| | Gabrielle Roth Stillpoint CD Gabrielle Roth Discography of CDs
Highly recommended for yoga, massage and meditation, this rhythmic, gentle, soothing percussion-based music is a journey through the landscape of stillness.As one critic noted, Gabrielle Roth is the only woman in America making tribal, ambient music and she's been doing it for over 20 years. Gabrielle Roth Stillpoint Songs Stillpoint Review
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Purchase Stillpoint CD To buy, Click on price to add to cart | Gabrielle Roth Zone Unknown CD (1997)
Stillpoint
 $15.75 
| | Israel Iz Kamakawiwo'Ole Facing Future CD (1993)
Stillpoint
$13.29  
| | Israel Iz Kamakawiwo'Ole Alone In Iz World CD (2001)
Stillpoint
$13.59
While the name Israel Kamakawiwo'ole falls trippingly off few tongues, the Hawaiian singer better known as "Iz" was one of the biggest stars in his home state. Iz first came to public attention as a member of the popular Hawaiian group known as the Makaha Sons of Ni'ihau. His subsequent solo career brought even greater fame, and countless fans were saddened at his untimely death in 1997. Those who mourn his passing will be gladdened by the posthumous release of ALONE IN IZ WORLD, compiled from various recording session outtakes.
While one might expect a big, deep sound to emanate from a gargantuan-sized body like that of Iz, the hefty singer actually possessed a gorgeous, fragile tenor voice full of tenderness and delicacy. That voice is put to use here on tunes that alternate between voice-and-ukelele solo performances ...
| | Greg Brown Milk Of The Moon CD (2002)
Stillpoint
$14.49 
Singer-songwriter Greg Brown has made a cottage industry for himself in the folk world by doing it his way. His quirky, deeper-than-deep voice, homespun poetic narratives, and decidedly uncommercial bent have found their way into the hearts of many via the label he and cohort Bob Feldman started specifically to promote his music, and which has incidentally become a viable home for many other artists over the years. That independent spirit is all over MILK OF THE MOON, where Brown refuses to fall into genre traps. If a song resembles a traditional blues too closely, he'll distort his voice till it sounds like he's singing from Tom Waits's bathroom. If a pastoral sonic landscape is in danger of becoming too precious he'll slather it with some stinging, distorted guitar.
Despite such twists, Brown's strength has always been simplicity, and he adheres admirably to that principle here. Part of the reason MILK OF THE MOON doesn't aspire to the junkyard orchestra heights of SLANT 6 MIND may be that Brown's guitarist/producer Bo Ramsey isn't on board. But it's just as likely that Brown just knew the best way to get these uncomplicated-but-trenchant tales of post-postmodern American ...
| | Mike Bloomfield Super Session CD (1968) Bonus Tracks; Remastered
Stillpoint
$6.75  
A surprise best-seller when it was first released, this mostly improvised pairing of singer/keyboardist/producer Al Kooper with two major guitar heroes of the day sounds fascinating all these years later precisely because of the distance of time--nobody makes records like this any more. The material runs the gamut from folk pop (covers of Donovan and Dylan), to blues ("Albert's Shuffle," "You Don't Love Me"), to heady jams ("His Holy Modal Majesty"), to big-band jazz ("Harvey's Tune").
All the tunes make effective templates for the kind off-the-cuff music-making that in less capable hands might have resulted in simple noodling. In fact, although Bloomfield and Stills don't play together on any of the cuts (Bloomfield played on one side of the original LP, Stills on the other), all three principals get off lots of good licks and producer Kooper has some interesting tricks up his sleeve, as in the over-the-top phasing he lavishes on "You Don't Love Me." The only real disappointment here is that Stills, a far better singer than Kooper, never opens his mouth.
Those familiar with the Live Adventures album these two recorded at the Fillmore West know how brilliant they could be on stage, and here's another gem, recorded at the Fillmore East this time and featuring 'One Way Out,' 'It's My Own Fault' (with Bloomfield trading licks with Johnny Winter...Johnny was signed to Columbia after this gig!). Newly remastered & now with 4 bonus ...
| | Linda Ronstadt Adieu False Heart CD (2006)
Stillpoint
$13.79
The material is deep-roots folk with a strong Cajun flavor, and with top session players like mandolinist Sam Bush on board, the execution and playing is never less than flawless. Yet the arrangements and approach transcend any sort of genre exercise: Ronstadt and ...
| | Danny Wright Real Romance CD (2006)
Stillpoint
$14.49
| | Odin Fight For Your Life CD (2001)
Stillpoint
$13.15
| | Minimum Vital Source CD (Import) Import
Stillpoint
$18.39
MINIMUM VITAL is certainly amongst the most original bands from the Eighties Progressive rock scene: twin brothers Thierry & Jean-Luc PAYSSAN mix art-rock influences from YES, guitar parts as fluid as Mike OLDFIELD's, an amazing virtuosity coming from jazz-rock fusion, many innovations and a deep mark from medieval and southern European traditional musics. This French band has ...
| | Danny Wright Growth CD (2003)
Stillpoint
$9.29
"Moulin D'Or Sampler"
| | Outlandish Bread & Barrels Of Water CD (2005) (Import) Germany
Stillpoint
$10.05
With the multicultural ...
| | World's Greatest Metallica Tribute CD (2004)
Stillpoint
$9.35
| | Jonathan Goldman Lost Chord CD (2000)
Stillpoint
$13.15
| | Black Dog Productions Bytes CD (2005) Reissue
Stillpoint
$11.75
This is the only kennel to be in, the one that soothes a canine's frazzled nerves by playing the soothing silicon-wafer electronica of the Black Dog. As one of the leading lights of the early 90s IDM (intelligent dance music) movement, the trio calling themselves The Black Dog were responsible for some of the moments in the then-still-being-defined idiom of contemporary electronic music. And whether the concept of 'intelligent' dance music is itself an oxymoron and endlessly ...
| | Turku Philharmonic Orchestra Ozlem CD (2004)
Stillpoint
$16.45
TURKU's third full-length CD, Ozlem, evolved over a period of four years, following the release of "Nomads of the Silk Road" in 2000. The title track, Ozlem, was concieved by Ted Monnich at an annual Pennsylvania festival, Pennsic 29. Ted and Farzad composed its passionate arrangement, in a Tashkent hotel, while on tour in Uzbekistan in 2001, only a week before the World Trade Center disaster.In the following years TURKU worked through the album's songs and arrangements while touring across North America. The resulting collection of songs is remeniscent of their first album, "Alleys of Istanbul's," ...
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