| | Banda Preciosa De Durango Chiquitita CD Banda Preciosa De Durango Discography of CDs
(11 Customer Reviews)
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Not available
Our Price: $9.99
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Banda Preciosa de Durango: Luis Moreno, Sergio Figueroa. Arranger: Mauro A. Lopez. Banda Preciosa De Durango Chiquitita Songs | 1. | Me Gusta Estar Contigo | $0.99 | |
| 2. | Que Se Te Olvido | $0.99 | |
| 3. | Asi Fue | $0.99 | |
| 4. | Valentin de la Sierra | $0.99 | |
| 5. | Ahora Si Fue en Serio | $0.99 | |
| 6. | Chiquitita | $0.99 | |
| 7. | El Tarasco | $0.99 | |
| 8. | Pueblo Viejo | $0.99 | |
| 9. | Estrellita Marinera | $0.99 | |
| 10. | El Pescado Nadador | $0.99 | |
| 11. | Chiquitita - (Version Radio) | $0.99 | |
| Purchase Chiquitita CD To buy, Click on price to add to cart | Pedro Fernandez Amarte a La Antigua CD (2009)
Chiquitita
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| | RMM Tropical Tribute To The Beatles CD (2007) With DVD
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$15.05 This one-of-a-kind ...
| | Luz Rios Aire CD (2008)
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| | Jay Perez Hombre En La Luna CD (2002)
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| | Jorge Negrete Mexicanismo CD (2006) Remastered
Chiquitita
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| | Los Horoscopos De Durango Pura Pasion CD (2009)
Chiquitita
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| | Margaret Whiting Too Marvelous For Words CD (1995)
Chiquitita
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| | Steve Swallow Real Book CD (1994)
Chiquitita
$31.45
| | Ramon Ayala Rinconcito En El Cie CD (1995)
Chiquitita
$11.65
| | We're All Broken Campaign Moving Slow CDs (2004)
Chiquitita
$9.85 Beginning in the fall of 1996, and formerly known as Unsound, we took shape as a band in the New Jersey and New York hardcore/punk scene of the era. Having met and befriended in high school with a common bond, we all shared a driving focus to take part in the local community and to always challenge ourselves to write the most original music we could. In 1999 Warren took over as vocalist in our band. Warren pushes the limits on the definition of what a singer is; meshing styles of voice that make him the fifth instrument within the music. Warren fit perfectly; creatively we all strive to explore the art of song writing by experimenting and breaking boundaries. Bringing forth new ideas, perceptions and dimensions and always pushing forward is necessary. Nothing should repeat itself. There should never be a comfort zone too cozy. The subconscious is a mysterious place and harnessing its energy is how we write songs. Playing live is such a forum for the physical expression of music and soul. The body and the mind are to do what they will in the moment, and our live sets are a testament to the connection that the songs we've written have to our collective spirit as a band. We started the band with the desire to play shows, meet new people and have fun; nothing much has changed to this day. Playing live allows us to deal openly with personal problems in a way that we are comfortable with. Our sound has always been a healer, most often shared with small intimate groups of understanding individuals. In essence, when an open mind is fused with the right moment one can realize things they never saw before or connect with something so deeply embedded that it erupts a new warmth. Over the years we met so many great people, played with many of our favorite bands and always cherished the beauty of community and sharing our ideas. We have so much respect and admiration for all the people involved in underground punk rock, from the kids who book shows, rent the halls, garages, supply the basements, offer the floor to sleep on, do fanzines, do sound, sell merch, play in bands... those who come to have a good time and listen to what others have to say with open ears and understanding spirit. Our band is a search for this ever-defining spirit that ignites us as humans but life always has this sinister way of invading this central ideal... meaningless work on the factory line invades and guides us away from our true hope and possibility... and then its money saved for nothing earned!! Cycles of work/band, work/school/band were killing us. But repetition eventually kills the liar. It is for this reason we are now a full ...
| | Marc Gunn Tribute To Love CD (2007)
Chiquitita
$17.75
| | Larry Bagby On The Radio CD (2008)
Chiquitita
$12.69 Many know him as Marshall Grant, Johnny Cash’s best friend in the film Walk the Line in which he performed alongside Joaquin Phoenix and Reese Witherspoon or as Ice from Hocus Pocus starring along side Bette Middler and Sarah Jessica Parker or as football hero \"Larry Blaisdell on Buffy the Vampire Slayer performing with Sarah Michelle Gellar. Larry has also had several guest appearances on shows such as CSI, JAG, and Malcolm in the Middle. He may be most recognized for these acting roles but it is his music that will make a lasting impression upon you and keep you coming back for more.Born and raised in California, Larry ...
| | Emerson, Lake, And Palmer Pictures At An Exhibition CDs (1984) (Import) Deluxe Edition; United Kingdom
Chiquitita
$30.95 Emerson, Lake & Palmer perform Mussorgsky's "Pictures At An Exhibition". Emerson, Lake & Palmer: Keith Emerson (keyboards); Greg Lake (vocals, guitar, bass); Carl Palmer (drums, percussion). Pictures at an Exhibition was one of the seminal documents of the progressive rock era, a record that made its way into the collections of millions of high-school kids who never heard of composer Modest Mussorgsky and knew nothing of Russia's Nationalist "Five" or artist/architect Victor Hartmann, whose work was the inspiration for Mussorgsky. Chronologically, it was Emerson, Lake & Palmer's third LP release (they didn't regard it as an "official" album, as it was comprised of only part of a longer live performance), but for a lot of teenagers who'd missed out on the trio's self-titled debut album or resisted the unfamiliarity of Tarkus, Pictures -- which was budget-priced in its original LP release in England and America -- with its bracing live ambience and blazing pyrotechnics, was the album that put the group over, and did it with exactly the same kids who turned Jethro Tull's Aqualung and Thick as a Brick and Yes' Fragile into standard-issue accouterments of teenage suburban life. And, indeed, like the Tull and Yes albums, it worked on several levels that allowed widely divergent audiences to embrace it -- with the added stimulus of certain controlled substances, it teased the brain with its mix of melody and heavy rock, and for anyone with some musical knowledge, serious or casual, it was a sufficiently bold use of Mussorgsky's original to stimulate hours of delightful listening. It wasn't the first treatment of a classical piece in this manner by any means -- Keith Emerson ...
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