| | Female Blues: Remaining Titles 1921 - 1928 CD
1921-1928-Lavinia Turner,Josie Miles,Sister Harris Female Blues: Remaining Titles 1921 - 1928 Music Female Blues: Remaining Titles 1921 - 1928 Songs | 1. | Sweet Man Blues - Viola Baker (1924) |
| 2. | Go Back Where You Stayed Last Night - Viola Bartlette (1925-1926) |
| 3. | Tennessee Blues |
| 4. | You Never Can Tell What Your Perfectly Good Man Will Do |
| 5. | She Walked Right up and Took My Man Away - Helen Baxter (1926) |
| 6. | If You Can't Hold the Man You Love (Don't Cry When He's Gone) - Alberta Hunter (1926) |
| 7. | 31st Street Blues - Josie Miles (1924) |
| 8. | Cootie For Your Tootie - Etta Mooney (1922) |
| 9. | Harmony Blues |
| 10. | Alabama Bound Blues - Ethel Ridley (1923-1925) |
| 11. | I Don't Let No One Man Worry Me |
| 12. | Get It Fixed |
| 13. | Low Down Daddy Blues |
| 14. | I'll Get Even With You (Revengeful Blues) - Mae Scott (1923) |
| 15. | No Sooner - Elizabeth Smith (1926-1927) |
| 16. | Gwine to Have Bad Luck For Seven Years |
| 17. | Police Done Tore My Playhouse Down |
| 18. | Show Me the Way to Go Home - Louise Vant |
| 19. | Save Your Sorrow |
| 20. | Man I Love Is Oh! So Good to Me, The |
| 21. | Daddy, Don't You Try to Pull That Two-Time Thing on Me |
| 22. | Sunset Blues |
| 23. | Texas Mule Stomp |
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Female Blues: Remaining Titles 1921 - 1928 Review
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Purchase Female Blues: Remaining Titles 1921 - 1928 CD To buy, Click on price to add to cart | Clarence Williams Complete Recorded Works Vol. 1 (1923-1928) CD (2002) Import
Female Blues: Remaining Titles 1921 - 1928
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Track Listing of songs: Down on the Levee Blues; ...
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Contains material recorded for the Duke-Peacock subsidiary, Back Beat, between 1964 and 1974.
O.V. Wright is part of the Pantheon Of 1960s Soul, up there with Solomon Burke, Aretha Franklin, and Otis Redding. He's not as well known as them--at least in America--but his songs have been covered by Redding, the Rolling Stones, Robert Cray, and Ann Peebles. Like Burke and Franklin, his vocal style was heavily based in Southern gospel music, passionately balancing the sacred and the secular. Wright fervently implored, pleaded, and howled his tales of love lost, strayed, thwarted, or shattered. ...
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New Orleans soul and blues legend Adams is a good fit for this tribute to singer/songwriter Percy Mayfield, as Mayfield's songs can be seen as inhabiting a territory somewhere between jazz and rock & roll. Here, for example, the title song, with its dual guitar interplay, clearly leans toward the rock end of the spectrum, while "Lost Mind," with its snappy big-band arrangement, tends toward jazz, and "My Heart Is Hanging Heavy" is unambiguously blues. Some of these songs should be familiar from Ray Charles' '60s versions, but Adams, as is his wont, makes them his own, negotiating the ...
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It's just a little over 39 years since Downchild emerged from Toronto's gritty Grossman's Tavern. It's been a long journey, marked with good times and hard times, triumph and tragedy, a lot of laughs and a few tears - and, through it all, an amazing amount of great music. The band is the brainchild of songwriter, guitarist and harmonica player Donnie Walsh, who's known as "Mr. Downchild" (after a classic blues song by the late Sonny Boy Williamson). Donnie Walsh started Downchild with his brother, the late Rick "The Hock" Walsh, in summer of 1969, and in the years since the band has played close to 7,500 gigs in arenas, concert halls, clubs, coffee houses, and cornfields, not to mention the occasional prison. They play barbecues, rib-fests, corporate gigs, weddings, and funerals, and for a decade in the '70s and '80s, the band played some 300 shows a year. Three decades of continual cross-Canada touring kept the band busy, and at the same time Downchild continued to turn out hit albums - almost all of which are still available. One of the earlier albums, "Straight Up," later helped inspire a friend, Dan Ackroyd, to create The Blues Brothers and a multi-million selling album, "Briefcase Full of Blues." And that Blues Brothers album contains two classics by the original "blues brothers" from Toronto, "Almost" and "Shotgun Blues." Their latest album, "Live at the Palais Royale" was recorded at the historic Toronto lakefront dancehall before a sold-out crowd without overdubs or pitch correction, "Live at the Palais Royale" ...
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