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Weldon, Casey Bill - Complete Recorded Works: 1935-1938, In Chronological Order, Volume 3. CD Cover Art CD music MP3 Album music CDs songs album

Casey Bill Weldon Complete Recorded Works: 1935-1938, In Chronological Order, Volume 3. CD

 Casey Bill Weldon Discography of CDs

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Recorded between March 1937 and December 1938.

Full title: Complete Recorded Works: 1935-1938, In Chronological Order, Volume 3.

Personnel: Casey Bill Weldon (vocals, guitar, steel guitar); Calvin Dillard, Clifford Medlock, Henry Singleton (vocals); Big Bill Broonzy (guitar).

Audio Remasterer: Gerhard Wessely.

Liner Note Author: Dave Moore .

Recording information: 03/24/1937-12/16/1938.
Complete Recorded Works: 1935-1938, In Chronological Order, Volume 3. Music


Detailed Complete Recorded Works: 1935-1938, In Chronological Order, Volume 3. Music Information



List Price $16.98 (You save $3.73)
Category Rock/Pop Albums, Blues CDs, Urban Soundtrack, Country Blues
Label Document
Orig Year 1994
All Time Sales Rank   274078  
CD Universe Part number 1021298
Discs 1
Release Date Mar 22, 2002
Studio/Live Studio
Mono/Stereo Mono
Producer Johnny Parth
Recording Time 74 minutes
Personnel Big Bill Broonzy - guitar
Casey Bill Weldon - vocals, guitar, steel guitar
Calvin Dillard
Clifford Medlock
Henry Singleton - vocals
Additional Info Import
Casey Bill Weldon Complete Recorded Works: 1935-1938, In Chronological Order, Volume 3. Songs


Casey Bill Weldon Complete Recorded Works: 1935-1938, In Chronological Order, Volume 3. Album Track Listing



Complete Recorded Works: 1935-1938, In Chronological Order, Volume 3. CD COMPLETE RECORDED WORKS VOL. 2:
1.Give Me Another Shot (MP3)$0.99
2.I'll Get a Break Someday - (take 1)
3.I'll Get a Break Someday - (take 2)
4.Sold My Soul to The Devil
5.I've Been Tricked
6.No Good Woman
7.Guitar Swing - (take 3) (MP3)
8.Guitar Swing - (take 4) (MP3)
9.Walkin' in My Sleep
10.Sales Lady
11.Lady Doctor Blues
12.Casey Bill's New W.P.A.
13.You Shouldn't Do That
14.Rooster Blues
15.Spider Blues
16.Go Ahead, Buddy
17.Red Hot Blues
18.Worried About That Woman
19.You're Laughing Now
20.New Round and Round
21.Christmas Time Blues
22.I Believe You're Cheatin' on Me
23.Way Down in Louisiana
24.You Gotta Do Your Duty
25.Midnight Blues
Complete Recorded Works: 1935-1938, In Chronological Order, Volume 3. Review


Complete Recorded Works: 1935-1938, In Chronological Order, Volume 3. Music Reviews



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New England's Albert Cummings is a fine blues-rock guitarist somewhat in the Stevie Ray Vaughan mold, displaying at times the same sort of tone, explosion and soul that made Vaughan so special. Although he had played the northeast blues circuit with his band Swamp Yankee, Cummings really didn't catch the attention of the blues world until he teamed with Vaughan's old backing band, Double Trouble, and recorded this album in Austin, Texas. Yes, he sometimes has Vaughan's tone and feel, but there the similarities tend to end, in spite of having Reese Wynans, Chris Layton and Tommy Shannon in his corner. Cummings, who makes his living as a carpenter, takes more of an everyman, working stiff approach to his material, and his songs tell the stories of men struggling to make ends meet, both economically and domestically. There is little of the mystical guitar seeker in his repertoire, and although he plays wonderfully, ...
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As We Speak
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Atmospheric and serpentine, the two-disc As We Speak finds electric fretless bassist Mark Egan leading his trio through a series of enigmatic and propulsive original songs. An acolyte of the late great bassist Jaco Pastorious, Egan has a lithe touch on his instrument, and tracks such as the leadoff "Spirals" evince a hypnotic, fusion-esque aesthetic. Joining Egan here are the equally superb jazz giants guitarist John Abercrombie and drummer Danny Gottlieb. These are three technical dynamos as well as artists sensitive to creative group interplay. Cuts such as "Dream Sequence" showcase this as Abercrombie and Egan both lay down harmonic lines against each other allowing Gottlieb to fill in the background with organic ...
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AUTOBIOGRAPHY OF EUGENE SMILEY, Sr. I was born in New Orleans, Louisiana. As a child I was raised by grandparents in a small town in Brookhaven, Mississippi, and by more relatives in Kansas City, Missouri. In my family, music was a very important part of our family values. At an early age, I was very much involved in music. My Aunt Hazel and my Uncle Charles were my childhood mentors. I wanted to be just like them when I grew up. My father was a gospel singer and sang tenor for a gospel group called The Pilgram Travelers. They were the ones that followed their dreams and became successful and famous doing what they loved to do. I learned to play the piano when I was very young. I played piano for the youth church choir and, as I got older, I began to listen to blues and R&B music. My parents didn't like it but I did it any way. They had to face it. I was a part of my destiny. They didn't try to stop me but they told me that this kind of music was the devil's music, and I would suffer and pay a lot of dues. When they would leave me home alone, I'd play that devil music on the piano every chance I got. After graduating from Alexander High school in May 1960, I decided to make Kansas City my home. In October of 1968, I left Kansas City and move to Chicago. There I became a member of a young vocal group that later became known as "The Visitors". We recorded on the Dakar label under the management of Mr. Carl Davis. Our biggest seller was "Until You Came Along" (which was No. 1 on the R&B charts in 1968 and stayed in JET magazine for 9 months). We also had a great sell in "I'm In Danger". Those were the good times. It couldn't get any better than that. I thought I was on top of the world. My music career seemed to have taken off to a good start. I remember Carl Davis ...
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