| | Gucci Mane Murder Was The Case CD Gucci Mane Discography of CDs
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Pointing out an obvious parallel between himself and Snoop Dogg (both rappers faced murder charges), Georgia rapper Gucci Mane presents his fifth LP in five years, MURDER WAS THE CASE. On his first studio effort after being released from a prison stint, Gucci Mane flows over beats by producers Zaythoven, Cedric Davis, A. Cater, and Mel Man, and passes the mic to up-and-coming Dirty South rappers B.A., Mook, and Biz as well as dancehall artist Selassie. MURDER WAS THE CASE includes the hit single "Stoopid." When Southern rapper Gucci Mane rattles off a long list of why everything is "perfect" on the opening track, "Runnin Back (Getting Fat)," this 2009 effort looks to be the album where he sheds his skin and shakes off years of beefs and criminal charges -- up to and including murder -- while getting back to above ground business. Problem is, the callously titled Murder Was the Case is more dubious than most of the man's underground mixtapes, having been classified as a "non-official" release by Gucci himself. Even if he wasn't involved in the final track selection or the remixing of the street hit "Trap Money," fans get a handful of cuts that haven't appeared on mixtapes, and plenty of purposeful numbers that were recorded before things went sour between the Mane and the Big Cat label. Besides the vital opener there's the boastful and infectious single "Stoopid" plus the reggae-flavored "Murder for Fun," a Young Jeezy diss track previously spotted on mixtapes under the title "War." "Yella Diamonds" and the following "Get Low (Like a Lambo)" are more than worthy but many of the other tracks sound unfinished with low budget production supplied by either Zaytoven or DJ Speedy. This contractually obligated, clearing house of an album exists so Gucci could move on to his new label Warner Bros, but it saves collectors some effort by making sure his "lost years" aren't just scattered across bootlegs, unauthorized downloads, and hard to find mixtapes. ~ David Jeffries Murder Was The Case Music Gucci Mane Murder Was The Case Songs Murder Was The Case Music Murder Was The Case Music Review Purchase Murder Was The Case CD To buy, Click on price to add to cart | Ugk 4 Life CD (2009)
Murder Was The Case
$11.45 Audio Mixer: Mike Dean . A unique memorial to Pimp C, who died in December 2007, UGK 4 LIFE doesn't smother the duo's swan song in posthumous sentiment. (There's a foreboding ...
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Murder Was The Case
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Murder Was The Case
$11.45 On his third studio LP, Mafioso rapper Rick Ross takes a page from the Notorious B.I.G., celebrating the spoils ...
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| | Only The Best Of Nelson Riddle CDs (2009) Box Set
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| | Q-Tip Kamaal The Abstract CD (2009)
Murder Was The Case
$12.25 Audio Mixer: Q-Tip. Photographer: Danny Clinch. A personal, unique project compared to AMPLIFIED (Q-Tip's first under his own name), KAMAAL THE ABSTRACT fittingly sounds more like a solo album; whereas AMPLIFIED merely built on the digital soul of the last Tribe Called Quest album (THE LOVE MOVEMENT), this one is wide-ranging and diverse, a relaxed, loose-limbed date. Q-Tip lays way back on these cuts, rapping in a quick, low monotone for the opener, "Feelin'," even while the song breaks into some restrained guitar grind on the choruses. Guitars, in fact, crop up all over this record. Setting aside comparisons to the contemporary record by N.E.R.D. (the rock side project of hip-hop super-producers Neptunes), Q-Tip crafted a record that pays homage to the last gasp of organically produced mainstream pop in the '70s and '80s, paying a large compliment to Prince and Stevie Wonder, even as he proves himself far more talented than D'Angelo (if not quite as soulful). The beats are pointed and clipped, to be expected on a Q-Tip record, but he allows plenty of space for the arrangements to speak, like the trim trumpet lines pacing "Even if It Is So" or allowing plenty of room for extended blowing from a flute on the warm, pastoral "Do You Dig You." The former is one of the best tracks here, Q-Tip introducing his story song with a fluid, ten-second speed-rap that says more about the plight of the single mother he adores than any other rapper could with an entire album. This wasn't the kind of record to light up the charts--which could account for the fact it didn't appear on the shelves in late April 2002, as expected, and only finally got an official release in 2009-- but in many ways it's superior to Q-Tip's debut. A personal, unique project compared to Amplified (Q-Tip's first under his own name), Kamaal the Abstract fittingly sounds more like a solo album; whereas Amplified merely built on the digital soul of the last Tribe Called Quest album (The Love Movement), this one is wide-ranging and diverse, a relaxed, loose-limbed date. Q-Tip lays way back on these cuts, rapping in a quick, low monotone for the opener, "Feelin'," even while the song breaks into some restrained guitar grind on the choruses. Guitars, in fact, crop up all over this record. Setting aside comparisons to the contemporary record by N.E.R.D. (the rock side project of hip-hop super-producers Neptunes), Q-Tip crafted a record that pays homage to the last gasp of organically produced mainstream pop in the '70s and '80s, paying a large ...
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