| | John Coltrane Love Supreme CD John Coltrane Discography of CDs
(6 Customer Reviews)
 |
|
Our Price: $21.05 CDFor Sale Usually ships in 1-2 days
|  |
Additional Tracks; Special Edition
Personnel: John Coltrane (tenor saxophone); McCoy Tyner (piano); Jimmy Garrison (acoustic bass); Elvin Jones (drums). Producer: Bob Thiele. Reissue producer: Michael Cuscuna. Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on December 9, 1964. Includes liner notes by John Coltrane and Michael Cuscuna. Digitally remastered using 20-bit technology by Erick Labson. Personnel: John Coltrane (vocals, tenor saxophone); Archie Shepp (tenor saxophone); McCoy Tyner (piano); Jimmy Garrison, Art Davis (bass); Elvin Jones (drums). Recorded at Van Gelder Studios, Englewood Cliffs, New Jersey and The Festival Mondial Du Jazz Antibes, Juan-Les-Pins, France between December 1964 & July 1965. Includes liner notes by John Coltrane, Ashley Kahn, Ravi Coltrane. All tracks have been digitally remastered. Easily one of the most important records ever made, John Coltrane's A Love Supreme was his pinnacle studio outing that at once compiled all of his innovations from his past, spoke of his current deep spirituality, and also gave a glimpse into the next two and a half years (sadly, those would be his last). Recorded at the end of 1964, Trane's classic quartet of Elvin Jones, McCoy Tyner, and Jimmy Garrison stepped into the studio and created one of the most thought-provoking, concise, and technically pleasing albums of their bountiful relationship (not to mention his best-selling to date). From the undulatory (and classic) bassline at the intro to the last breathy notes, Trane is at the peak of his logical yet emotionally varied soloing while the rest of the group is remarkably in tune with Coltrane's spiritual vibe. Composed of four parts, each has a thematic progression leading to an understanding of spirituality through meditation. From the beginning, "Acknowledgement" is the awakening of sorts that trails off to the famous chanting of the theme at the end, which yields to the second act, "Resolution," an amazingly beautiful piece about the fury of dedication to a new path of understanding. "Persuance" is a search for that understanding, and "Psalm" is the enlightenment. Although he is at times aggressive and atonal, this isn't Trane at his most adventurous (pretty much everything recorded from here on out progressively becomes much more free, and live recordings from this period are extremely spirited), but it certainly is his best attempt at the realization of concept -- as the spiritual journey is made amazingly clear. A Love Supreme clocks in at just over 30 minutes, but if it had been any longer it could have turned into a laborious listen. As it stands, just enough is conveyed. It is almost impossible to imagine a world without A Love Supreme having been made, and it is equally impossible to imagine any jazz collection without it. ~ Jack LV Isles A LOVE SUPREME is the essential example of the genius of John Coltrane. In what has become the apotheosis of jazz music, this eminently accessible work bridges the gap between music and spirituality, between art and life. With the ultimate incarnation of the jazz quartet, Coltrane brings together all of his turbulent elements into a cohesive paean to spirituality, one which is fully appreciable by the uninitiated. A LOVE SUPREME is a 33-minute work divided into four movements. "Acknowledgment" starts the album with a heraldic summoning from Coltrane's tenor saxophone, full and joyous, which approximates the tone of the prayer he provides in the album's liner notes. The solo that follows reveals an artist whose spiritual depth and emotional urgency are matched by an adherence to logic and a resolve to achieve one goal above all--communication. Each simple musical statement is either followed by a motivic development or countered with a conversational response. Coltrane climaxes with a distilled four-note motif echoing the album's title, which he plays with by sequencing it through a wide array of tonalities. Finally, tRolling Stone (12/11/03, p.110) - Ranked #47 in Rolling Stone's "500 Greatest Albums Of All Time" - "...Coltrane soars with nothing but gratitude and joy. You can't help but go with him..." Rolling Stone (11/14/02, p.91) - 5 stars out of 5 - "...John Coltrane's A LOVE SUPREME is one of the most compelling, spiritual testimonies in the history of jazz..." Rolling Stone (12/26/02, p.114) - Ranked #2 in Rolling Stone's list of 2002's "10 Best Reissues" Q (10/95, p.136) - 5 Stars - Indispensable - "...a four-part affirmation of religious faith, and simply one of the most influential records of the '60s. It's challenging and intense, but an essential and ultimately very beautiful album..." Q (4/99, p.129) - Included in Q's list of "The Best Jazz Albums of All Time." Uncut (2/03, p.91) - 4 stars out of 5 - "...Stormy jazz from the height of the New Thing..." The Wire (12/02, pp.51-3) - "...A LOVE SUPREME is marvellously self-contained....The dignity of A LOVE SUPREME has not been compromised and it has never sounded better on CD..." Down Beat (4/8/65) - 5 Stars - Excellent - "...Coltrane's artistry is evident in his never permitting tension to overcome its counterpoise, release....[A LOVE SUPREME] is a significant album, because Coltrane has brought together the promising but underdeveloped aspects of his previous work; has shorn, compressed, extended and tamed them; and has emerged a greater artist for it...." Down Beat (11/95, p.73) - 5 Stars - Excellent - "With the power of prayer fueling its invention, half the universe's choice for desert-island disc still sounds novel....Trane's rolling discourse managed to be simultaneously menacing and sublime..." Vibe (12/99, p.160) - Included in Vibe's 100 Essential Albums of the 20th Century Mojo (Publisher) (1/03, p.106) - "...A LOVE SUPREME remains a remarkable, challenging listen...It's the definitive version of a definitive moment..." NME (Magazine) (10/2/93, p.29) - Ranked #36 in NME's list of the `Greatest Albums Of All Time.' John Coltrane Love Supreme Songs Love Supreme Music Review Average Rating: (4.2 out of 5 stars)    List All Reviews A Love Supreme is Eternal John Coltrane's A Love Supreme is such an embodiment of spiritual enlightenment. I purchased this CD to listen to it prior to the live event at Joe's Pub in NY City, where his wife Alice and son Ravi, along with author Ashley Kahn, who wrote a book about this monumental work will be appearing 11|12. Can't wait to hear Ravi and Alice play John's message to God.
Peace,
Edje Submitted by edje (Milford, CT)  Was This Review Helpful? Yes No
the last album Joshua Redman said that he hopes A Love Supreme is the last thing he hears before he dies. I wish the same for myself Submitted by bdudlick (Philadelphia) Was This Review Helpful? Yes No
deep jazz one of the greatest albums of all time! perhaps the deepest music before hendrix! more 'trane: listen to crescent, ballads, transition, coltrane... Submitted by shuffle (bremen, germany) Was This Review Helpful? Yes No
Define this only as art. You can not define this as Jazz.
You can not define this even under any specific musical umbrella.
THIS, IS ART. Nothing more to be said.
Martin Grupman, Bury, England. Submitted by martin.grupman (Bury England) Was This Review Helpful? Yes No
John Coltrane No further words necessary. Being a holder of the original LP, This deluxe edition is terrific. Excellent sound quality of the live recordings. Coltrane and his band simply put are Masterful. Submitted by a reviewer (Los Angeles, Ca , USA) Was This Review Helpful? Yes No
 List All Reviews | Have you heard this album? |  |
Purchase Love Supreme CD To buy, Click on price to add to cart | Rolling Stones Let It Bleed CD (1969)
Love Supreme
$13.55 Remastered reissue of 1969 album, suitable for standard & 'Super Audio' CD players.
The Rolling Stones: Mick Taylor (guitars); Keith Richards (acoustic guitar); Mick Jagger (harp); Bill Wyman (autoharp); Charlie Watts (drums); Brian Jones (percussion). Additional personnel: Nanette Newman, Mary Clayton (vocals); Ry Cooder (mandolin); Byron Berline (fiddle); Bobby Keys (tenor saxophone); Al Kooper (French horn); Ian Stewart, Leon Russell (piano); Nicky Hopkins (organ); Jimmy Miller , Rocky Dijon (percussion); Doris Troy, Madeline Bell, London Bach Choir (background vocals). Audio Remasterers: Jon Astley; Teri Landi; Steve Rosenthal; Paschal Byrne. Mostly recorded without Brian Jones -- who died several months ...
| | Miles Davis In Person At The Blackhawk: Complete CDs (2003) Remastered; Box Set
Love Supreme
$31.45 Full title - In Person Friday and Saturday Nights at the Blackhawk, Complete. Miles' April 21-22, 1961 stint at San Francisco's fabled Blackhawk nightclub was previously documented on a 2 LP set, but now all four sets from those two nights are available on this expanded 4-CD set, which includes no less than 13 previously unreleased selections! Remember, this is the sublime quintet line-up of Wynton Kelly, Paul Chambers, Jimmy Cobb and hank Mobley, performing such Davis classics as 'So What,' 'Walkin',' 'On Green Dolphin Street', 'Someday My Prince Will Come' and more. Original liner notes by Ralph Gleason together with updated notes by trumpeter Eddie Henderson & rare photos of all the musicians round out one of the jazz reissues ...
| | Seven Steps: The Complete Columbia Recordings Of Miles Davis: 1963-1964 CDs (2004) Limited Edition
Love Supreme
$88.59 Initial pressings of SEVEN STEPS are packaged with a deluxe metal spine. Also includes a 92-page booklet with rare photos, complete discography and essays by Michael Cuscuna and Bob Blumenthal. Personnel: Miles Davis (trumpet); Miles Davis; Ron Carter (double bass); Tony Ruption Williams , Tony Williams (drums); George Coleman, Sam Rivers, Wayne Shorter (tenor saxophone); Victor Feldman, Herbie Hancock (piano); Frank Butler (drums). Audio Remixer: Mark Wilder. Liner Note Authors: Michael Cuscuna; Bob Blumenthal. Recording information: Berlin Philharmonic Hall, Berlin, Germany (04/16/1963-09/19/1964); Columbia 30th Street Studio, New York, NY (04/16/1963-09/19/1964); Columbia Studios, LA (04/16/1963-09/19/1964); Kohseinenkin Hall, Tokyo, Japan (04/16/1963-09/19/1964); ...
| | Miles Davis Cellar Door Sessions 1970 CDs (2005) Remastered; Box Set; Special Edition
Love Supreme
$87.89 Contains previously unreleased material. Some of the recordings on the CELLAR DOOR SESSIONS were originally released in edited form on the 1971 double-LP LIVE EVIL. Personnel: Miles Davis (trumpet); Miles Davis; John McLaughlin (guitar, electric guitar); Keith Jarrett (Fender Rhodes piano, electric organ); Michael J. Henderson (electric bass); Michael Henderson (bass guitar); Gary Bartz (soprano saxophone, alto saxophone); Jack DeJohnette (drums); Airto Moreira (percussion). Liner Note Authors: John McLaughlin ; Keith Jarrett; Airto Moreira; Gary Bartz; Jack DeJohnette; Michael J. Henderson; Adam Holzman. Recording information: ...
| | John Coltrane One Up, One Down: Live At The Half Note CDs (2005) Remastered
Love Supreme
$18.95 Live Recording
Personnel: John Coltrane (soprano saxophone, tenor saxophone); Alan Grant (spoken vocals); McCoy Tyner (piano); Jimmy Garrison (double bass); Elvin Jones (drums). ONE DOWN, ONE UP: LIVE AT THE HALF NOTE, recorded in the last year of the classic quartet's existence, captures John Coltrane, drummer Elvin Jones, pianist McCoy Tyner, and bassist Jimmy Garrison going full blast. Recorded a year after A LOVE SUPREME, Coltrane was already moving on to extended improvisation, stretching out a single composition for 15 or 20 minutes while deconstructing it from every conceivable angle, turning his saxophone into an instrument of relentless exploration. The dramatic, spiraling inventions of Tyner lend a frenetic element to Coltrane's already intense lines, while Jones and Garrison find and rearrange nearly every rhythm and ...
| | Thelonious Monk At Carnegie Hall CD (2005)
Love Supreme
$12.89 Personnel: Thelonious Monk (piano); John Coltrane (tenor saxophone); Ahmed Abdul-Malik (bass instrument); Shadow Wilson (drums). Liner Note Authors: Larry Appelbaum; Robin D.G. Kelley; Ira Gitler; Lewis Porter; Amiri Baraka; Stanley Crouch; Ashley Kahn. Recording information: Carnegie Hall, New York, NY (11/29/1957). Larry Appelbaum, the recording lab supervisor at the Library of Congress, came across this tape by accident while transferring the library's tape archive to digital. What a find. Forget the Five Spot recording that sounds like it was recorded inside of a tunnel from the far end. The sound here is wonderfully present and contemporary. More importantly, this band ...
| | Dave Frishberg Can't Take You Nowhere CD (1986)
Love Supreme
$12.49
| | Cannonball Adderley Pyramid CD (1974)
Love Supreme
$13.95 Cannonball Adderley Quintet: Julian "Cannonball" Adderley (soprano & alto saxophones); Nat Adderley (cornet); Hal Galper (electric piano); Walter Booker (acoustic bass); Roy McCurdy (drums). Additional personnel: Jimmy Jones (piano); George Duke (acoustic & electric clavinets, ARP synthesizer); Phil Upchurch (guitar). Producers: Julian "Cannonball" Adderley, David Axelrod. Originally released on Fantasy (9455). Digitally remastered by Kirk Felton (1997, Fantasy Studios, Berkeley California). Cannonball Adderley is in generally good form on this 1974 recording. His Quintet at the time featured cornetist Nat Adderley, keyboardist ...
| | Briggan Krauss 300 CD (1998)
Love Supreme
$14.59 With Wayne Horvitz,K.Wollesen
Personnel: Briggan Krauss (alto saxophone, clairbone); Wayne Horvitz (piano, keyboards); Kenny Wollesen (drums, percussion). Recorded at Knit Fac Studio, New York, New York on January 13 & 14, 1998. Personnel: Kenny Wollesen (drums, percussion). Audio Mixers: Wayne Horvitz; Briggan Krauss. Recording information: Knit Fac Studio (01/13/1998/01/14/1998). Immerse head in big bucket of New York downtown saxophone skronk. Lather. Rinse. Repeat. That's kind of what listening to Briggan Krauss' 300 is like. Krauss is a bit of a madman on the alto saxophone, even by the standards of the downtown scene, which -- after all -- is not populated by a bunch of shrinking violets. Leading this two-session recording with keyboardist Wayne Horvitz and drummer Kenny Wollesen, Krauss is positively unhinged a good deal of the time; most of his work with groups like Babkas, Pigpen, Sex Mob, and even the Andrea Parkins Trio (which also features Wollesen) is comparably restrained. He cuts loose with scalar runs that permute into screams, wails, and gravel-voiced roars -- as well as mews, sputters, flutters, and burrs that seem to mimic a variety of fantasy forest creatures (or bizarro aquatic denizens, as in "Sea Monster"). On the DX-7, Horvitz unleashes his own assault of funkified synth distortion, while the always inventive Wollesen contributes everything from wild thrashings to subtle colorations to spot-on delivery of the rhythmic pulse. 300 moves through sometimes wrenching mood shifts from one piece to the next: Horvitz's "Bingo," an understated piano and saxophone duet with a lovely melody, ...
| | Ray Brown Super Bass CD (1997)
Love Supreme
$9.65
| | Sylvia Syms Columbia Years CD (2004) Bonus Tracks
Love Supreme
$11.59
| | Baltimore Songwriters Association Vol. 4-From Our Circle CD (2006)
Love Supreme
$17.09
| | Charles Teony Tambor Do Mundo CD (2006) (Import)
Love Supreme
$19.69
| | Kastelruther Spatzen Und Singen Ist Gold CD (2007) (Import)
Love Supreme
$27.59
|
|
|