| | Tangerine Dream Phaedra CD Tangerine Dream Discography of CDs
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The title track is an almost spooky exercise in synth/sequencer tension and dynamics: while eerie atmospheres of Mellotron go head to head with spiraling Moogs, dense, humming sequencer webs percolate along the surface, motile and mobile. The album's closer, "Sequent C," leaves the listener breathless, as black electronic clouds form and dissipate and the surrounding space becomes corporeal sound. PHAEDRA remains one of the seminal recordings of the electronic movement, and stands up--even years later--as an original, stunning piece of music.
Widely considered one of Tangerine Dream's masterworks, fallout from the sonic phenomenon that is PHAEDRA can still be found lingering in the ambient movement of the early '90s and in much of contemporary electronica. The aural architecture that the band built from scratch remains unparalleled. Tangerine Dream was truly ahead of its time--the four epic-length tracks on PHAEDRA revealed a band that fully understood--and loved to manipulate--the complex array of knobs, dials, and switches that protruded from their synthesizer facades.
Tangerine Dream: Edgar Froese (guitar, organ, Mellotron, synthesizer, bass instrument); Peter Baumann (flute, electric piano, organ); Chris Franke (keyboards, Moog synthesizer).
Q (5/95, p.134) - 4 Stars - Excellent - "...[a] remarkable achievement, given the then fledgling nature of synthesizer technology and the leading role therefore thrust upon the unwieldy and limited Mellotron..."
Q (Magazine) (p.141) - "There are few more inspire albums of German cosmic music than Berlin instrumental pioneers Tangerine Dream's breakthrough." Phaedra Music | List Price | $8.94 (You save $0.95) | | Category | Rock/Pop Albums, Rock CDs, Pop, Electronica, Dance, Alternative, Art Rock, New Age | | Label | Virgin | | Orig Year | 1974 | | All Time Sales Rank |  3905  | | CD Universe Part number | 1033543 | | Catalog number | 86064 | | Discs | 1 | | Release Date | Jun 29, 1992 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Edgar Froese | | Engineer | Phil Becque | | Recording Time | 37 minutes | | Personnel | Edgar Froese - guitar, organ, Mellotron, synthesizer, bass instrument
Chris Franke - keyboards, Moog synthesizer
Peter Baumann - flute, electric piano, organ
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Tangerine Dream Phaedra Songs Phaedra Music Review Average Rating: (4.2 out of 5 stars)   List All Reviews The best album ever recorded.
"Phaedra", made in 1974, is the music of the futurepast, of a place which perhaps could never exist yet somehow always has. It slides through the dark reaches of the universe, catapulting you further than you ever imagined possible. It is, quite simply, the most incredible recording ever made. It consists of four tracks of decreasing length, each doing completely different things to your brain. Go with it. It will haunt you. It will show you things you will not be able to put into words. This album is nearly 30 years old. That should put things in perspective for you. This is visionary stuff, completely serious, unspeakeably emotional and unrelentingly beautiful. There is not a single work spoken or sung on the album, just washes of organs and dense pulse layers, synth spirals, otherworldly whisperings and a binding, rolling, awesome structure to the proceedings that sweeps you away until you're completely and utterly lost in the music, so lost you don't know how you got there and you never want to go back; you never even want to know where it is you started out. Buy it. Treasure it. Listen to it in the dark, lying down, with your eyes closed. Oh, the things you'll see. The places you'll go.
Submitted by a reviewer (Ireland)
Was This Review Helpful? Yes No 1 of 1 found this helpful.
Awesome !!!
I'm probably one of the few T-Dream fans that actually like all of their incarnations from the early spacy-trippy Phaedra, Stratosphere and Force Majure type stuff but also like Lily on the Beach and Optical Race so I might not be the best one to take advice from on this album but I have to say that Phaedra is really awesome. If you have iTunes on your MAC play Phaedra and use the Visualizer which fills your screen with continuous constantly changing abstract visuals. It was made for this album. Just kick back and relax and away you'll go :-)
Submitted by a reviewer (New York, NY) 
Was This Review Helpful? Yes No Top 10 of all time ambient albums
For the true ambient music fan, this album should be on your top 10 of all time list, alongside Ambient #4 On Land by Eno, and Gone to Earth (Instrumental) by David Sylvian.
Submitted by Bruce (Toronto, ON Canada)
Was This Review Helpful? Yes No NetZero
Well, this CD begins with ebbs and flows
from spacey currents, thrills and chills, and of course spooky influences.
Thank You.
Submitted by Stephen (Menifee Lake, CA, USA)
Was This Review Helpful? Yes No A masterpiece!
Phaedra may take some getting used to, ideally, any Tangerine Dream album requires about 2 listens. However, once you're into it - the album contains some spellbinding atmospheres courtesy of Froese's exceptional mellotron skills.
Submitted by a reviewer (Wolverhampton, UK)
Was This Review Helpful? Yes No List All Reviews | Have you heard this album? |  |
Purchase Phaedra CD To buy, Click on price to add to cart | Tangerine Dream Tangram CD (1980)
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| | Tangerine Dream Hyperborea CD (1983)
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| | Tangerine Dream Ricochet CD (1975)
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The live RICOCHET (sporting one of Monique Froese's more enigmatic and abstract covers) remains a high water mark amongst Tangerine Dream's vast in-concert recordings. During their notorious mid-'70s live performances, they were for a time considered to be the loudest band ever--it's not hard to imagine the effect on the inner ear canals of this album's bubbling sequencers ...
| | Tangerine Dream Rubycon CD (1975)
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RUBYCON is an undisputed classic in the vast Tangerine Dream canon, referenced by many of the new electronica generation. But at the time of its creation, Edgar Froese, Chris Franke, and Peter Baumann were themselves young men experimenting with technology.
RUBYCON is split into two sections, both of which offer the band's trademark mix of ululating sequencers, ghostly synthetic twilight, and mysterious electronic effects. Part One begins with intergalactic whispers, before ...
| | Tangerine Dream Stratosfear CD (1976)
Phaedra album
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One of Tangerine Dream's earliest and most classic recordings, STRATOSFEAR's Mellotron-soaked melodies have not only found their way into samplers and DJ repertoires worldwide--the band have also even revisited the album's plangent themes in their successive soundtrack compositions, such as RISKY BUSINESS. In 1976, the band (Edgar Froese, Chris Franke, and Peter Baumann) was still creating music as imagistic, fantastic and phantasmagorical as its accompanying track titles ("The Big Sleep in Search of Hades," "3 AM At the Border of the Marsh from Okefenokee").
The vast washes of Moog, Mellotron, rhythm computers, and Fender Rhodes piano that grace "3 AM" still sound like they ...
| | Tangerine Dream Exit CD (1981)
Phaedra CD music
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Exit marks the beginning of a new phase in Tangerine Dream's music: Gone were the side-long, sequencer-led journeys, replaced by topical pieces that were more self-contained in scope, more contemporary in sound. Johannes Schmoelling's influence is really felt for the first time here; Tangram, for all its crispness and melody, was simply a refinement of Force Majeure's principles, and the soundtrack to Thief not an album proper. On Exit, listeners are introduced to electronic music's next generation, notably on "Choronzon" and "Network 23," which brought the sound of the dancefloor into the mix (it hasn't left since). That's not to suggest that Tangerine Dream has stopped creating eerie, evocative music; both "Pilots of Purple Twilight" and the stately "Exit" will feel familiar to fans, and the opening "Kiew Mission" is a captivating commentary on nuclear war that includes vocals after a sort (a woman's voice reading locations in Russian). Exit ends on a surprisingly dark note, the alien and foreboding "Remote Viewing." It's on this track more than any other that Tangerine Dream returns ...
| | Martin Simpson Live CD (1996)
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| | Rebbesoul-O CD (1997)
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Rebbe Soul-O is an unusual singer/acoustic guitarist that both folk-rockers and world music enthusiasts should take note of. One could describe this promising CD as folk-rock and note the influence of Bob Dylan on "Sister Sarah," "How You Gonna Know" and other songs. But unlike Dylan, Soul-O does his share of singing in Hebrew, often using his Jewish heritage as a source of inspiration; ...
| | Soundings Tapestry CD (1986)
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| | Jim Brickman Peace CD (2003)
Phaedra CD music
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PEACE was nominated for the 2004 Grammy Award for Best Pop Instrumental Album.
What sets pianist Jim Brickman apart from much of Windham Hill's roster has been a certain earnest, emotive, evocative style, which unfolds beyond the borders of any genre, somewhere in the woods outside of the jazz, classical, and new age worlds. This music can easily lend itself to the spirit of Christmas, so it's not surprising that Brickman would take to the holidays and record PEACE, his second Christmas album, following 1997's highly-successful THE GIFT.
As with THE GIFT, PEACE is a balance of original Brickman compositions and timeless classics. Also like its predecessor, PEACE is peppered with guest vocalists who pop up to add lyrical cheer. Most satisfying are gospel veterans the Blind Boys of Alabama's haunting yet uplifting throwback take on "Let It Snow! Let It Snow! Let It Snow!" and gospel up-and-comer Kristy Starling's rendering of Brickman's original composition, the sweetly soulful "Sending You a Little Christmas." Of particular note among the instrumentals is the sober, almost somber take on "Jingle Bells," casting a different light on a much-traveled road. PEACE takes up where THE GIFT left off, a gentle yet inspiring record that could be played late on ...
| | Goffredo Orlandi Maya CD (2006) (Import)
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| | Flow & Plenty Flow And Plenty CD (2008)
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Flow and Plenty were forged in the heart of Fitzroy on stage at the Evelyn Hotel's hip hop night in May 2006. This exciting collaboration of artists from Melbourne's improvised music scene and accomplished circus performer/rhymer Noah MC generate an original blend of Hip Hop, Roots and Vintage Soul. The band draws its inspiration from artists such as 'The Roots', 'D'Angelo', 'Miles Davis', 'Skunkhour', 'Common' and 'Fat Freddys Drop'. Featuring Noah MC Marley (Vocals), Jules Waters-Lynch (Keyboards), Cesar Rodrigues (Guitars), Michael Story (Basses) and Silas Gibson (Drums). Flow and Plenty blend a strong, positive message through their lyrics with well crafted musical statements. They create a fine tapestry of jazz, hip hop, soul, RnB and blues woven through meticulous song arrangements which has been captured ...
| | Mascot De Katalas Diamant CD (2008) (Import) Import
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