| | Los Pinkys Esta Pasion CD Los Pinkys Discography of CDs
All songs rights reserved except "Por Que? Por Que? Por Que?" (Joe Gonzales) and "Sugar Bee" (E. Shuler).
Recorded at Hacienda Studios, Corpus Christi, Texas on August 20-21, 1995. Includes liner notes by Yleana Martinez.
Personnel: Bradley Jaye Williams (vocals, bajo sexto, accordion); Javier Cruz (vocals, bajo sexto, drums); Isidro Samilpa (vocals, accordion); Augie Arreola (drums).
Liner Note Author: Yleana Martinez.
Recording information: Hacienda Recording Studio, Corpus Christi, TX (08/20/1995-08/21/1995).
Photographer: Daniel Schafer.
Translators: Daniel Schafer; Bradley Jaye Williams.
Los Pinkys: Isidro Samilpa (vocals, accordion); Bradley Jaye Williams (vocals, bajo sexto, accordion); Javier Cruz (vocals, bajo sexto, drums); Chris Cruz (bass); Augie Arreola (drums).
Producers: Bradley Jaye Williams, Los Pinkys.
Option (5-6/96, p.119) - "...This form of traditional Mexian folk-pop is much earthier and more grounded than its more commercial counterpart..." Los Pinkys Esta Pasion Songs | 1. | Flor de Dalia :: Dahlia |
| 2. | Angel de Mis Anhelos :: Angel Of My Desires |
| 3. | Parrandero, El |
| 4. | Todavia No Me Muero :: I'm Still Not Dead |
| 5. | Gorrioncillo Pecho Amarillo, El :: The Yellow Breasted Sparrow |
| 6. | Pa' Que Me Sirve la Vida :: Of What Use Is Life? |
| 7. | Rosa Anna |
| 8. | Por Que? Por Que? Por Que? :: Why? Why? Why? |
| 9. | Rueditas de Amor :: Little (Smoke) Rings Of Love |
| 10. | Bien Mio :: My Dear |
| 11. | Esa Mujer :: That Woman |
| 12. | Sugar Bee |
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The American medicine show came into its own shortly after the Civil War with the rise of so-called patent medicines and the almost complete lack of regulations concerning the ingredients that went into them, and any number of noxious tonics, elixirs, and nostrums with trumpeted healing powers were hawked by silver-tongued pitch doctors to the audiences who flocked to see the various acrobats, dancers, fire-eaters, snake handlers, comedians and musicians who entertained at these free extravaganzas. As a cost efficient way of merging entertainment with merchandising (and where manufacturing meant mixing ingredients in a bathtub), these medicine shows successfully traveled the so-called "kerosene circuit" of rural and small town America until the dawn of the 20th century, when the rise of radio and movies, and the passage of the 1906 Pure Food and Drug Act, combined to render them obsolete. The medicine show blueprint of offering free entertainment to attract audiences and then using intermissions to push products on them has hardly gone away, however, and is still the driving force behind radio and television in the 21st century. The musicians featured in these colorful traveling medicine shows were professionals, at least professional enough to leave their home communities and take to the road, and luckily several of these musicians were still active in the 1920s and early '30s when the fledgling recording industry was just getting off the ground, and numerous commercial 78s by former medicine show entertainers were issued in the prewar era. Two discs' worth of these 78s have been assembled here by Old Hat Records, an ind
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Teressa Devine Whitmore is a proud graduate of Little Rock Central High School, she received her BA from the University of Arkasas, Pine Bluff and later attended graduate school and the University of Arkasas, Little Rock. Teressa enjoys being a wife, mother and most of all a chosen child of the King. Music and ministry have been a very imporant part of Teressa's life since she can remember. The late Elder A.W. Devine was her father and pastor. Now what that meant in essence is that Teressa and her siblings were the choir, praise team, usher board, janators, kitchen help and just about any other thing that pertained tothe up building of the kingdom. Unknown to them at the time, this important enlistment of service was the core preparation needed for true servants and warriors in the kingdom of God, they were in training. The ...
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