| | Fire On The Fiddle, Volume 1 CD
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Purchase Fire On The Fiddle, Volume 1 CD To buy, Click on price to add to cart | Shelly Manne At The Black Hawk, Vol. 2 CD (1959)
Fire On The Fiddle, Volume 1 album
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Digitally remastered by Phil De Lancie ...
| | Chico Freeman Lenox Avenue Breakdown CD (1979)
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In addition to having excellent cover art (an illustrated cityscape in which a giant saxophone--complete with windows, a doorway, and stoop--takes its place among the neighboring buildings), LENOX AVENUE BREAKDOWN is also a dynamic, unjustly overlooked jazz album. Prodigiously talented as an instrumentalist and composer, alto saxophonist Arthur Blythe was one of the most innovative jazz musicians of the 1970s and '80s, and LENOX AVENUE BREAKDOWN, his Columbia Records debut, proves it.
Blythe's ability to marry the best of the genre's traditions (he is equally versed in swing, post-bop, and romantic styles) with his avant-garde leanings is evident here. "Odessa," for example, a modal exploration, begins melodically, yet pushes further into free-jazz territory as the tune progresses. The angular bop of the title track is offset by adventurous soloing and unique instrumentation (flute and tuba add to the sonic palette here, along with guitarist James "Blood" Ulmer and ...
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| | Jazz Icons - Count Basie: Live In '62 DVD (1962)
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| | Jazz Icons - Buddy Rich: Live In '78 DVD (1978)
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| | Modern Jazz Quartet European Concert Volumes 1 & 2 CD (1962)
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Recording information: 1962.
| | Roy D Mercer How Big'A Boy Are Ya? Vol. 7: Hangin' It Up CD (2000)
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| | Fred Eaglesmith Lipstick Lies & Gasoline CD (1997)
Fire On The Fiddle, Volume 1 songs
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He may be a gifted singer-songwriter from Canada, but Fred Eaglesmith is a far cry from the bookish-aesthete image of countrymen like Leonard Cohen and Joni Mitchell. Rather, Eaglesmith is a died-in-the-wool farm boy who owes more to Tom T. Hall than Tom Rush. He comes by his predilections honestly, though, and on LIPSTICK LIES he breathes new life into the Merle Haggard/Johnny Paycheck tradition of the hard-workin' country boy with a chip on his shoulder.
Even though songs like "Time To Get A Gun" and "Seven Shells" evoke the lives of hard-livin' men of the land, the production on this album represents a step forward for Eaglesmith. While much of the album features the same acoustic-oriented country/folk stylings he's favored for some time, there are a few cuts that venture further afield with some decidedly '90s-sounding production. Ultimately, it's Eaglesmith's songwriting and honest, impassioned singing that bring it all home.
Folk/Rock From Canada
Recorded at The Cottage, Guelph and The Canterbury Music Company, Toronto, Ontario, Canada.
Personnel: Fred Eaglesmith (vocals, acoustic & electric guitars, banjo, Wurlitzer piano); Lynn Miles (vocals, electric guitar); Scott Merritt (acoustic & electric guitars, banjo, reed organ, Wurlitzer piano, tambourine, ...
| | Dewey Phillips Red Hot & Blue CD (1995)
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Dewey Phillips brought black rhythm and blues music to white teenagers in Memphis two years before Freed started doing the same in Cleveland. He brought rock'n'roll to television a year before Dick Clark's American Bandstand. And while segregation was imposed on virtually every aspect of life in the streets, "Daddy-O" Dewey gleefully integrated the airwaves of the South. These selections offer a glimpse into this unique performer during his rise, ...
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This post-Family group assembled by Roger Chapman and Charlie ...
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