| | Verdi: Requiem / Hickox, Crider, Hatziano, Sade, Lloyd CD Hickox / London Symphony Orchestra / Verdi CDS
London Sym.Orch./R.Hickox/Sade /Lloyd/Crider/Hatziano Verdi: Requiem / Hickox, Crider, Hatziano, Sade, Lloyd Music | List Price | $18.97 (You save $4.42) | | Label | Chandos | | All Time Sales Rank | 18010  | | CD Universe Part number | 1013052 | | Catalog number | 9490 | | Discs | 1 | | Release Date | Jul 23, 1996 | | Mono/Stereo | Stereo | | Recording Time | 1 20 |
Verdi: Requiem / Hickox, Crider, Hatziano, Sade, Lloyd Review
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Verdi: Requiem / Hickox, Crider, Hatziano, Sade, Lloyd Songs Verdi: Requiem / Hickox, Crider, Hatziano, Sade, Lloyd Music Composers on Verdi: Requiem / Hickox, Crider, Hatziano, Sade, Lloyd CD : Giuseppe Verdi Conductors on Verdi: Requiem / Hickox, Crider, Hatziano, Sade, Lloyd CD : Richard Hickox Ensembles on Verdi: Requiem / Hickox, Crider, Hatziano, Sade, Lloyd CD : London Symphony Chorus, London Symphony Orchestra Genres on Verdi: Requiem / Hickox, Crider, Hatziano, Sade, Lloyd CD : Mass, Requiem, Romantic Period Performers on Verdi: Requiem / Hickox, Crider, Hatziano, Sade, Lloyd CD : Michele Crider, Markella Hatziano, Robert Lloyd [Bass Voice], Gabriel Sade
Purchase Verdi: Requiem / Hickox, Crider, Hatziano, Sade, Lloyd To buy, Click on price to add to cart | Spacemen 3 Perfect Prescription CD (1987)
Verdi: Requiem / Hickox, Crider, Hatziano, Sade, Lloyd
$12.95 Reissued several times in various forms since its initial 1987 release, Spacemen 3's second album is a remarkable departure from the band's 1986 debut, SOUND OF CONFUSION. Reduced to a trio (guitarists/keyboardists Pete "Sonic Boom" Kember, Jason "Spaceman" Pierce, and bassist Pete Bassman) following the departure of the first album's drummer, Spacemen 3 makes an asset out of the newfound lack of percussion, giving THE PERFECT PRESCRIPTION a considerably less rock-oriented sound with much more open space in its varied, subtle arrangements. Highlights include one of Spacemen 3's finest cover versions, an extremely long, beautifully lush, violin-accented meditation on the Red Krayola's classic "Transparent Radiation," as well as the foreboding "Take Me to the Other Side." ...
| | Casolla Puccini: Turandot At The Forbidden City / Mehta, Et Al CDs (1998)
Verdi: Requiem / Hickox, Crider, Hatziano, Sade, Lloyd
$29.79 This program is also available on VHS (RCA Victor Red Seal 60916) and on DVD (RCA Victor Red Seal 60917).
The video version of this unique September 1998 production reveals much of the merit of staging Puccini's last opera--a tale of an icy Chinese princess ultimately overcome by love--in an historically suitable setting, a courtyard surrounded by ancient halls, palaces, and gardens in Beijing. There's actually little tangible effect of the setting on the sound of the recording, which stands on the considerable merits of its soloists and conductor Zubin Mehta's apparent glory in the opera's majesty.
Sergej Larin brings a virile, burnished edge to the voice of the so-called Unknown Prince who sues for the Princess's hand at the risk of his life, and his "Nessun dorma" is bright enough to light up the sleepless night of Act III. Giovanna Casolla wonderfully suggests the vulnerable side of Turandot as well as her domineering bitterness, and both she and Larin are credibly uplifted by the sensuous love themes near the opera's end. Barbara Frittoli is vibrant and sweet as the slave girl Liù. José Fardilha, Francesco Piccoli, and Carlo Allemano give a spirited reading of Turandot's reluctant henchmen, a nod to the story's commedia dell'arte origins ...
| | Art Blakey Night At Birdland Vol. 1 CD (1954) Remastered
Verdi: Requiem / Hickox, Crider, Hatziano, Sade, Lloyd
$9.09 Recorded live at Birdland, New York, New York on February 21, 1954. Originally released on Bluenote (1521). Includes liner notes by Bob Blumenthal.
When Pee-Wee Marquette, emcee of Birdland, introduces Art Blakey and his quintet, the audience in attendance erupts in enthusiastic applause. Rightly so; this is a powerful group in full stride. A NIGHT AT BIRDLAND VOL. ONE captures Blakey's pre-Messengers quintet on an evening in February 1954 with legendary trumpeter Clifford Brown and alto saxophonist Lou Donaldson holding down the front line. Longtime partners Blakey and pianist Horace Silver, as well as talented bassist Curley Russell, propel the relentless rhythm section.
The results of that eventful night are now preserved so that we may become patrons of the once legendary nightspot. The fiery mambo "Split Kick" opens the set showcasing Blakey's assertive drumming and the fine blowing of Brown and Donaldson. Silver's bebop-style "Quicksilver" also provides a stunning vehicle for the group's lightning-quick dexterity. Turning the tide, the slow ...
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Verdi: Requiem / Hickox, Crider, Hatziano, Sade, Lloyd
$14.15 Claudio Abbado,Berlin Phil. Orch.
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| | Johann Sebastian Bach Clavierubung III & The S CD (2007)
Verdi: Requiem / Hickox, Crider, Hatziano, Sade, Lloyd
$16.29 Track Listing of songs: Praeludium BWV 552; Kyrie, Gott Vater In Ewigkeit BWV 669; Christe, Aller Welt Trost BWV 670; Kyrie, Gott Heiliger Geist BWV 671; Kyrie, Gott Vater In Ewigkeit BWV 672; Christe, Aller Welt Trost BWV 673; Kyrie, Gott Heiliger Geist BWV 674; Allein Gott In Der Hoh Sey Ehr BWV 675; Allein Gott In Der Hoh Sey Ehr BWV 676; Fughetta Super Alein Gott In Der Hoh Sey Ehr BWV 677; Diess Sind Die Heilgen Zehen Geboth BWV 678; Fughetta Super Diess Sind Die Heilgen Zehen Geboth BWV 679; Wir Glauben All An Einen Gott BWV 680; Fughetta Super Wir Glauben All An Einen Gott BWV 681; Vater Unser Im Himmelreich BWV 682; Vater Unser Im Himmelreich BWV 683; Christ Unser Herr Zum Jordan Kam BWV 684; Christ Unser Herr Zum Jordan Kam BWV 685; Aus Teiffer Noth Schrey Ich Zu Dir BWV 686; Aus Teiffer Noth Schrey Ich Zu Dir BWV 687; Jesus Christus Unser Heyland BWV 688; Fuga Super Jesus Christus Unser Heyland BWV 689; Duetto I BWV 802; Duetto II BWV 803; Duetto III BWV 804; Duetto IV BWV 805; Fuga BWV 552; Wachet Auf, Ruft ...
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Verdi: Requiem / Hickox, Crider, Hatziano, Sade, Lloyd
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$12.35 | | Stefano Ianne Elephant CD (2008) (Import)
Verdi: Requiem / Hickox, Crider, Hatziano, Sade, Lloyd
$22.89 STEFANO IANNEStefano Ianne è un esponente del minimalismo inquinato da pathos romantico, sulla scia diartisti come John Adams, Steve Reich e Philip Glass.Variabili Armoniche (Rai Trade), esordio datato 2006, presenta un compositore poliedricocon uno stile personalissimo.Infinite variazioni e microvariazioni rinnovano i temi musicali, attorno ai quali sviluppano gliarrangiamenti, ora delicati, ora più incisivi, che esaltano soprattutto gli archi guidatidall’estroso violino di Simone D’Eusanio.Quello di Ianne risulta un minimalismo come metafora dei tempi, logorati dalla ripetizione.Eppure il compositore veneto ma ravennate d’adozione ci invita a cogliere le piccole sfumatureche danno colore, anche se parliamo di toni alquanto uggiosi, alla reiterazione dei gestiquotidiani; infatti i componimenti nascondono spesso un sostrato di delicata tristezza, moltovicina al calore della malinconia, e raramente i pezzi, pur cercando una redenzione nei finali increscendo, se ne sottraggono.Uno dei brani più intensi del disco, “Aurore”, funge da colonna sonora per uno spot dell’acquaPanna , on air dal 1° giugno 2008.Due anni più tardi esce Elephant (Rai Trade), interamente realizzato da una registrazione live— concerto tenuto a Milano al teatro “Dal Verme” dall’orchestra de “I Pomeriggi Musicali”-, chene esalta il carattere sinfonico. Elephant mostra sin da subito quanto il talento melodico earrangiativo di Ianne, valorizzato dalla elaborazione e direzione orchestrale di Valter Sivilotti,consenta di fare del minimalismo esclusivamente un punto di partenza, un trampolino di lancioper una brillante commistione di generi.Ianne elabora i suoi temi attraverso l’utilizzo di un flusso di coscienza che è urgenza creativa eche ricorda più le forme e le strutture esplosive del post rock che non il minimalismo vero eproprio, andando così a coniare un linguaggio che è colto e pop, sperimentale ma altamenteevocativo. E proprio dalla potenza evocativa nasce l’idea della traccia video — il pezzo inquestione è la splendida title track -, costruito con la sequenza cronologica di intense tavole daitoni che ricordano da vicino la musica: una felice via di mezzo tra il miraggio del pastello el’uggiosità del seppia.“Flying” e “Concerto per violino quarto” ...
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