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The latest in a long, impressive line of demo singers turned country stars (Garth Brooks, Trisha Yearwood, etc.), Jeff Carson has made a name for himself with the emotional ballad "Not On Your Love." The song, highlighted by a seductive, sentimental chorus, is one of several strong romantic ballads on his impressive, self-titled debut.
Bud don't mistake Carson for some laid-back, sensitive guy. He is more likely to rock the house with humorous, upbeat ditties like "Betty's Taking Judo," a funny tale about a housewife seeking revenge, and the rollicking "Yeah Buddy," a song that revels in its redneck characters. Thanks to such strong material, Carson sings himself right into the middle of Nashville's mainstream.
Jeff Carson's evocative singing style was his apparent asset as a demo singer, and it serves him well on his first venture as a solo artist.
Recorded at Sound Stage Studios, Nashville, Tennessee.
Personnel: Jeff Carson (vocals, harmonica), Michael Spriggs, Bob Regan (acoustic guitar), J.T. Corenflos, Brent Mason, Brent Rowan, John Willis (electric guitar), Paul Franklin (steel guitar), Conni Ellisor (violin), Larry Franklin, Rob Hajacos, Jonathan Yudkin (fiddle), John Catchings (cello), Terry McMillan (harmonica), Tony Harrell (piano, keyboards), Glenn Worf (bass), Lonnie Wilson, Chad Cromwell (drums), Dennis Wilson, Cindy Walker, Curtis Young, Hurshel Wiginton, Michael Black, John Wesley Ryles (background vocals).
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Purchase Jeff Carson CD To buy, Click on price to add to cart | Jeff Carson Butterfly Kisses CD (1997)
Jeff Carson
 $9.79  
While ballads seem to predominate, the album also has its fair share of up-tempo material. "Do It Again" and "Hangin By A Thread" are up-tempo rockers which will have your fingers snapping and your feet moving. And while "wholesome" themes do inform some of the material ...
| | Clay Walker Live, Laugh, Love CD (1999)
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The ladies sure love Clay Walker, and LIVE, LAUGH, LOVE, his fifth album, shows why. In songs like "She's ...
| | Trace Adkins Big Time CD (1997)
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On BIG TIME, Trace Adkins' mellow drawl and down-home sensibilities ...
| | Toby Keith Christmas To Christmas CD (1995)
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| | Kenny Chesney No Shoes, No Shirt, No Problems CD (2002)
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| | Blue County CD (2004)
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| | Keith Frank You'D Be Surprised CD (1997)
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| | Best Of Country Yodel Vol. 1 CD (2002) (Import) United Kingdom
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| | America The Beautiful CDs (2002) (Import) Boxed Set
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| | Dale Evans Sweetheart Of The West CD (2003)
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| | Bull Harman & Bull's Eye Bull's Eye CD (2004)
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| | Jay Patten Impressions Of Christmas CD (2003)
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| | Adie Grey Brand New Old Time Music CD (1994)
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from "3 SONGWRITERS 3", a Rolk Roots Magazine article by Chris Nickson Aug/Sept 1995 It's the attitude of someone who's been around, knows the ropes, and loves music. Maturity can sometimes pay off. Ask Adie Grey. Like Lisa, she's also been playing for years and has recently released her debut album, Brand New Old Time Music (on Hey Baby! Records, and sampled on this very issue's free CD). If ever a record lived up to its title, this is it. The songs may be new, but they're as comfortable as your favorite old chair; you feel as if you've been listening to them for half your life. Born and raised in Los Angeles, music was always a part of Adie's life - her granddad wrote music for the movies, and her cousins landed up in the Songwriters Hall of Fame. "My parents had their hi-fi," she recalls. "They were both music fans, and they played a little bit in their high school I days, so they were buying early Simon & Garfunkel and Joni Mitchell, Burl Ives, Jean Ritchie. My father liked traditional American music." By the time she was a teenager, Adie was borrowing his guitar, penning her own material and playing in whatever clubs would have her, exposing herself to all manner of influences. "They used to introduce me as 'The girl who was out past her bedtime.' Living in Los Angeles,it's such a big market and you meet so many people, it's all connected. Just from being there and playing I had the good fortune to play with a lot of folks." By the time she was 18, she was already making a living "on and off' from her music, something she continued to do for several years. Then she met and married Dave MacKenzie. And the two of them began to look around for a place to live. "When I was growing up, LA was pretty neat. By the end of the '80s it had become so totally corrupted, and as an adult it was impossible to feel good about the life we were living there. Dave isn't from LA anyway) so he was eager to get out of there, and I needed to move on, too. We a little more central in the country would help us get into more markets. But we figured we'd probably better consider more than one town. So we hopped around a little bit, to Austin and Nashville. But everybody we knew in Austin who was I really pursuing a music career was traveling to and from Nashville ail the time. We came to Nashville, really liked it, and moved.Once there, she and Dave (who's a very handy guitarist and songwriter) ban to get involved in the music scene, playing few shows and making friends. And eventually they decided it was time for ; Adie to record a bunch of their songs. As luck would have it, the timing was perfect for some friends to help out, which was how someone who's largely unknown comes to have talent like Albert Lee and Wynona Judd on her album. "I guess a bunch of the Head, Hands & Feet guys were around LA when I first started playing clubs," she says. I'd show up in bands and got to know them. Albert Lee impressed me as the nicest person I'd ever met in my life. I made a point of getting to know him. When we were going to make the album, I happened to be on the phone to his wife about some other stuff. She said he was going to be in Nashville, and he was receptive to playing. From there it just started snowballing. I mentioned to Wynona that l was doing the record. She offered to sing. I thought she was blowing smoke but she made a commitment. John Hartford is another friend of mine. Ranger Doug I've known since Riders ln The Sky first got together. They used to play at McCabe's Guitar Shop, where I worked." When she and Dave first discuss the album, though, it looked like being a collection of live recordings. "There's a song on it called Underneath The Tennessee Moon and that was recorded on the Folk Scene ...
| | Loor Ambient Overloaded CD (2006)
Jeff Carson
$12.69
Loor Ambient began haunting the mind of musician Leandro Ganzero 8 years ago as he was playing guitar in the former trip hop trio ‘Setu Secreto’. Playing with s.t.s gave him the freedom to experiment with an electronic medium more fully. By creating sounds and samples with digital aid the ambiently trip hopped fusion of S.S was born and in addition spawned the first ideas of Loor. Leandro had always been a fan of the ambient genre and as he became more versed in the style found himself in the midst of a creation of his own. Long inspired by artists such as…….., although not entirely fitting in the ambient realm, Leandro set out on an 8 year journey into his own personal expression of the music he was so naturally drawn to. As well as being a source of great inspiration, Leandro felt an immense appreciation for all ambient music and although he was focused on S.S. at the time, the beginnings of Loor were floating languidly throughout his mind. Taking on a ghostly form, Loor was soon to be realized After the breakup of S.t.S. Leandro finally began to pour all of his efforts into the solo project he had been contemplating. The project is a kind of “hatsoff” tribute to all ambient music yet also more of a personal experimentation with the fleeting rules of music and laws of structure. Loor has allowed Leandroto defy them ...
| | Vale Cuatro Mas Cuatro CD (2009) (Import)
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