MIGHTY is the prog metal group's 1976 album, featuring 18 tracks including "Midnight," "Misty Eyes," and "Weep In Silence."
By 1976, Uriah Heep was on shaky ground. Although they had scored a big success with Return to Fantasy, the group was suffering from personality conflicts (vocalist David Byron left after this album) and division over their musical direction. This tension is visibly apparent on High and Mighty, an album that shows flashes of the group's old firepower, but is ultimately sunk by a combination of unfocused experimentation and uneven songwriting. It starts ...
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In the late '80s, Oxbow mangled the underground's fragile psyche with the release of nerve-fraying LPs. With each recording, ...
| | Gotthard Domino Effect CD (2007) (Import) Bonus Track; Japan; United Kingdom
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2007 release of Swiss rockers' eighth studio album.
Personnel: Freddy Scherer, Leone Leoni (guitar, background vocals); Nicolo Fragile (keyboards); Hena Habegger (drums, percussion); Danny Lee (background vocals).
Audio Mixer: Ronald Prent.
Recording information: It Factory, Massalengo, Italy; Yellow House Studio 13, Lugano, Switzerland.
Photographer: Caspar Martig.
Like a specter of '80s rock & roll coming back to haunt you, Swiss veterans Gotthard keep teasing their hair, waxing their leather chaps, and pumping out glossy, commercial heavy rock as though the '90s and grunge never even happened. To each his own, though, and 2007's refreshingly unapologetic Domino Effect (the group's ninth studio platter) taps into the familiar qualities of the Euro-metal circa 1988 (not quite as fluffy as the American glam set, nor as high energy or hysterical as fast-rising power metal), when dinosaurs like the Scorpions, Sinner, and Krokus (whose bassist actually produced Gotthard's early efforts) roamed the landscape unchallenged. On Domino Effect, Gotthard sounds perfectly at ease whether they are uncorking darker, heavier offerings like "Gone Too Far" and "The Cruiser" (which recall glory period Savatage); finely crafted power ballads like "Falling," "The Call," "Tomorrow's Just Begun," and "Letter to a Friend" (which they have ...
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Born, Gloria Alexander, from Corinth, Mississippi and Lee Carswell, from San Bernardino, California - nothing but praise to God above for ...
| | Kevin Welch Millionaire CD (2002)
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Personnel includes: Kevin Welch (vocals, acoustic guitar); Gustaf Ljunggren (various instruments, background vocals); Frank Birch Pontoppidan (acoustic & electric guitars, piano, Moog synthesizer, background vocals).
Producers: Kevin Welch, Frank Marstokk, Frank Birch.
Recorded at Moraine, Creative Workshop, Nashville, Tennessee; Feedback Studio, Arhus, Denmark.
Backed ...
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