Track Listing of songs: Stranger In Paradise; Jimmy's Jam; It's a Sin To Tell a Lie; I Can't Give You Anything But Love; I Had the Craziest Dream; Tell Me; I Hear a Rhapsody; Jeepers Creepers; Jimmy's Swing; Misery; Jughead; Tea For Two Mambo; Sonotone Bounce; Dancing On the Ceiling; I'll Walk Alone; ...

This is the sort of thing that will place high in the results of an internet search on the phrase "roots of acid jazz." Organist Artist and guitarist Wes Montgomery were already titans of the jazz world before they teamed up, and FURTHER ADVENTURES, their second album together, enhanced the legends of both men. For the most part, it's a slow-burning affair full of simmering grooves, laid-back solos, and hypnotic riffs. The tone is exemplified by a mellow jazz/bossa nova version of the '60s pop hit "Call Me," digging deeply into a loungey feel. Interestingly, though, bop boss Montgomery pulls the bluesy Smith into his own axis on a version of "'Round Midnight" that finds Smith venturing into more harmonically adventurous territory than usual. Recorded in New York on September 21 & 28, 1966. Originally issued on Verve (8766). Includes liner notes by Michael Zwerin and Gene Santoro. Personnel: Artist (organ); Wes Montgomery (guitar); Jerome Richardson (flute, clarinet, woodwinds); Danny Bank (flute, bass clarinet, woodwinds, baritone saxophone); Bob Ashton (flute, woodwinds, tenor saxophone); Phil Woods (clarinet, woodwinds, alto saxophone); Clark Terry (trumpet, flugelhorn); Ernie Royal, Joe Newman , Jimmy Maxwell (trumpet); Dick Hixson, Jimmy Cleveland, Melba Liston, Quentin Jackson (trombone); Tony Studd (bass trombone); Grady Tate (drums); Ray Barretto (percussion). Liner Note Author: Gene Santoro. Recording information: New York, NY (09/21/1966-09/28/1966). Director: Mitchell Kanner. Editor: Peter Pullman. Photographer: Chuck Stewart. Unknown Contributor Role: Chuck Stewart. Arranger: Oliver Nelson. Personnel includes: Artist (organ); Wes Montgomery (guitar); Oliver Nelson (arranger); Grady Tate (drums); Ray Barretto (percussion).

Artist is to the organ what Charlie Christian is to the guitar: the man who redefined the instrument in a jazz context. Smith's visceral, blues-inflected style fully came into its own on his 1960s Verve recordings, and WALK ON THE WILD SIDE is a two-disc set that cherry-picks some of the finest moments from that era (while dipping into the '70s as well). Smith helped perfect the organ-trio format in jazz (organ, guitar, drums), and there are some stellar examples of that approach (many featuring the fluid fretwork of Kenny Burrell), but he's heard in other contexts here as well, such as the brassy, big-band arrangements of the title track, among others. "Got My Mojo Workin'" and "St. James Infirmary" make Smith's debt to the blues clear, as he spins out terse, assertive phrases whose harmonic simplicity goes hand-in-hand with their deep soulfulness. At the same time, though, Smith is fully capable of fleet-fingered, daringly constructed excursions, and it's the combination of the two that makes Smith a legend and WALK ON THE WILD SIDE a striking document. Best-Verve Years (2 CD) Liner Note Author: Carl Woideck. Recording information: A&R Studios, New York, NY (1962-1973); NY, NY (1962-1973); United Records, LA, CA (1962-1973); Van Gelder Studios, Englewood Cliffs, NJ (1962-1973); Village Gate, NY (1962-1973). Editor: Peter Pullman. Photographer: Chuck Stewart. Arrangers: Johnny Pate; Lalo Schifrin...

One of the undisputed kings of the jazz organ, Artist cut many of his finest recordings for the venerable Blue Note label in the late 1950s and early '60s. This collection presents six of these tracks, along with the...

This installment in the JAZZ ICONS series of memorable jazz performances captures a concert by musician Artist recorded in 1969. Some of the songs featured in the performances include "The Sermon," "See See Rider," "My Romance," and more. This incredible...

On his first album in more than five years, Artist, who turned 75 shortly before the release date, attempts the soul-jazz version of what Santana did on Supernatural -- heavily featuring guest stars in an attempt to broaden his...

This installment in the JAZZ ICONS series of memorable jazz performances captures a concert by musician Artist recorded in 1969. Some of the songs featured in the performances include "The Sermon," "See See Rider," "My Romance," and more. This incredible...

Pop and classical artists have borrowed Puerto Rican flutist Nestor Torres for their recordings. Here, Nestor matches wits with jazz-organ genius Artist on Moanin'; Satin Doll; My Funny Valentine; Black Cat; Flash; Blues for Max; Saint Thomas; Jimmy's Swing...

Track Listing of songs: Off The Top; Endless Love; Mimosa; I'll Drink To That; Theme From M.A.S.H.; Ain't Misbehavin'; Artist Rap; Keep On Comin'; Be Yourself; No Problem; Callitwhachawana;

Artist single-handedly reinvented the Hammond organ in a modern jazz setting, and given the many Hammond players who have followed in his wake, most of them working from the same template that Smith established way back in the early...

Track Listing of songs: These Foolish Things; Hackensack; It Could Happen To You; Sometimes I'm Happy; Someone To Watch Over Me; Ode To Philly Joe; Willow Weep For Me; Ain't No Use; Angel Eyes; Ain't That Love;

Track Listing of songs: Stranger In Paradise; Jimmy's Jam; It's a Sin To Tell a Lie; I Can't Give You Anything But Love; I Had the Craziest Dream; Tell Me; I Hear a Rhapsody; Jeepers Creepers; Jimmy's Swing; Misery; Jughead; Tea For ...

6 track collection featuring Lee Morgan, Kenny Burrell, Art Blakey, Lou Donaldson, and Tina Brooks. Tracks include 'J.O.S.', 'Blues After All', 'Lover Man', ' The Sermon', 'Au Privave', and 'Flamingo'.

10 Disc budget collection from famed jazz organist, features material recorded mainly during the 50s.

Import-only four CD set from the Jazz great. Doc. 2011.

On his first album in more than five years, Artist, who turned 75 shortly before the release date, attempts the soul-jazz version of what Santana did on Supernatural -- heavily featuring guest stars in an attempt to broaden his...

The name Artist is practically synonymous with jazz organ, and albums such as MIDNIGHT SPECIAL are part of the reason. Of course, there is Smith's legendary gospel- and blues-rooted style and brilliant bebop chops, present on SPECIAL in ample...

Organist Artist's next-to-last LP for Blue Note after a very extensive seven-year period is up to his usual level. With altoist Lou Donaldson joining Smith's regular group (which included guitarist Quentin Warren and drummer Donald Bailey), the quartet swings...

Digitally remastered using 24-bit technology by Ron McMaster. This is part of Blue Note's Limited Edition Connoisseur Series. If you are a jazz organ fan and you have never heard of Artist's SIX VIEWS OF THE BLUES, don't worry. This 1958...

A follow-up to the mostly heated performances of Damn!, this CD features organist Artist sticking to ballads and slower material. There is a sextet rendition of "Stolen Moments" (with both Roy Hargrove and Nicholas Payton on trumpets); duets with...

All tracks have been digitally mastered using 24-bit technology. One of Artist's earliest recordings for Blue Note, 1956's AT THE ORGAN, VOLUME 3 presents the innovative Hammond player backed by guitarist Thornel Schwartz and drummer Donald Bailey. This spare setting...

This is the sort of thing that will place high in the results of an internet search on the phrase "roots of acid jazz." Organist Artist and guitarist Wes Montgomery were already titans of the jazz world before they...

In 2005 Blue Note reissued this Artist date from 1957, with superbly remastered sound and new liner notes. The session is classic Smith, with plenty of deep, bluesy grooves, swirling, bop-influenced Hammond, and a sultry, nightclub vibe. Backed only...

Smith's debut session for Verve kicks off with an explosive big band sound. The first four tracks of BASHIN' feature a sizeable backing orchestra (whose personnel list that may ring some unexpected bells, like future Tonight Show bandleader Doc Severinsen) ...

Artist is to the organ what Charlie Christian is to the guitar: the man who redefined the instrument in a jazz context. Smith's visceral, blues-inflected style fully came into its own on his 1960s Verve recordings, and WALK ON...

It's hard to believe that someone could pull off a groove-based version of "When Johnny Comes Marching Home" and make it swing like nobody's business. A glance at the track list of CRAZY BABY may induce more eye-rolling, since such ...

OPEN HOUSE includes a total of eight tracks taken from one day of recording in 1960. This session was originally released on two separate LPs, OPEN HOUSE and PLAIN TALK. The program is vintage Smith-ballads and blues played with bebop ...