| | Pickin On Pickin' On Shania Twain: An Instrumental Country Tribute CD Pickin On Discography of CDs
 (1 Customer Review)
Instrumental Country Tribute Recorded at The Ol' Bunkhouse Recording Studio, Goodlettsville, Tennessee. Personnel: Earl Palmer, Pat Flynn (guitar); Robby Turner (steel guitar); David Talbot (5-string banjo); Rob Ickes (dobro); ... Full DescriptionJoe Smith (mandolin, fiddle); Kurt Mason (harmonica); Dennis Wage (piano); Dennis Crouch (upright bass); Rick Vanaugh (drums).
Hide Description Pickin' On Shania Twain: An Instrumental Country Tribute Music | List Price | $17.97 (You save $3.52) | | Category | Rock/Pop Albums, Folk CDs, Country, Folk Music, Bluegrass, Soundtrack Collections, Tributes, Country Collections | | Label | CMH | | Orig Year | 2000 | | All Time Sales Rank |  149548  | | CD Universe Part number | 1038614 | | Discs | 1 | | Release Date | Jun 20, 2000 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Mark Thornton | | Personnel | Dennis Crouch - upright bass
Pat Flynn - guitar
Robby Turner - steel guitar
David Talbot - 5-string banjo
Dennis Wage - piano
Joe Smith - mandolin, fiddle
Kurt Mason - harmonica
Rick Vanaugh - drums
Also: Earl Palmer, Rob Ickes |
Pickin On Pickin' On Shania Twain: An Instrumental Country Tribute Songs Pickin' On Shania Twain: An Instrumental Country Tribute Music Review Purchase Pickin' On Shania Twain: An Instrumental Country Tribute CD To buy, Click on price to add to cart | Allman Brothers Band Dreams CDs (1989) Box Set
Pickin' On Shania Twain: An Instrumental Country Tribute album
 $38.09  
DREAMS is a 4-CD box set compiling in chronological order tracks by the Allman Brothers Band, as well as tracks by bands featuring one or more member of the Allman Brothers Band and solo performances by Gregg Allman and Dickey Betts.
Recorded between 1966 & 1988. Includes a 32-page illustrated booklet and liner notes by John Swenson.
Like nearly all box sets, DREAMS has plenty to recommend it-and a few nagging drawbacks. The set's chief shortcoming is its two conflicting goals: providing an overview of the Allmans' history, thus attracting buyers seeking the ultimate hits package, and including enough unreleased tracks and rarities to appeal to the band's most devoted fans. As a result, DREAMS is neither the definitive Allman Brothers collection nor the gift to hardcore fans that, say, THE BOOTLEG SERIES is to Dylan-philes.
DREAMS' strengths are considerable. First and foremost, the box contains nearly five wall-to-wall hours of great music. By including everything from early demos to Gregg Allman and Dickie Betts' solo material, DREAMS does a great job of tracing the group's musical evolution from hippie blues band to kings of Southern rock. And, while the unreleased studio version of "Statesboro Blues" included here isn't definitive, it's still mighty good-as are the set's other rarities. Start your ...
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Pickin' On Shania Twain: An Instrumental Country Tribute songs
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HOTCAKES & OUTTAKES was nominated for the 2001 Grammy Award for Best Album Notes.
Based in their original incarnation around the genius of Lowell George, Little Feat's legacy has left them overlooked by the general listening public, despite a wide-ranging style that embraces blues, country, gospel, jazz, and funk. This sumptuous four-CD set impressively chronicles this mercurial band's pre- and post- Lowell George journey with rare photos, essays, and track-by-track reminisces from band members, along with a disc chock-full of rarities and outtakes.
Throughout HOTCAKES, it's hard to disagree with liner notes author Bud Scoppa's opinion that Little Feat is as rootsy as the Band, as funky as the Meters, and as cerebral as Steely Dan. Early numbers like "Willin'," "Tripe Face Boogie," and "Cold, Cold, Cold" find Little Feat going from eclectic country-fried boogie, to a syncopated New Orleans sound upon the arrival of Sam Clayton and Kenny Gradney, to more familiar fare like "Dixie ...
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Pickin' On Shania Twain: An Instrumental Country Tribute music CDs
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This box set includes a 40-page booklet with notes by Colin Escott and rare photos.
Country crooner Faron Young was one of the biggest names in Nashville in the late '50s and early '60s, laying down countless classic tracks for Capitol Records. Enormously influential in his heyday, he straddled the line between pure honky tonk and smooth countrypolitan stylings, but exuded pure class 100 percent of the time. Young's later life was plagued by alcoholism and personal problems, and he eventually killed himself, but unlike other tragic country figures his legend diminished after his death. Decades down ...
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