| | Roxy Music Siren CD Roxy Music Discography of CDs
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All tracks have been digitally remastered using HDCD technology.
Roxy Music's fifth album, SIREN, is a return to the form of their first couple of records--that is, it mixes astonishing material with some that, well, isn't quite as good. This is not to say that the band abandoned sophistication, however. If anything, they turned the suaveness up a notch--tracks like "Sentimental Fool" and the brilliant "Just Another High" both, albeit in different ways, suggest the path the band would follow before arriving at their masterpiece, AVALON. For those keeping track of these things, the cover model on this album is Jerry Hall.
"Love Is The Drug," the album's first track, is a classic. A story-song that could describe the beginning of the relationship that dissolves in "Dance Away" (from MANIFESTO, the band's next studio album), it is built on solid rhythm grooves with added flourishes of bright guitar. Bryan Ferry's vocals are more expressive than usual on "Both Ends Burning," a fairly sedate, but insistent dance groove with synthesizers weaving in and out of the propulsive bass line. SIREN, as the middle album in the band's studio career, includes pointers to both their past and future and is an excellent introduction to the worlds of Roxy Music.
Recorded at Air Studios, London, England in 1975.
Roxy Music: Bryan Ferry (vocals, keyboards); Phil Manzanera (guitar); Edwin Johnson (strings, keyboards, synthesizer); Andrew Mackay (oboe, saxophone); John Gustafson (bass); Paul Thompson (drums).
Q (9/99, pp.122-3) - 4 stars (out of 5) - "...their glossiest set...as gorgeously epic as 'Sentimental Fool' and as percussively hedonistic as 'Both Ends Burning'..."
Vibe (12/99, p.164) - Included in Vibe's 100 Essential Albums of the 20th Century
Mojo (Publisher) (9/99, p.120) - "...a slick but largely convincing set of performances that owed little to the original Roxy spirit but suited Ferry's lounge lizard persona to a tee." Siren Music | List Price | $8.94 (You save $0.09) | | Category | Rock Albums, Pop CDs, HDCD, Rock/Pop, Art Rock | | Label | Virgin | | Orig Year | 1975 | | All Time Sales Rank |  8555  | | CD Universe Part number | 1033332 | | Catalog number | 47455 | | Discs | 1 | | Release Date | Mar 14, 2000 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Chris Thomas | | Engineer | Steve Nye | | Recording Time | 42 minutes | | Personnel | Bryan Ferry - vocals, keyboards
Phil Manzanera - guitar
Paul Thompson - drums
John Gustafson - bass
Andrew Mackay - oboe, saxophone
Andrew Mackay - oboe, saxophone
Edwin Johnson - strings, keyboards, synthesizer
| | Additional Info | Remastered |
Buy Siren CD  | | Roxy Music
36 x 48 inch
Limited Edition on Canvas
Price: $749.99 |
Purchase Siren CD To buy, Click on price to add to cart | Roxy Music CD (1972) Remastered
Siren album
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The self-titled first Roxy Music album opens with what seems to be a ambient recording from a cafe--glasses clinking, low talking, and so on. It sets up a mood of casual elegance that the band explored throughout their career, from sophisticated glamour all the way through decadence. The first song, "Re-Make/Re-Model" becomes, after the cafe introduction, a punchy rock track ...
| | Roxy Music For Your Pleasure CD (1973) Remastered
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With FOR YOUR PLEASURE, the second Roxy Music album, the band began to explore a little more of the "dark ...
| | Roxy Music Stranded CD (1973) Remastered
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Roxy Music began to reign in its unsettling, quirky art rock on STRANDED, the band's third album. Without keyboardist/idea man Brain Eno in the band any longer, vocalist Bryan Ferry assumed full control of Roxy ...
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Siren songs
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Standouts include "Bitter-Sweet," a clear homage to the bombast ...
| | Roxy Music Manifesto CD (1979) Remastered
Siren album
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| | Roxy Music Flesh + Blood CD (1980) Remastered
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What's remarkable about Roxy Music's final three albums is how each one builds on its predecessor. FLESH & BLOOD was the middle of this triptych (which ended with AVALON, the group's peak achievement). Where its predecessor, MANIFESTO, still had ties to the band's pre-hiatus first era, FLESH & BLOOD heads ever further into the lush romanticism that singer Bryan Ferry was to explore fully as a solo artist in the '80s. Where ...
| | Wire On Returning CD (1989)
Siren music CDs
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This generous 31-song collection effectively charts the group's rapid evolution. It begins with a slew of songs from the debut, PINK FLAG, including "Three Girl Rhumba," a song that '90s Brit-popsters Elastica quoted so liberally that they were forced to pay royalties. The early songs have a messy charm built upon dirty guitar chords and the distinctly cheeky vocals of Colin Newman. Later works, incorporating synthesizers and keyboards played by producer Mike Thorne, are far more caustic, but the group never fully drops the pop, especially on the furiously catchy "Dot Dash" and "I Am the Fly," one of their signature songs. "Strange" may be familiar to listeners from R.E.M.'s cover version.
On Returning gathers most of the jewels from the richest period in the career of Wire, one of the most influential bands to emerge from the punk era. Groups as diverse as R.E.M and the Minutemen have cited Wire as a key influence. Wire's 1977 debut was densely packed with skewed, raw songs full of vitriol and ...
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| | Savage Rose In The Plain CD (1969) (Import)
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In the Plain by Denmark's Savage Rose has a striking cover photo with psychedelic color coordinated band members ...
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| | John Beasley Positootly! CD (2009) Digipak
Siren CD music
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Keyboardist John Beasley's positive, vibrant take on a variety of modern jazz styles takes shape on this recording, where his playing and ample talent as a composer are showcased. This effort takes into account his New Orleans heritage with an incumbent approach, embraces hard bop, and on occasion fusion or a look at the funky side of things. The core trio of Beasley, drummer Jeff Watts, and bassist James Genus is an unstoppable force, while trumpeter Brian Lynch and especially Bennie Maupin on tenor and soprano sax, elevate the band to all-star small-ensemble status on select tracks. Beasley's emphasis is on the acoustic piano, but he also uses a little synthesizer and some savory Fender Rhodes, all with a skilled, professional, and inspired expertise that is lifted up by his heavyweight bandmates. He also wrote seven of the ten tracks, including a remake of an older tune, "Caddo Bayou," a hip and hard-to-neo-bop swinger, with Lynch and Maupin leading the charge. "Black Thunder" and "The Eight Winds" are interesting and intricate originals that should easily find a place on legitimate jazz radio playlists. The former has the pianist's three-chord base propelling the snappy, jumpy horns, while the latter track is loaded via Charles Mingus-like stop-starts, with Lynch's muted trumpet and Maupin's tenor in full bop and funk flight. The Crescent City beat of "Shatita Boom Boom" is pure, contemporary, shuffle driven by the heavy, hip, and groovy bass of Genus with Maupin's soprano on top, and there's a funky gumbo treatment of the ...
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