| | Georgia Blues & Gospel (1927-31) CD
Performers include: Julius Daniels, Georgia Carter. Georgia Blues & Gospel (1927-31) Music Georgia Blues & Gospel (1927-31) Songs Georgia Blues & Gospel (1927-31) Review
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The Boogie Kings began as a three piece band in Mama Ardoin's kitchen. The three young geniuses were Doug Ardoin; founder and guitar player, Bert Miller; drummer and vocalist, and Harris Miller, ...
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Fans of ragged, heavily amplified country blues, take note: Searching for Odell Harris, is now available!Harris is a 66-year-old singer and electric blues guitarist from the hills of North Mississippi. His music shares much in common with that of his late friends, R.L. Burnside and Junior Kimbrough. But he also was influenced as a young man by the blues of his uncle-by-marriage Albert King and his cousin William Bell, who went on to become a soul legend at Stax Records in the 1960s and 1970s. Harris’ sound manages to marry the primal hill-funk of the Burnside/Kimbrough nexus and the greasy strut of a century of coarse Memphis blues. The 12 tracks that make up Searching for Odell Harris range from gripping solo ...
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From the outskirts to the depths of Pottstown, what started out as an idea quickly became reality. From one failed project to another Mike decided to take one last attempt of forming a band before packing it in for good. He teamed up with long time family friend Dan, who was at the time beginning to play drums. The two were naturally compatible with each other and decided at that point to bring in the other long time family friend Lu. From go, Lu fit like a glove and after only a week they hit the studio to record a four-song demo. The only thing the three were missing was a singer. Lu called his friend J and after the second song, he reached every expectation the band was looking for. Immediately following practice the guys schedule him into the studio to record vocal tracks on the demo. After the demo was mixed and ready to go, they still did not have a band title. Now this day was around the time of the locusts, during their 17-year decent on the earth, and Lu said, "Why don’t we call the band Cicada". Instant hit. Now the summer of 2004 brought a few parties and shows to the band. Nothing major, just a shot to get out and get situated playing in front of a live audience. We all realized the amount of impact we were making on the people and started coming up with a way to let other people hear our music. They joined the online community www.myspace.com/distortedaudio. This was and still is a great way of getting the music out there. The only problem they seen happening was, the name cicada started becoming very popular and band after band started popping up with the same title. They started getting a fan base under the name Cicada, and changing names, this far in the game wasn’t in anyone's best interest. They all felt the name was perfect and felt passionate enough about it that we wanted to keep it. Cicada is now actually an acronym that stands for Chaotic Impulse Centered Around Distorted Audio. (C.I.C.A.D.A.) They were finally a band; the long awaited dream was becoming a reality. They wrote a few more songs and hit the studio yet again, for the complete album. During the recording process they all felt an element was missing. They recorded at studio 210 in Spring City and asked one of the engineers, who was a fantastic guitar player, if he could lay down some extra guitar tracks. When the guys realized the impact that Todd created for the sound of C.I.C.A.D.A., he was asked to join and without hesitation accepted.Few months passed by and shows were played anywhere from Allentown, Reading, Norristown, Philadelphia, New Jersey to local Pottstown. The band teamed up with other unsigned bands known as Shovelhook, Type 14, Canto 6, and Sick Boy, just to name a few. These bands ...
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