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Bad Brains CD

 Bad Brains Discography of CDs
4.9 stars (7 Customer Reviews)

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BAD BRAINS was originally released on cassette. It was issued on CD for the first time in 1996.
Bad Brains: H.R. (vocals); Dr. Know (guitar, background vocals); Darryl Jennifer (bass, background vocals); Earl Hudson (drums, background vocals).
Recorded at 171-A Studios, New York, New York between May and October 1981. Includes liner notes by Ira Kaplan.
For fans of hardcore, many would agree that the holy grail of the genre is Bad Brains' self-titled album, originally released back in 1982 as a cassette-only release on ROIR. The ensuing years after its initial release haven't dulled the album's fury and rage in the least, and it's still impressive how the band can switch gears from red-hot hardcore to cool reggae dubs in the blink of an eye. All the classics are here: "Sailin' On," "Banned in D.C.," "Pay to Cum," "Right Brigade," as well as one of their strongest reggae tunes, "I Luv I Jah." The back of the album boasts a quote from the Beastie Boys' Adam Yauch, which sums up the proceedings simply, "the best punk/hardcore album of all time." [Although Bad Brains was available on CD on the now-defunct In Effect label in the late '80s (then titled Attitude: The ROIR Sessions with a different album cover), it's since been remastered and re-released with its original cover, as well as an untitled bonus track added at the end.] ~ Greg Prato
The Bad Brains were one of the most important voices of the East Coast hardcore scene during its halcyon days of the '80s. What they brought to the scene was nothing short of revolutionary--infusing the form's rage with the spiritual conviction of the Rasta tradition and the instrumental prowess of seasoned jazz players, they breathed new life into a genre in danger of stagnation, or worse, homogenization. Their album on the initially cassette-only ROIR label arrived like a new day, brimming with positivity and spirituality, as well as an unarguable mastery of the musical form of hardcore.
From the album's opening strains on "Sailin' On," the book was re-written, or at least opened a little wider. Vocalist H.R., one of punk's speediest singers, growls and screams his message like a man possessed. On the band's most recognizable classic, "Pay To Cum," his staccato delivery truly reaches breakneck speed, barely decipherable, the song is a torrent of sound, a hurtling juggernaut of boundless energy. He extols the praises of having the right mindset most effectively in "Attitude," a testament to the power of positivity. The band reaches deep into its Rasta roots on "Jah Calling" and "I Love I Jah," rounding out the ever-widening, ever-intense world of BAD BRAINS.Spin (5/01, p.109) - Ranked #16 in Spin's "50 Most Essential Punk Records" - "...Givin' whatcha gettin'...while the black band's sweatin' to create hardcore..."
CMJ (4/3/00, p.30) - "...Unbridled ferocity....renowned for their mix of high-throttle hardcore and loose, lively reggae....[They] opened the floodgates and ushered punk into the hardcore age..."
Vibe (2/02, p.87) - Included in Vibe's "Essential Black Rock Recordings".
The Beat (V.15 #3 1996, p.20) - "Bad Brains were treading unknown waters when they mixed up their own style of punk reggae on this 1982 groundbreaker which sounds as raw and energetic as it did back then."
Bad Brains Music


Detailed Bad Brains Music Information



List Price $12.98 (You save $1.73)
Category Rock/Pop Albums, Rock CDs, Alternative, Reggae/Ska/Calypso, Punk
Label ROIR
Orig Year 1982
All Time Sales Rank   4393  
CD Universe Part number 1067503
Catalog number 8223
Discs 1
Release Date Mar 19, 1996
Studio/Live Studio
Mono/Stereo Stereo
Engineer Jay Dublee
Personnel H.R. - vocals
Darryl Jenifer - bass, background vocals
Dr. Know - guitar, background vocals
Earl Hudson - drums, background vocals
Bad Brains Songs


Bad Brains Album Track Listing



Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample1.Sailin' On  
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample2.Don't Need It$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample3.Attitude  
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample4.Regulator, The
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample5.Banned in D. C.
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample6.Jah Calling  
7.Supertouch
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample8.Shitfit
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample9.Leaving Babylon  
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample10.Fearless Vampire Killers  
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample11.I  
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample12.Big Take Over
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample13.Pay to Cum  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample14.Right Brigade  
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample15.I Luv I Jah  
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample16.Intro

Bad Brains Music


Bad Brains Other Versions



Bad Brains
Bad Brains  (1982) Colors Available: Black / Yellow / Red
Vinyl Record$12.09
Bad Brains Music Review


Customer Bad Brains Reviews 




Average Rating: (4.9 out of 5 stars) 5 stars

List All Reviews

5 stars RASTA PUNK TINGS YA GETS ME....
One of my all time favorites, and probably the best example of a hardcore albulm alongside black flags first outing. bad brains strongly belive in pma, positive mental attitude . and really show there colours on this record-sailin on is a serious anthem fast and aggressive, makes me want to smash evry other albulm in my collection, just when u thought your speakers were ganna explode they drop in a couple of reggea numbers to get your blood pressure down---a must in any ones collection
Submitted by mrbaron168 (East London)
Was This Review Helpful? Yes No  1 of 1 found this helpful.

5 stars A throwbacks view!
As a person who had to look for his music wants in the "import section" back in the mid 80's , I'm happy to find the music that I still like , no love to listen to in a mainstream market. Keep up the good work at finding the hard to find "Hard rock" and "Metel" band albums.
Submitted by a reviewer (The center of the world NEW YORK , USA) Verified Buyer
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4 stars What can I say?
It's a good album, VERY good album. Bad Brains are one of my favorite bands out there. The style of punk and reggae just sounds so amazing. You will not go wrong buying this!
Submitted by brianross671 (Clio, Michigan, USA)
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5 stars good, fast hardcore/reggae
The bad brains (with the exceptions of black flag and some motorhead) are basically responsible for the hardcore movement. They manage to mix twangy, relaxing reggae with loud blitzspeed hardcore punk, and give you an album you'll never forget. If you like peter tosh and/or minor threat, i suggest you immedeatly buy this album. Great mosh and slam dancing music. 5 out of 5 stars ALL THE WAY!!!!!!
Submitted by drewsus (lafayette, CA)
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5 stars You won't ever hear anything like it
Only a few bands can claim the kind of importance Bad Brains hold. Like The Ramones before them, Bad Brains solidified and defined the sound of an entire wave of punk. Bad Brains created the speed, fury, and intensity of the American hardcore movement of the early eighties almost single-handedly. Bad Brains’ influence and importance is immeasurable and stretches from D.C. to New York to San Francisco to L.A., and can be seen in artists ranging from just about everything that has ever happened in hardcore and punk since, to Mos Def and the Beastie Boys, to Living Color and Fishbone and The Red Hot Chilli Peppers. Bad Brains’ self titled release is responsible for igniting the sound that became hardcore and deserve special attention as one of America’s most important bands ever despite the fact most people have never heard of them.
Submitted by Devon (Pittsburgh, PA)
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Bad Brains: H.R. (vocals); Dr. Know (guitar, piano, organ, background vocals); Darryl (synthesizer, bass, percussion, background vocals); Earl Hudson (drums, percussion, background vocals).
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After the tinny sound quality of the band's debut, the second Bad Brains album came as a real blast of sonic fresh air. Producer Ric Ocasek is largely responsible, but the increased tightness and focus are also a function of maturation. This band was a weird bundle of contradictions from day one: black Rastafarian instrumental virtuosos playing hardcore punk, formerly the exclusive domain of white, aggressively atheist musical amateurs. That last contradiction ...

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Recorded at Inner Ear Studios, Arlington, Virginia between April 1981 and December 1983.
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Recording information: Inner Ear Studios, Arlington, VA (04/1981-12/1983).
Photographers: Tomas Squip; Glen E. Friedman; Susie Josephson.
Complete Discography compiles Minor Threat's entire body of recordings on a single compact disc. Hardcore, as a rule, wasn't particularly musically diverse, but Minor Threat were one of the genre's groundbreaking acts and their music has held up better than most of their contemporaries. As the de facto leaders of the Washington, D.C., hardcore scene, the band pioneered the straight-edge mentality by emphasizing impossibly fast tempos, brief songs, political lyrics, and a drug- and alcohol-free lifestyle. Besides setting the precedent for several generations ...

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I Against I was for Bad Brains what London Calling was for the Clash -- the band's first fully mature work, one which successfully brought together all of its diverse influences while at the same time showcasing a singular vision. Also like London Calling, it was to be the band's masterpiece, in the original sense of that term -- a creative pinnacle which they would not reach again. The album opens with the title track, a blistering and musically exhilarating deploration of violence, and then moves directly into "House of Suffering," easily the most complex and yet viscerally compelling song the band ever produced. Singer H.R. digs deep into his bag of voices and pulls them all out, one by one: the frightening nasal falsetto that was his signature in the band's hardcore days, an almost bel canto baritone, and a declamatory speed-rap chatter that spews ...

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You knew the Corrs had made it when they played the final JFK Awards ceremony of the Clinton administration. Playing it would have been achievement enough, but their status as a happening thing was cemented at the end of the ceremony, during the encores, when everybody was taking their final bows. Bill moseyed up over to Andrea, put his arm around her, and when she was looking away, sized her up -- at precisely the same moment Chuck Berry was checking her out. If that doesn't mean that you've broken America, entering its pop culture, I don't know what does, expect for maybe a VH1-endorsed piece of product like Live in Dublin. Lo and behold, that's exactly what the Corrs received in the spring of 2002, a year and a half after "In Blue" and its accompanying single "Breathless" broke down the doors in America for the U.S. Only two songs on this set list are shared with In Blue, but that doesn't mean that the group returns to their slightly more traditional Celtic roots on the remainder of the songs. Sure, there are hints of that, but there are also four pop covers, two of them ("Little ...

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