| | L A Symphony End Is Now CD L A Symphony Discography of CDs
L.A.Underground Hip Hop Group.
Recorded at T2, Los Angeles, California.
L.A. Symphony: Uno Mas, Flynn, Joey The Jerk, Cookbook, Sharlock Poems.
Producers: Flynn, Greatjason, bTwice, Cookbook.
L A Symphony End Is Now Songs | 1. | End Is Now |
| 2. | Next |
| 3. | I Can't Have Her |
| 4. | Here to Party |
| 5. | One of a Kind |
| 6. | Heeve Ho! |
| 7. | Charlie Brown |
| 8. | 187 on the Dancefloor |
| 9. | Wonderful |
| 10. | Gonna Be Alright |
| 11. | No Excuse |
| 12. | L.A.S. Is Dead |
| 13. | Dreamin' |
| 14. | Lady Luck (Do What I Do) |
|
End Is Now Review
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Purchase End Is Now CD To buy, Click on price to add to cart | Black Eyed Peas E.N.D. (Energy Never Dies) CD (2009)
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| | Mary J Blige Stronger withEach Tear CD (2009)
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| | Michael Jackson - Video Greatest Hits - History DVD (1995) Special Edition
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| | Teddy Pendergrass Soul Superstar CD (2009) Tin
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| | Best Of The Stylistics CD (1975)
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| | Kool & The Gang Very Best Of Kool & The Gang CD (1999)
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| | 80'S Dance Party, Vol. 2 CD (1994)
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| | Christoph Spendel Flight 408 CD (1998) (Import) Import; Germany
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| | Wilson Pickett Sound Of CD (1967) (Import) Argentina
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| | Great Ladies Of Rock & Roll: The '50S - WCBS CD (2002)
End Is Now CD music
$12.29
This CD was packaged for and promoted by WJMK, Chicago, Illinois.
Including 25 tracks of the biggest female-fronted pop of the decade, Great Ladies of Rock & Roll: The '50s is a good compilation choice for fans attempting to fill in the gaps, as well as those who are simply historically curious. It must be granted that a gaping stylistic chasm separates some of the material here; after all, the same disc takes in Gogi Grant's faux-epic "The Wayward Wind," Brenda Lee's raucous "Sweet Nothin's," and Dinah Washington's refined "What a Diff'rence a Day Makes." Still, nearly every track is a classic in its respective field, from adult vocal (Julie London's "Cry Me a River") to teen pop (the Teen Queens' "Eddie My Love") to somewhere in between (Connie Francis' "Lipstick on Your Collar"). Especially intriguing for vocal fans are the obscurities, many of which point out how the '50s was, for female pop, a decade focused on regret and heartbreak: "The Big Hurt" by Miss Toni Fisher, "Alone (Why Must I Be Alone)" by the Shepherd Sisters, and "Lonely Nights" by the Hearts. ~ John Bush
Including 25 tracks of the biggest female-fronted pop of the decade, Great Ladies of Rock & Roll: The '50s is a good compilation choice for fans attempting to fill in the gaps, as well as those who are simply historically curious. It must be granted that a gaping stylistic chasm separates some of the material here; ...
| | Twista Kamikaze CD (2004) Re-Issue; Bonus Tracks; Reissue; Edited
End Is Now music CDs
$15.79
With a flow so speedy that the Guinness book recognized him as the world's fastest rapper over a decade ago, Chicago hip-hop legend Twista ironically scored a breakout hit with the song "Slow Jamz." However, when he kicks in his trademark rapid-fire flow in the second verse of that song, the veteran's skill is instantly overwhelming. It's not just that Twista's been honing his style for years, it's that he observes, after spitting a dizzying array of clever masters-of-the-slow-jam name-checks, "no matter how much of a thug you see, I still spin it like it's R&B."
Far from a performer with a motor-mouth gimmick, Twista is an artist, a songwriter, and a rap-stylist, and KAMIKAZE marks his return to the form of his 1996 debut, ADRENALINE RUSH. To that extent, "Still Feels So Good," a sexy track featuring Jazzy Phe, calls back to "It Feels So Good" from that record. He continues to party through switch-pace tracks like "Drinks" and darker, nearly "screwed-up" tracks such as "One Last Time." Eventually, he closes on a more substantial note, musing with Cee-Lo on "Hope," basking with Anthony Hamilton (conjuring up Bill Withers) on "Sunshine," and philosophizing with some of the State Property crew on "Art & Life."
To say that motor-mouthed Twista and producer Toxic took their time getting Kamikaze out is an understatement. Released nearly five years after his last album and promoted by the rapper since 2001, Kamikaze finally dropped in one of the least popular months for music buying, January. The long-talked-about Timbaland team up ended up on Timbaland's album, and Kamikaze's original single, "Tattoo," landed on Toxic and Twista's Legit Ballaz project instead. Seems like Kamikaze is doomed from the start, but it's actually a fair album for two main reasons: the new lead single, "Slow Jamz," and the killer guest productions of Kanye West. West is at the helm for "Slow Jamz," producing, singing, and delivering what could be the couplet of 2004: "She got a light-skinned friend look like Michael Jackson/Got a dark-skinned friend look like Michael Jackson." Between the speedy Luther Vandross samples, Jamie Foxx's verse, and West name-checking all of the heroes of pillow-talk radio, there's just enough room for Twista's rapid rap. Twista's style is stunning, doubly so for any aspiring rappers, but for those who just listen, it lacks the depth to carry a full album on its own. Still,
Includes bonus tracks.
Personnel: Twista; Danny Boy, Bishop Don Magic Juan, Aisha Tyler, Highbeam, Penelope Magnet, Co (vocals); Donnie Lyle, Gregg Landfair (guitar); Miri Ben-Ari (violin); John Legend, Rodney East, Kendall D. ...
| | Velvelettes Motown Anthology CD (2005)
End Is Now songs
$15.35
Although they only released a handful of singles (and no albums) during their time with Motown and they never had a truly big hit, the Velvelettes sure recorded a lot of material if you count all the unreleased tracks they laid down for the label. This two-CD set is the proof, presenting not just most of their scant body of previously released Motown sides (some of which didn't see the light of day for decades), but also no less than 32 cuts that make their first appearances here (although half a dozen of these are just alternate versions, alternate mixes, or stereo versions). Does the availability of all this stuff redefine their legacy? Nope -- it, like prior Velvelettes compilations, solidifies their standing as a decent but second-string Motown group, although it's a gold mine of discovery for the serious Motown collector. Though the Velvelettes really weren't much different than the Supremes or the Marvelettes in the caliber of their talents, and they recorded songs by several of the best Motown songwriters, they just didn't get those special classic tunes that would have vaulted them over the hump.
Nevertheless, some of those unreleased tracks penned by the likes of Mickey Stevenson, Norman Whitfield, Brian Holland, Lamont Dozier, Eddie Holland, Clarence Paul, and Barrett Strong are fun to hear, particularly the earlier ones from the 1963-1964 era, which are good if slightly cookie-cutter slices of the classic early Motown sound as it found its feet. The recordings, ...
| | Masters 5 Legendary Masters V/Masters V CD (2009)
End Is Now album
$10.89
| | Chapman Whitman Stre First Cut CD (2010) (Import) Import
End Is Now CD music
$24.95
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