Belladonnakillz returns home to Dross:tik Records for his third full length album titled "Sorry Try Again". With his debut release "Perverted & Proud (Dross:tik 2005) followed closely by "As If" (Sublight 2006), Belladonnakillz has moved deeper into his artistic vision, using the past three years to refine his sound and live band performance. "Sorry Try Again" combines vibrant melodies, wild creativity and catchy lyrics along with top production skills into one non-stop ball of energy. With lyrics that have a knack for getting stuck in your head, Belladonnakillz brings together live danceable electronic music that doesn't take itself too seriously and is sure to make you smile while giving your booty a jolt with his infectious rhythms. When he's not busy tending to his KLF shrine, Belladonnakillz can be found rocking crowds in North America along with recent tours in Europe and Russia. Often hard to categorize, Belladonnakillz has made a career out of toying with a variety of genres while drawing inspiration from a myriad of musicians. Love it or hate it, Belladonnakillz leaves an impression that's hard to forget.

They may dress like Kurt Cobain on a bad day, but Belladonnakillz music is about as far from '90s grunge as you can get. Formed by the unholy four-way matrimony of glitch, breakcore, guitar pop and punk rock, it's a consistently exciting and sometimes sonically shocking amalgam of influences that is frequently dragged down by the kind of sophomoric sex talk that only Beavis and Butthead could love. When they keep their lyrical themes at something above a preadolescent level, Belladonnakillz can do amazing things: on As If, "The Man" combines pseudoclassical piano phrases with frenetic breakbeats mixed way, way back, while the singer croons at half speed; "Neverever" explores similar territory with similarly fine results, and "Y Try Fight Life" combines glitchy jungle with an almost Beatlesque chord progression and one of the most edgily brilliant instrumental bridges ever recorded. On the downside, "Heroine" is completely uninteresting at every level, while "Let U Go" offers self-consciously over-the-top vulgarity over a stiff and ungainly reggae beat. "Pitch the Bitch" ruins some fantastic breaks with stupidly offensive lyrics. No doubt this is the kind of criticism that Belladonnakillz both expects ...