New York Electric Piano Blues In Full Moon CD

Blues In Full Moon Music

List Price	$23.97 (You save $12.72)
Category	Jazz Albums, Jazz Instrument CDs
Label	Buffalo Puppy
Orig Year	2006
All Time Sales Rank	344793
CD Universe Part number	7353673
Catalog number	112399
Discs	1
Release Date	Nov 14, 2006
Studio/Live	Studio
Mono/Stereo	Stereo
Producer	Pat Daugherty; Pat Daugherty
Engineer	Aaron Comess
Personnel	Aaron Comess - drum Pat Daugherty. Personnel: Pat Daugherty - piano Tim Givens - bass instrument

New York Electric Piano Blues In Full Moon Songs

	1.	Functuation
	2.	Hipnosis
	3.	Blues in Full Moon
	4.	Once Upon a Time
	5.	War Is the New Peace
	6.	Satellite
	7.	Son of Thunderbird
	8.	Divine Corners
	9.	Dancing Bear
	10.	Wanderer
	11.	Bounce This Puppy

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Edward DeGenaro is a fusion guitarist whose unique mix of bebop and metal sounds, along with a whole lot of the DeGenaro personality, collectively called the “Nude Guitars” sound, has been compared to the likes of Scott Henderson, Frank Gambale, and Steve Vai. Ed’s journey in music began in Germany, where he was born and raised. At an early age, he studied cello but quickly picked up the guitar as his instrument of choice for venting his artistic expression. After receiving a degree in Performance and Teaching from the German National Conservatory of Music in Nuremberg, he worked as a “hired gun” guitarist and session player, performing all over Europe before relocating to LA and finally to Seattle, where he currently resides. His contributions, as a musician and an engineer, include numerous projects with major labels, musicians like Elliott Sharp, Steve Kimock, David Byron Band, Accept, Hammerhead, Alcatraz, and producers David Rosenthal (Rainbow, Robert Palmer) and Roy Thomas Baker. Recently, he just finished recording all the audio samples for Jack Zucker's Sheets Of Sound Vol II. He is also working on his soon-to-be-released CD called Dog House. In addition to recording, Ed also performs at various venues like the NAMM show and the NYC Fretless Guitar Festival. As with all fretless guitarists, Ed’s artistic expression and desire to create his own sound took him beyond the fixed frequencies of fretted guitars and into the realm of the unfretted. He is one of the few talented guitarists who can make shredding look effortless on a fretless guitar and make the guitar groove to just about any sonic exploration, encompassing funk, blues, ethnic, jazz, metal and much more. (Thankfully, Ed also kept the metal hairdo, so he really delivers the entire package and more.) It’s difficult for me to encapsulate the essence of Ed’s music in words without resorting to “Nude Guitars” (a name that came naturally ...

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“Music was always the main communion between the members of my family, my friends and me. It also helped me find out who I am.” – Samuel Torres Percussionist extraordinaire Samuel Torres has made his debut recording as a leader for the One Soul Records label. Skin Tones showcases the brilliant playing and beautifully crafted compositions of the Colombia-born musician. It emphasizes not only the rhythmic components of Latin jazz but also Torres’ love of song and the melodic tone qualities of the conga and other percussion instruments. The album introduces singer Julia Dollison and highlights the performances of a group of musicians handpicked by the leader – including Hector Martignon on piano, John Benitez on electric bass, Ernesto Simpson on drums, Michael Rodriguez on trumpet and flugelhorn, Mike Campagna on tenor saxophone, Ralph Irizarry on timbales, Edmar Castaneda on harp, Wolfgang Barros on Colombian maracon - Skin Tones can be seen as contemporary jazz album with rich Latin colors and also as a road map to that place where musics of several worlds meet and influence each other. The album also reflects Torres’ family, background and life thus far. Samuel Torres was born in Bogota, Colombia to a family with musical roots. His maternal grandfather was a trombonist in Ecuador who heard jazz in Panama and had records for his family to hear. His grandmother was a self-taught guitarist and singer who taught music to her four brothers despite the fact that she’s never had a lesson. She also played and sang with local bands. Samuel first appreciated the music of his two uncles – Eddie and Juan Martinez – when he was twelve years old. (He had been actually hearing this music since he was a small child.) And on his grandmother’s records he was taken with the sound of the percussion of Tito Puente and Machito. “I went to sleep with this music and the sounds floated in my head all night long.” It was a record by Ray Barretto that truly introduced young Samuel to the sound of the conga drums. “If we could have afforded this drum then in Colombia then, I would have had one. But they were very expensive – it was cheaperbuy a car.” Amazingly enough at the time, Samuel’s mother, once she saw her son’s fascination with rhythm, took him to local clubs to listen and dance to the salsa bands. During that time he was attending a strict conservative school but his mind was on music. Samuel convinced his mother that he wanted a career as a musician. He was enrolled in a music program at the Universidad Javeriana despite the fact that he was still in high school. “On a typical day,” says Samuel, “I ...