| | Rosemary Clooney Still On The Road CD Rosemary Clooney Discography of CDs
On this CD, Rosemary Clooney broke away from using a jazz combo with Scott Hamilton and instead is accompanied by a big band mostly arranged and conducted by her musical director, pianist John Oddo. The 15 songs frequently have something to do with being on the road or the significance of particular locations, including such songs as "On the Road Again," "How Are Things in Glocca Morra?," Cole Porter's "Take Me Back to Manhattan," and Dave Frishberg's "Let's Eat Home." Among the highlights are a surprisingly touching version of "(Back Home Again In) Indiana," the witty "Let's Get Away from It All," Willard Robison's obscure "Moonlight Mississippi," and a delightful version of "Road to Morocco," on which Clooney sings with Jack Sheldon. Most selections feature one or two solos from the horn section, including the beautiful-toned trombonist Chauncey Welsh; trumpeter Warren Luening; and either Tommy Newsom, Nino Tempo, or Bob Tricarico on tenor. Rosemary Clooney's voice still had 95 percent of its power on this easily recommended set. ~ Scott Yanow
Recorded at Group IV Recording Studios, Hollywood, California on November 22 & 23, 1993. Includes liner notes by Nick Clooney.
Personnel includes: Rosemary Clooney, Earl Brown, Jack Sheldon (vocals); Tommy Newsom (tenor saxophone, flute, clarinet); Nino Tempo (tenor saxophone); George Graham (trumpet, flugelhorn); John Oddo (piano); Steve Lukather, Tim May (guitar); Chuck Berghofer (bass); Jeff Hamilton (drums).
Rosemary Clooney Still On The Road Songs Still On The Road Review
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Purchase Still On The Road CD To buy, Click on price to add to cart | Rosemary Clooney Demi-Centennial CD (1995)
Still On The Road album
$9.89 DEMI-CENTENNIAL was nominated for a 1996 Grammy Award for Best Traditional Pop Vocal Performance.
During her very rich Concord years, which resulted in a renaissance for the veteran singer, Rosemary Clooney was generally featured singing swing standards with a jazz rhythm section, tenor saxophonist Scott Hamilton, and (in the early days) cornetist Warren Vaché. But by the early '90s, Clooney was being heard more often than not in orchestral settings. This CD celebrates her first 50 years in show business. Although she does not re-create her hits, the 16 songs that Clooney chose to sing on this interesting set signify different periods of ...
| | Rosemary Clooney Mothers & Daughters CD (1997)
Still On The Road CD music
$9.79 MOTHERS & DAUGHTERS was nominated for a 1998 Grammy Award for Best Traditional Pop Vocal Performance.
From her productive Concord period, Mothers & Daughters is among Rosemary Clooney's strongest sellers. Though tenor saxophonist Scott Hamilton is missing, the selections (some of which ...
| | Rosemary Clooney Sentimental Journey: The Girl Singer And Her New Big Band CD (2001)
Still On The Road music CDs
$9.79 Rosemary Clooney With Big Kahuna & The Copa Cat Pack: Rosemary Clooney (vocals); Matt Catingub (leader, arranger, vocals, alto saxophone, piano); Albert Alva, Jeff Prinz (alto saxophone); Matt Cowan (tenor saxophone); Jennifer Lovejoy (baritone saxophone); Dave Scott, Brian Kettelhut, Mike Olmos (trumpet); Doug Beavers, Greg Saul (trombone); Dan Parentti (acoustic bass); Steve Moretti (drums).
SENTIMENTAL JOURNEY was nominated for the 2002 Grammy Award for Best Traditional Pop Vocal Album.
The cover of this titillating project by one of our best loved singers is a bit understated. "The Girl Singer and Her New Big Band" assumes that we ...
| | Tony Bennett Wonderful World CD (2002)
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After numerous live performances ...
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| | Marian McPartland Piano Jazz: Mcpartland/Clooney CD (1991)
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| | Bobbi Humphrey Blacks And Blues CD (1974)
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$7.99 Digitally remastered using 20-bit technology by Ron McMaster.
Bobbi Humphrey scored her biggest hit with her third album Blacks and Blues, an utterly delightful jazz-funk classic that helped make her a sensation at Montreux. If it sounds a lot like Donald Byrd's post-Black Byrd output, it's no accident; brothers Larry and Fonce Mizell have their fingerprints all over the album, and as on their work with Byrd, Larry handles all the composing and most of the arranging and production duties. It certainly helps that the Mizells were hitting on all cylinders at this point in their careers, but Humphrey is the true star of the show; she actually grabs a good deal more solo space than Byrd did on his Mizell collaborations, and she claims a good deal of responsibility for the album's light, airy charm. Her playing is indebted to Herbie Mann and, especially, Hubert ...
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