| | Ron Carter Patrao CD Ron Carter Discography of CDs
 (1 Customer Review)
Digitally remastered by Phil De Lancie (1993, Fantasy Studios, Berkeley, California). Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on May 19 & 20, 1980. Personnel: Ron Carter (bass); Chet Baker (trumpet); Kenny ... Full DescriptionBarron, Aloiso Aguiar (piano); Amaury Tristao (guitar); Edison Machado, Jack DeJohnette (drums); Nana Vasconcelos (percussion).
Hide Description Purchase Patrao CD To buy, Click on price to add to cart | Allman Brothers Band Dreams CDs (1989) Box Set
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 $50.15  
DREAMS is a 4-CD box set compiling in chronological order tracks by the Allman Brothers Band, as well as tracks by bands featuring one or more member of the Allman Brothers Band and solo performances by Gregg Allman and Dickey Betts.
Recorded between 1966 & 1988. Includes a 32-page illustrated booklet and liner notes by John Swenson.
Like nearly all box sets, DREAMS has plenty to recommend it-and a few nagging drawbacks. The set's chief shortcoming is its two conflicting goals: providing an overview of the Allmans' history, thus attracting buyers seeking the ultimate hits package, and including enough unreleased tracks and rarities to appeal to the band's most devoted fans. As a result, DREAMS is neither the definitive Allman Brothers collection nor the gift to hardcore fans that, say, THE BOOTLEG SERIES is to Dylan-philes.
DREAMS' strengths are considerable. First and foremost, the box contains nearly five wall-to-wall hours of great music. By including everything from early demos to Gregg Allman and Dickie Betts' solo material, DREAMS does a great job of tracing the group's musical evolution from hippie blues band to kings of Southern rock. And, while the unreleased studio version of ...
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Patrao CD music
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Patrao music CDs
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| | Legacy: The Absolute Best Of The Doors CDs (2003)
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$20.95 
Recorded between 1967 & 1983. Includes liner notes by Jim Ladd.
There's been no shortage of Doors compilations over the years, but this two-disc 2003 collection is looking like the one to beat. It spans the seminal band's entire (though admittedly brief) career, and perhaps most importantly, it goes well beyond the usual hits and radio fodder. LEGACY digs deep into the Doors' catalog, fully capturing the mysterious beauty and hypnotic intensity of their work. Naturally all the standards are included ("Light My Fire," "Love Me Two Times," "Hello, I Love You," etc.), and truth be told those are fully as majestic as their more obscure brethren, whether or not they've been overplayed throughout the decades.
It's a pleasure to scour the less traveled corners via the poetic-yet-visceral "Peace Frog," the twisted carnival of souls that is "Not to Touch the Earth," and the mystical narrative of "Celebration ...
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Patrao songs
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$9.35 | | Shawn Vreeland High Country CD (2007)
Patrao music CDs
$10.15
The High Country is Sacramento-based guitarist-singer-songwriter Shawn Vreeland's long-awaited debut album. Combining well-crafted songs with an Americana/country tinge and impassioned jams, this CD will appeal to both jam-band fans and those who enjoy good songwriting. The CD features outstanding backing performances from members of The East Portal Express and Kate Gaffney as well as tasteful pedal steel work from Natan Rodriguez.Excerpt from from 11/29/07 Sacramento News and Review (CD release show):The band’s guitarist, Shawn Vreeland, was the focal point, and he’d step forward and launch into meaty solos heavy with hammer-ons and pull-offs, the kind my old pals with thick mustaches would call “tasty.”Vreeland's band, the East Portal Express, had a true jam-band flavor, with Alex Bohl on bass joined by Steve Bisel on keyboards, Evan Mahoney on mandolin, Natan Rodriguez on pedal steel and, occasionally, Joaquin McPeek on congas and Kate Gaffney (whose band closed the show) guesting on vocals. According to Bohl, the flavor of the band’s set typically changes from song to song, based on who wrote the tune, and some of that was in evidence Saturday—a song by Bisel had a funky, Merl Saunders and Jerry Garcia feel, whereas one by Bohl was more strongly rooted in pop-music convention.But this was Vreeland’s night—a CD-release party for his new solo disc, The High Country. Thus, much of the music had a strong Southern-rock feeling, along the lines of the Marshall Tucker ...
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