| | Casey Bill Weldon Complete Recorded Works: 1935-1938, In Chronological Order, Volume 3. CD Casey Bill Weldon Discography of CDs
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Our Price: $13.25 CDFor Sale Usually ships in 1-2 days
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Recorded between March 1937 and December 1938.
Full title: Complete Recorded Works: 1935-1938, In Chronological Order, Volume 3.
Personnel: Casey Bill Weldon (vocals, guitar, steel guitar); Calvin Dillard, Clifford Medlock, Henry Singleton (vocals); Big Bill Broonzy (guitar).
Audio Remasterer: Gerhard Wessely.
Liner Note Author: Dave Moore .
Recording information: 03/24/1937-12/16/1938. Complete Recorded Works: 1935-1938, In Chronological Order, Volume 3. Music Casey Bill Weldon Complete Recorded Works: 1935-1938, In Chronological Order, Volume 3. Songs | | Complete Recorded Works: 1935-1938, In Chronological Order, Volume 3. CD COMPLETE RECORDED WORKS VOL. 2: |
| 1. | Give Me Another Shot (MP3) | $0.99 | |
| 2. | I'll Get a Break Someday - (take 1) | |
| 3. | I'll Get a Break Someday - (take 2) | |
| 4. | Sold My Soul to The Devil | |
| 5. | I've Been Tricked | |
| 6. | No Good Woman | |
| 7. | Guitar Swing - (take 3) (MP3) | |
| 8. | Guitar Swing - (take 4) (MP3) | |
| 9. | Walkin' in My Sleep | |
| 10. | Sales Lady | |
| 11. | Lady Doctor Blues | |
| 12. | Casey Bill's New W.P.A. | |
| 13. | You Shouldn't Do That | |
| 14. | Rooster Blues | |
| 15. | Spider Blues | |
| 16. | Go Ahead, Buddy | |
| 17. | Red Hot Blues | |
| 18. | Worried About That Woman | |
| 19. | You're Laughing Now | |
| 20. | New Round and Round | |
| 21. | Christmas Time Blues | |
| 22. | I Believe You're Cheatin' on Me | |
| 23. | Way Down in Louisiana | |
| 24. | You Gotta Do Your Duty | |
| 25. | Midnight Blues | |
| Complete Recorded Works: 1935-1938, In Chronological Order, Volume 3. Review
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$18.95 New England's Albert Cummings is a fine blues-rock guitarist somewhat in the Stevie Ray Vaughan mold, displaying at times the same sort of tone, explosion and soul that made Vaughan so special. Although he had played the northeast blues circuit with his band Swamp Yankee, Cummings really didn't catch the attention of the blues world until he teamed with Vaughan's old backing band, Double Trouble, and recorded this album in Austin, Texas. Yes, he sometimes has Vaughan's tone and feel, but there the similarities tend to end, in spite of having Reese Wynans, Chris Layton and Tommy Shannon in his corner. Cummings, who makes his living as a carpenter, takes more of an everyman, working stiff approach to his material, and his songs tell the stories of men struggling to make ends meet, both economically and domestically. There is little of the mystical guitar seeker in his repertoire, and although he plays wonderfully, ...
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$9.49 AUTOBIOGRAPHY OF EUGENE SMILEY, Sr. I was born in New Orleans, Louisiana. As a child I was raised by grandparents in a small town in Brookhaven, Mississippi, and by more relatives in Kansas City, Missouri. In my family, music was a very important part of our family values. At an early age, I was very much involved in music. My Aunt Hazel and my Uncle Charles were my childhood mentors. I wanted to be just like them when I grew up. My father was a gospel singer and sang tenor for a gospel group called The Pilgram Travelers. They were the ones that followed their dreams and became successful and famous doing what they loved to do. I learned to play the piano when I was very young. I played piano for the youth church choir and, as I got older, I began to listen to blues and R&B music. My parents didn't like it but I did it any way. They had to face it. I was a part of my destiny. They didn't try to stop me but they told me that this kind of music was the devil's music, and I would suffer and pay a lot of dues. When they would leave me home alone, I'd play that devil music on the piano every chance I got. After graduating from Alexander High school in May 1960, I decided to make Kansas City my home. In October of 1968, I left Kansas City and move to Chicago. There I became a member of a young vocal group that later became known as "The Visitors". We recorded on the Dakar label under the management of Mr. Carl Davis. Our biggest seller was "Until You Came Along" (which was No. 1 on the R&B charts in 1968 and stayed in JET magazine for 9 months). We also had a great sell in "I'm In Danger". Those were the good times. It couldn't get any better than that. I thought I was on top of the world. My music career seemed to have taken off to a good start. I remember Carl Davis ...
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