| | Sonny Rollins With The Modern Jazz Quartet CD Sonny Rollins Discography of CDs
Always gifted with a big band sound and a pure sense of swing, Sonny Rollins did not emerge full-blown from the foam like Venus. He gained polish and experience with Bud Powell, J.J. Johnson, Miles Davis and Thelonious Monk, before making his ... Full DescriptionPrestige debut as a leader at the tender age of 21. WITH THE MODERN JAZZ QUARTET celebrates the tenor saxophonist's first three 10-inch LPs--MAMBO JAZZ, SONNY ROLLINS QUARTET, and SONNY ROLLINS WITH MILT JACKSON--and is culled from sessions in December of 1951 and October of 1953.
There is much joy and rhythmic elation in Rollins' early vamp figures such as "Shadrack" and "Scoops," where he preaches with a stomping fervor that anticipates the hard bop movement. On "Newk's Fadeaway," he hints at the harmonic freedom and plasticity of line that would distinguish his early triumphs, while "Mambo Bounce" (sampled early and often by the acid jazz crowd) is a delightful early mixture of Afro-Cuban and swing textures, prefiguring his later uses of calypso melodies and rhythms.
And while Rollins' ballad playing doesn't approach the harmonic depths he would routinely invoke in later years, his smoky tone and behind-the-beat phrasing suggest an affinity for middle period Lester Young ("This Love Of Mine" and "With A Song In My Heart"), even as his thicker timbre and robust articulation point to Coleman Hawkins and Ben Webster ("With Time On My Hands"). By the time he takes on Ellington's "In A Sentimental Mood" with the Modern Jazz Quartet, his tone has really filled out and he's improvising with a broader range of inflections. "The Stopper" offers a garish chase with cute starts and stops, while "No Moe" is a classic line that inspires vigorous, easy-going blues interplay. And for hard swinging, "It's Almost Like Being In Love" hints at future virtuoso turns on the popular song.
Recorded on January 17 and December 17, 1951 and on October 7, 1953. Originally released on Prestige (7029). Includes liner notes by Ira Gitler.
Personnel: Sonny Rollins (tenor saxophone); Miles Davis (trumpet); Milt Jackson (vibraphone); John Lewis, Kenny Drew (piano); Percy Heath (bass); Kenny Clarke, Roy Haynes, Art Blakey (drums).
Hide Description With The Modern Jazz Quartet Music | List Price | $11.97 (You save $2.52) | | Category | Rock/Pop Albums, Jazz CDs, Jazz Instrument, Tenor Sax | | Label | Original Jazz Classics | | Orig Year | 1953 | | All Time Sales Rank | 114338  | | CD Universe Part number | 1035597 | | Catalog number | 11 | | Discs | 1 | | Release Date | Oct 25, 1990 | | Studio/Live | Studio | | Mono/Stereo | Mono | | Personnel | Sonny Rollins - tenor saxophone
Also: Miles Davis, Art Blakey, Roy Haynes, Percy Heath, Milt Jackson, Kenny Clarke, John Lewis, Kenny Drew |
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Buy With The Modern Jazz Quartet CD Purchase With The Modern Jazz Quartet CD To buy, Click on price to add to cart | Allman Brothers Band Dreams CDs (1989) Box Set
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$50.15 DREAMS is a 4-CD box set compiling in chronological order tracks by the Allman Brothers Band, as well as tracks by bands featuring one or more member of the Allman Brothers Band and solo performances by Gregg Allman and Dickey Betts.
Recorded between 1966 & 1988. Includes a 32-page illustrated booklet and liner notes by John Swenson.
Like nearly all box sets, DREAMS has plenty to recommend it-and a few nagging drawbacks. The set's chief shortcoming is its two conflicting goals: providing an overview of the Allmans' history, thus attracting buyers seeking the ultimate hits package, and including enough unreleased tracks and rarities to appeal to the band's most devoted fans. As a result, DREAMS is neither the definitive Allman Brothers collection nor the gift to hardcore fans that, say, THE BOOTLEG SERIES is to Dylan-philes.
DREAMS' strengths are considerable. First and foremost, the box contains nearly five wall-to-wall hours of great music. By including everything from early demos to Gregg Allman and Dickie Betts' solo material, DREAMS does a great job of tracing the group's musical evolution from hippie blues band to kings of Southern rock. And, while the unreleased studio version of "Statesboro Blues" included here isn't definitive, it's still mighty good-as are the set's other rarities. Start your Allman Brothers collection with THE FILLMORE CONCERTS; if that grabs you, DREAMS should also ...
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