| | Female Blues: Remaining Titles 1921 - 1928 CD
In 1997 Document released a 24 track grab bag of rare female blues recordings from the 1920s, presented as a coda to the label's expansive series of "Female Blues Singers" compilations containing material dating exclusively from the years 1920 to 1930. In 1998 Document followed suit with a second volume of "Female Blues: the Remaining Titles," this time focusing on the years 1938-1949 to top off some of the company's blues, barrelhouse, swing, and early R&B collections. Document 1528 is a decidedly pungent sampler that combines the works of seven powerfully expressive women. Bea Foote, best known for her ostentatiously marijuana induced "Weed"; Lil Green, still one of the world's great overlooked heroines of the blues; Ruby Walker Smith, Bessie Smith's niece and traveling companion; Perline Ellison, Lillie Mae Kirkman, Muriel Nichols, and Monette Moore. In addition to those already mentioned, the instrumentalists heard on this excellent album include seasoned jazzmen like trumpeter Henry Red Allen, trombonist J. C. Higginbotham, pianist James P. Johnson, guitarists Big Bill Broonzy and Teddy Bunn, and drummer Big Sid Catlett.
1921-1928-Lavinia Turner,Josie Miles,Sister Harris
Female Blues: Remaining Titles 1921 - 1928 Music Female Blues: Remaining Titles 1921 - 1928 Songs | 1. | Sweet Man Blues - Viola Baker (1924) |
| 2. | Go Back Where You Stayed Last Night - Viola Bartlette (1925-1926) |
| 3. | Tennessee Blues |
| 4. | You Never Can Tell What Your Perfectly Good Man Will Do |
| 5. | She Walked Right up and Took My Man Away - Helen Baxter (1926) |
| 6. | If You Can't Hold the Man You Love (Don't Cry When He's Gone) - Alberta Hunter (1926) |
| 7. | 31st Street Blues - Josie Miles (1924) |
| 8. | Cootie For Your Tootie - Etta Mooney (1922) |
| 9. | Harmony Blues |
| 10. | Alabama Bound Blues - Ethel Ridley (1923-1925) |
| 11. | I Don't Let No One Man Worry Me |
| 12. | Get It Fixed |
| 13. | Low Down Daddy Blues |
| 14. | I'll Get Even With You (Revengeful Blues) - Mae Scott (1923) |
| 15. | No Sooner - Elizabeth Smith (1926-1927) |
| 16. | Gwine to Have Bad Luck For Seven Years |
| 17. | Police Done Tore My Playhouse Down |
| 18. | Show Me the Way to Go Home - Louise Vant |
| 19. | Save Your Sorrow |
| 20. | Man I Love Is Oh! So Good to Me, The |
| 21. | Daddy, Don't You Try to Pull That Two-Time Thing on Me |
| 22. | Sunset Blues |
| 23. | Texas Mule Stomp |
|
Female Blues: Remaining Titles 1921 - 1928 Review
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Purchase Female Blues: Remaining Titles 1921 - 1928 CD To buy, Click on price to add to cart | Clarence Williams & The Blues Singers Clarence Williams & The Blues Singers, Vol. 1 (1923-1928) CD (1995) Import
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It's just a little over 39 years since Downchild emerged from Toronto's gritty Grossman's Tavern. It's been a long journey, marked with good times and hard times, triumph and tragedy, a lot of laughs and a few tears - and, through it all, an amazing amount of great music. The band is the brainchild of songwriter, guitarist and harmonica player Donnie Walsh, who's known as "Mr. Downchild" (after a classic blues song by the late Sonny Boy Williamson). Donnie Walsh started Downchild with his brother, the late Rick "The Hock" Walsh, in summer of 1969, and in the years since the band has played close to 7,500 gigs in arenas, concert halls, clubs, coffee houses, and cornfields, not to mention the occasional prison. They play barbecues, rib-fests, corporate gigs, weddings, and funerals, and for a decade in the '70s and '80s, the band played some 300 shows a year. Three decades of continual cross-Canada touring kept the band busy, and at the same time Downchild continued to turn out hit albums - almost all of which are still available. One of the earlier albums, "Straight Up," later helped inspire a friend, Dan Ackroyd, to create The Blues Brothers and a multi-million selling album, "Briefcase Full of Blues." And that Blues Brothers album contains two classics by the original "blues brothers" from Toronto, "Almost" and "Shotgun Blues." ...
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