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The latest in a long, impressive line of demo singers turned country stars (Garth Brooks, Trisha Yearwood, etc.), Jeff Carson has made a name for himself with the emotional ballad "Not On Your Love." The song, highlighted by a seductive, sentimental chorus, is one of several strong romantic ballads on his impressive, self-titled debut.
Bud don't mistake Carson for some laid-back, sensitive guy. He is more likely to rock the house with humorous, upbeat ditties like "Betty's Taking Judo," a funny tale about a housewife seeking revenge, and the rollicking "Yeah Buddy," a song that revels in its redneck characters. Thanks to such strong material, Carson sings himself right into the middle of Nashville's mainstream.
Jeff Carson's evocative singing style was his apparent asset as a demo singer, and it serves him well on his first venture as a solo artist.
Recorded at Sound Stage Studios, Nashville, Tennessee.
Personnel: Jeff Carson (vocals, harmonica, background vocals); Michael Spriggs, Bob Regan (acoustic guitar); John Willis, J.T. Corenflos, Brent Mason , Brent Rowan (electric guitar); Paul Franklin (steel guitar); Connie Ellisor (violin); Larry Franklin, Rob Hajacos, Jonathan Yudkin (fiddle); John Catchings (cello); Terry McMillan (harmonica); Tony Harrell (piano, keyboards); Lonnie Wilson, Chad Cromwell (drums); Cindy Walker, Curtis Young, Dennis Wilson , John Wesley Ryles, Hurshel Wiginton, Michael Black (background vocals).
Audio Mixer: Bob Campbell-Smith.
Recording information: K.D. Studios, Nashville, TN; Sound Stage Studios, Nashville, TN.
Photographer: Jim McGuire .
Personnel: Jeff Carson (vocals, harmonica), Michael Spriggs, Bob Regan (acoustic guitar), J.T. Corenflos, Brent Mason, Brent Rowan, John Willis (electric guitar), Paul Franklin (steel guitar), Conni Ellisor (violin), Larry Franklin, Rob Hajacos, Jonathan Yudkin (fiddle), John Catchings (cello), Terry McMillan (harmonica), Tony Harrell (piano, keyboards), Glenn Worf (bass), Lonnie Wilson, Chad Cromwell (drums), Dennis Wilson, Cindy Walker, Curtis Young, Hurshel Wiginton, Michael Black, John Wesley Ryles (background vocals).
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from "3 SONGWRITERS 3", a Rolk Roots Magazine article by Chris Nickson Aug/Sept 1995 It's the attitude of someone who's been around, knows the ropes, and loves music. Maturity can sometimes pay off. Ask Adie Grey. Like Lisa, she's also been playing for years and has recently released her debut album, Brand New Old Time Music (on Hey Baby! Records, and sampled on this very issue's free CD). If ever a record lived up to its title, this is it. The songs may be new, but they're as comfortable as your favorite old chair; you feel as if you've been listening to them for half your life. Born and raised in Los Angeles, music was always a part of Adie's life - her granddad wrote music for the movies, and her cousins landed up in the Songwriters Hall of Fame. "My parents had their hi-fi," she recalls. "They were both music fans, and they played a little bit in their high school I days, so they were buying early Simon & Garfunkel and Joni Mitchell, Burl Ives, Jean Ritchie. My father liked traditional American music." By the time she was a teenager, Adie was borrowing his guitar, penning her own material and playing in whatever clubs would have her, exposing herself to all manner of influences. "They used to introduce me as 'The girl who was out past her bedtime.' Living in Los Angeles,it's such a big market and you meet so many people, it's all connected. Just from being there and playing I had the good fortune to play with a lot of folks." By the time she was 18, she was already making a living "on and off' from her music, something she continued to do for several years. Then she met and married Dave MacKenzie. And the two of them began to look around for a place to live. "When I was growing up, LA was pretty neat. By the end of the '80s it had become so totally corrupted, and as an adult it was impossible to feel good about the life we were living there. Dave isn't from LA anyway) so he was eager to get out of there, and I needed to move on, too. We a little more central in the country would help us get into more markets. But we figured we'd probably better consider more than one town. So we hopped around a little bit, to Austin and Nashville. But everybody we knew in Austin who was I really pursuing a music career was traveling to and from Nashville ail the time. We came to Nashville, really liked it, and moved.Once there, she and Dave (who's a very handy guitarist and songwriter) ban to get involved in the music scene, playing few shows and making friends. And eventually they decided it was time for ; Adie to record a bunch of their songs. As luck would have it, the timing was perfect for some friends to help out, which was how someone who's largely unknown comes to have talent like Albert Lee and Wynona Judd on her album. "I guess a bunch of the Head, Hands & Feet guys were around LA when I first started playing clubs," she says. I'd show up in bands and got to know them. Albert Lee impressed me as the nicest person I'd ever met in my life. I made a point of getting to know him. When we were going to make the album, I happened to be on the phone to his wife about some other stuff. She said he was going to be in Nashville, and he was receptive to playing. From there it just started snowballing. I mentioned to Wynona that l was doing the record. She offered to sing. I thought she was blowing smoke but she made a commitment. John Hartford is another friend of mine. Ranger Doug I've known since Riders ln The Sky first got together. ...
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