| | John Coltrane Love Supreme CD John Coltrane Discography of CDs
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Personnel: John Coltrane (tenor saxophone); McCoy Tyner (piano); Jimmy Garrison (acoustic bass); Elvin Jones (drums). Producer: Bob Thiele. Reissue producer: Michael Cuscuna. Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on December 9, 1964. Includes liner notes by John Coltrane and Michael Cuscuna. Digitally remastered using 20-bit technology by Erick Labson. Personnel: John Coltrane (vocals, tenor saxophone); Archie Shepp (tenor saxophone); McCoy Tyner (piano); Jimmy Garrison, Art Davis (bass); Elvin Jones (drums). Recorded at Van Gelder Studios, Englewood Cliffs, New Jersey and The Festival Mondial Du Jazz Antibes, Juan-Les-Pins, France between December 1964 & July 1965. Includes liner notes by John Coltrane, Ashley Kahn, Ravi Coltrane. All tracks have been digitally remastered. Easily one of the most important records ever made, John Coltrane's A Love Supreme was his pinnacle studio outing that at once compiled all of his innovations from his past, spoke of his current deep spirituality, and also gave a glimpse into the next two and a half years (sadly, those would be his last). Recorded at the end of 1964, Trane's classic quartet of Elvin Jones, McCoy Tyner, and Jimmy Garrison stepped into the studio and created one of the most thought-provoking, concise, and technically pleasing albums of their bountiful relationship (not to mention his best-selling to date). From the undulatory (and classic) bassline at the intro to the last breathy notes, Trane is at the peak of his logical yet emotionally varied soloing while the rest of the group is remarkably in tune with Coltrane's spiritual vibe. Composed of four parts, each has a thematic progression leading to an understanding of spirituality through meditation. From the beginning, "Acknowledgement" is the awakening of sorts that trails off to the famous chanting of the theme at the end, which yields to the second act, "Resolution," an amazingly beautiful piece about the fury of dedication to a new path of understanding. "Persuance" is a search for that understanding, and "Psalm" is the enlightenment. Although he is at times aggressive and atonal, this isn't Trane at his most adventurous (pretty much everything recorded from here on out progressively becomes much more free, and live recordings from this period are extremely spirited), but it certainly is his best attempt at the realization of concept -- as the spiritual journey is made amazingly clear. A Love Supreme clocks in at just over 30 minutes, but if it had been any longer it could have turned into a laborious listen. As it stands, just enough is conveyed. It is almost impossible to imagine a world without A Love Supreme having been made, and it is equally impossible to imagine any jazz collection without it. ~ Jack LV Isles A LOVE SUPREME is the essential example of the genius of John Coltrane. In what has become the apotheosis of jazz music, this eminently accessible work bridges the gap between music and spirituality, between art and life. With the ultimate incarnation of the jazz quartet, Coltrane brings together all of his turbulent elements into a cohesive paean to spirituality, one which is fully appreciable by the uninitiated. A LOVE SUPREME is a 33-minute work divided into four movements. "Acknowledgment" starts the album with a heraldic summoning from Coltrane's tenor saxophone, full and joyous, which approximates the tone of the prayer he provides in the album's liner notes. The solo that follows reveals an artist whose spiritual depth and emotional urgency are matched by an adherence to logic and a resolve to achieve one goal above all--communication. Each simple musical statement is either followed by a motivic development or countered with a conversational response. Coltrane climaxes with a distilled four-note motif echoing the album's title, which he plays with by sequencing it through a wide array of tonalities. Finally, the band comes in, reiterating this iRolling Stone (12/11/03, p.110) - Ranked #47 in Rolling Stone's "500 Greatest Albums Of All Time" - "...Coltrane soars with nothing but gratitude and joy. You can't help but go with him..." Rolling Stone (11/14/02, p.91) - 5 stars out of 5 - "...John Coltrane's A LOVE SUPREME is one of the most compelling, spiritual testimonies in the history of jazz..." Rolling Stone (12/26/02, p.114) - Ranked #2 in Rolling Stone's list of 2002's "10 Best Reissues" Q (10/95, p.136) - 5 Stars - Indispensable - "...a four-part affirmation of religious faith, and simply one of the most influential records of the '60s. It's challenging and intense, but an essential and ultimately very beautiful album..." Q (4/99, p.129) - Included in Q's list of "The Best Jazz Albums of All Time." Uncut (2/03, p.91) - 4 stars out of 5 - "...Stormy jazz from the height of the New Thing..." The Wire (12/02, pp.51-3) - "...A LOVE SUPREME is marvellously self-contained....The dignity of A LOVE SUPREME has not been compromised and it has never sounded better on CD..." Down Beat (4/8/65) - 5 Stars - Excellent - "...Coltrane's artistry is evident in his never permitting tension to overcome its counterpoise, release....[A LOVE SUPREME] is a significant album, because Coltrane has brought together the promising but underdeveloped aspects of his previous work; has shorn, compressed, extended and tamed them; and has emerged a greater artist for it...." Down Beat (11/95, p.73) - 5 Stars - Excellent - "With the power of prayer fueling its invention, half the universe's choice for desert-island disc still sounds novel....Trane's rolling discourse managed to be simultaneously menacing and sublime..." Vibe (12/99, p.160) - Included in Vibe's 100 Essential Albums of the 20th Century Mojo (Publisher) (1/03, p.106) - "...A LOVE SUPREME remains a remarkable, challenging listen...It's the definitive version of a definitive moment..." NME (Magazine) (10/2/93, p.29) - Ranked #36 in NME's list of the `Greatest Albums Of All Time.' John Coltrane Love Supreme Songs Love Supreme Music Review Purchase Love Supreme CD To buy, Click on price to add to cart | Miles Davis Kind Of Blue CD (1959) Bonus Track; Remastered
Love Supreme
$6.29 Personnel: Miles Davis (trumpet); Miles Davis; Julian "Cannonball" Adderley, Cannonball Adderley (alto saxophone); Paul Chambers (double bass); John Coltrane (tenor saxophone); Wynton Kelly, Bill Evans (piano); Jimmy Cobb (drums). Audio Remixer: Mark Wilder. Liner Note Authors: Bill Evans ; Robert Palmer; Nat Hentoff; Robert Palmer. Recording information: Columbia 30th Street Studio, New York, NY (03/02/1959-04/22/1959); Columbia Street Studio, New York, NY (03/02/1959-04/22/1959). Photographers: Don Hunstein; Jay Maisel. Unknown Contributor Roles: John Coltrane; Bill Evans ; Wynton Kelly; Paul Chambers; Jimmy Cobb ; Cannonball Adderley. Kind of Blue isn't merely an artistic highlight for Miles Davis, it's an album that towers above ...
| | Dave Brubeck Time Out CD (1959) Remastered
Love Supreme
$6.25 Dave Brubeck Quartet: Dave Brubeck (piano); Paul Desmond (alto saxophone); Eugene Wright (bass); Joe Morello (drums). Recorded at Columbia 30th Street Studios, New York, New York on June 25, July 1 & August 18, 1959. Includes liner notes by Dave Brubeck and Steve Race. Dave Brubeck's TIME OUT ranks alongside Miles Davis' KIND OF BLUE as one of the few advanced jazz masterpieces to achieve great commercial success. In fact, the widespread popularity of TIME OUT, with its cool-toned ambience, smooth style, and elements borrowed from classical music, helped make modern jazz a mainstream phenomenon. The ubiquitous "Take Five" may be overplayed, but that doesn't diminish the joy of its complex melodic hooks, its perfectly executed solos, or the swinging slink ...
| | Charles Mingus Mingus Ah Um CD (1959) Remastered
Love Supreme
$6.55 This remastered edition of MINGUS AH UM features six of the original tracks in unedited form and three bonus tracks. Personnel: Charles Mingus (piano, bass); John Handy (alto & tenor saxophones, clarinet); Shafi Hadi (alto & tenor saxophones); Booker Ervin (tenor saxophone); Jimmy Knepper, Willie Dennis (trombone); Horace Parlan (piano); Dannie Richmond (drums). Producer: Teo Macero. Reissue producer: Michael Cuscuna. Recorded at 30th Street Studio, New York, New York on May 5 & 12, 1959. Includes liner notes by Diane Dorr-Dorynek and Brian Priestley. Digitally remastered using 20-bit technology by Mark Wilder and Rob Schwarz ...
| | John Coltrane Giant Steps CD (1959)
Love Supreme
$9.15 The 1998 reissue of GIANT STEPS contains all the original tracks and liner notes plus additional tracks and rare photos. Personnel: John Coltrane (tenor saxophone); Tommy Flanagan, Wynton Kelly, Cedar Walton (piano); Paul Chambers (bass); Art Taylor, Lex Humphries, Jimmy Cobb (drums). Producer: Nesuhi Ertegun. Reissue producer: Bob Carlton, Patrick Milligan. Recorded at Atlantic Studios, New York, New York on April 1, May 4 and December 2, 1959. Includes liner notes by Nat Hentoff. Digitally remastered by Bill Inglot & Dan Hersch (DigiPrep). Personnel: John Coltrane (tenor saxophone); Tommy Flanagan, Wynton Kelly, Cedar Walton (piano); Paul Chambers (bass); Art Taylor, Lex Humphries, Jimmy Cobb (drums). Recorded at ...
| | Jimi Hendrix Electric Ladyland CD (1968)
Love Supreme
$9.89 The Jimi Hendrix Experience: Jimi Hendrix (vocals, guitar, bass); Noel Redding (vocals, bass); Mitch Mitchell (vocals, drums). Additional personnel: Chris Wood (flute); Freddie Smith (tenor saxophone); Al Kooper (piano); Mike Finnigan, Steve Winwood (organ); Jack Casady (bass); Buddy Miles (drums); Larry Faucette (congas). Principally recorded at the Record Plant, New York, New York in April and May 1968. Personnel: Jimi Hendrix (vocals, guitar, piano, harpsichord); Noel Redding (vocals, bass guitar); Jeanette Jacobs (vocals); Dave ...
| | VH1 Presents The Corrs Live In Dublin CD (2002)
Love Supreme
$6.39 The Corrs: Jim Corr (vocals, guitar, keyboards); Sharon Corr (vocals, violin); Andrea Corr (vocals, tin whistle); Caroline Corr (vocals, drums, bodhran, percussion). Recorded at Ardmore Studios in Dublin, Ireland in January 2002. You knew the Corrs had made it when they played the final JFK Awards ceremony of the Clinton administration. Playing it would have been achievement enough, but their status as a happening thing was cemented at the end of the ceremony, during the encores, when everybody was taking their final bows. Bill moseyed up over to Andrea, put his arm around her, and when she was looking away, sized her up -- at precisely the same moment ...
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