Following 1996's self-titled release, Gravity Kills continues to be a major player in the "pop industrial" genre. PERVERSION is released on TVT Records, Trent Reznor's label, and his influence is all over it. This is angry synth rock at its best, though there is variety also--"Drown" has a dance hook that temporarily diverts from the gloom, and "Alive" leans towards metal. "Falling" has a catchy electronic beat fueled by a great bassline.
Though obviously disciples of Reznor's Nine Inch Nails, these guys definitely have what it takes to kick it on their own. Gravity Kill's lyrics touch basic human emotions and endow their music with universality, focusing on lust, anger and alienation. Much like their last album, the music is tight and the lyrics are real. All in all, PERVERSION is a provoking release from a young band making its mark.
Audio Mixer: Gary Townsley.
Recording information: Mr. Blood, St. Louis, MO; Upper Room Studio, St. Louis, MO.
Unknown Contributor Roles: Matt Dudenhoffer; Kurt Kerns; Jeff Scheel.
Gravity Kills: Jeff Scheel, Kurt Kerns, Matt Dudenhoeffer, Doug Firley.
Recorded at: Mr. Blood, Upper Room Studios, Saint Louis, Missouri.
What the hell has happened? Sadly, this algum alone marks the downward slid of the group. While trying to free themselves from the shadow of NIne Inch Nails, they all but lose what unique sound they had on their first album. So what if they sounded a little like NIN, like NIN has really been offering us anything as of late. NIN's double disc was a pure disapointment, I was hoping for a more "Pretty Hate Machine" release.
For the pop generation this album will do wonders for your MTV world.
As for any fans of harder industrial music cut your loses, and don't waste your time. Submitted by a reviewer (Eugene, Oregon) Was This Review Helpful? YesNo 0 of 1 found this helpful. This review is for a different format.
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