| | J. C. Bach: Sinfonias Vol 2 / GMÜR, Camerata Budapest CD Camerata Budapest CDS
Sinfonias,Op.6,Nos.1-6/ Camerata Budapest J. C. Bach: Sinfonias Vol 2 / GMÜR, Camerata Budapest Music | List Price | $8.97 (You save $2.38) | | Label | Naxos | | All Time Sales Rank |  25848  | | CD Universe Part number | 1042707 | | Discs | 1 | | Release Date | Sep 30, 2002 | | Mono/Stereo | Stereo | | Recording Time | 1 2 |
J. C. Bach: Sinfonias Vol 2 / GMÜR, Camerata Budapest Review
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J. C. Bach: Sinfonias Vol 2 / GMÜR, Camerata Budapest Songs | 1. Symphonies (6), Op. 6: no 1 in G major (10:04) | | Composer | Johann Christian Bach (1735 - 1782) | | Conductor | Hanspeter Gmur | | Genre | Classical Period / Symphony | | Date Written | by 1770 | | Ensemble | Camerata Budapest | | Period | Classical | | Recording | Studio | | Venue | Festetich Castle, Budapest, Hungary | | Recording Date | 03/1994 | | 2. Symphonies (6), Op. 6: no 2 in D major (8:21) | | Composer | Johann Christian Bach (1735 - 1782) | | Conductor | Hanspeter Gmur | | Genre | Classical Period / Symphony | | Date Written | by 1770 | | Ensemble | Camerata Budapest | | Period | Classical | | Recording | Studio | | Venue | Festetich Castle, Budapest, Hungary | | Recording Date | 03/1994 | | 3. Symphonies (6), Op. 6: no 3 in E flat major (12:31) | | Composer | Johann Christian Bach (1735 - 1782) | | Conductor | Hanspeter Gmur | | Genre | Classical Period / Symphony | | Date Written | by 1770 | | Ensemble | Camerata Budapest | | Period | Classical | | Recording | Studio | | Venue | Festetich Castle, Budapest, Hungary | | Recording Date | 03/1994 | | 4. Symphonies (6), Op. 6: no 4 in B flat major (7:21) | | Composer | Johann Christian Bach (1735 - 1782) | | Conductor | Hanspeter Gmur | | Genre | Classical Period / Symphony | | Date Written | by 1770 | | Ensemble | Camerata Budapest | | Period | Classical | | Recording | Studio | | Venue | Festetich Castle, Budapest, Hungary | | Recording Date | 03/1994 | | 5. Symphonies (6), Op. 6: no 5 in E flat major (9:26) | | Composer | Johann Christian Bach (1735 - 1782) | | Conductor | Hanspeter Gmur | | Genre | Classical Period / Symphony | | Date Written | by 1770 | | Ensemble | Camerata Budapest | | Period | Classical | | Recording | Studio | | Venue | Festetich Castle, Budapest, Hungary | | Recording Date | 03/1994 | | 6. Symphonies (6), Op. 6: no 6 in G minor (12:33) | | Composer | Johann Christian Bach (1735 - 1782) | | Conductor | Hanspeter Gmur | | Genre | Classical Period / Symphony | | Date Written | by 1770 | | Ensemble | Camerata Budapest | | Period | Classical | | Recording | Studio | | Venue | Festetich Castle, Budapest, Hungary | | Recording Date | 03/1994 |
J. C. Bach: Sinfonias Vol 2 / GMÜR, Camerata Budapest Music Composers on J. C. Bach: Sinfonias Vol 2 / GMÜR, Camerata Budapest CD : Johann Christian Bach Conductors on J. C. Bach: Sinfonias Vol 2 / GMÜR, Camerata Budapest CD : Hanspeter Gmur Ensembles on J. C. Bach: Sinfonias Vol 2 / GMÜR, Camerata Budapest CD : Camerata Budapest Genres on J. C. Bach: Sinfonias Vol 2 / GMÜR, Camerata Budapest CD : Classical Period, Symphony Purchase J. C. Bach: Sinfonias Vol 2 / GMÜR, Camerata Budapest To buy, Click on price to add to cart | Jozsef Kiss C.P.E. Bach, A. Marcello: Oboe Concertos / József Kiss CD (1994)
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On this 2007 album, romance-obsessed trumpeter Chris Botti looks to Italy for inspiration. A set of swooning smooth-jazz tunes, ITALIA features a number of guest vocalists, including Andrea Bocelli (on the gentle title track) and Paula Cole (a spare, elegant version of "The Very Thought of You"), along with the late Dean Martin, whose unmistakable croon turns up on a lightly swinging rendition of "I've Grown Accustomed to Your Face." Botti shines the brightest, however, on instrumental pieces, most notably his warm, laid-back takes on two classic numbers by revered Italian composer Ennio Morricone, "Deborah's Theme" (from ONCE UPON A TIME IN AMERICA) and "Gabriela's Oboe" (from THE MISSION).
Recording information: Capital Studios, Hollywood, CA.
Personnel include: Chris Botti (trumpet); James Harrah (guitar); Dean Parks (acoustic guitar); Shane Fontayne ...
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SOLO CLARINETMexico Vol. 1Javier VinascoFifty years of music for solo clarinet. Mexico (1957-2007)Composers born in the 20th centuryTo record a CD for solo clarinet with pieces by Mexican composers has been an arduous, difficult, and at the same time rewarding undertaking. On this journey we have investigated a variety of routes and paths that composers had taken and have come to recognize that there is an ample compendium of creators dedicated to writing for the clarinet. These composers have explored languages that range from the acknowledgment of tradition to less conventional experimentations, demonstrating both significant evolution and compositional maturity. Our efforts have resulted in an anthology that shows a glimpse of the variety, quality, and expressivity of the ample spectrum of compositions that, in this case, were selected with an inquisitive spirit from archives, catalogs and private collections. At the same time, this CD presents two new compositions written especially for this project by Alejandro Colavita and Fernando Cataño. Mario Lavista (1943- ) wrote Madrigal (1985), in collaboration with the clarinetist Luis Humberto Ramos, to whom the piece was dedicated. It is a work articulated in two contrasting sections: the first calls to mind the medieval form of the madrigal with the use of a single pedal and two voices, one superior and the other inferior, thus creating an illusion of polyphony within the instrument’s monophonic possibilities. The second section, on the other hand, makes use of non-conventional fingerings to achieve different colours of the same note as well as to produce two or more sounds simultaneously. Lavista then re-elaborates this resource, for the piece’s conclusion, in an organum, and so, achieves coherence and unity.ElegÃa (1962) by composer, Manuel de ElÃas (1939- ), is a piece in a single movement of lyrical nature in which there is a perceived motor impulse from beginning to end. In Imago (1977), the composer liberates the metric and delves deep into the use of technology external to the instrument, in this case the echo chamber, affecting the clarinet’s sound. This device provokes in the listener an alternate perception of sounds from the direct source with other moments in which one can detect their reflection. Divertimento (1985) by composer, Gabriela Ortiz (1964- ) and dedicated to Luis Humberto Ramos, is a piece written in a single movement that retains a rhythmic preeminence and that has its roots in popular music. Although this is one of her earliest compositions, it is possible to recognize –by the construction of phrases and her ample dynamic palette– an efficient combination of technique and intuition.The náhuatl legend of the "five suns" is the background for the piece titled Macuiltonatiuh (2007), by the composer, Alejandro Colavita (1973- ). This composition was worked closely with the clarinetist, Javier Vinasco, to whom it was dedicated. Macuiltonatiuh is comprised of five continuous movements in a contemporary language that makes use of the extensive gamut of expressive resources in today’s clarinet technique. It is possible to discern a search for timbres which, in turn, determine each movement’s structure, as well as the overall form of the piece. It is a pursuit that initiates in the depths of the lowest register of the clarinet (shalomuo register) and slides, in continuous ascent, to the instrument’s highest limits. Clamoreo (1991) for clarinet and magnetic tape, by the composer VÃctor Rasgado (1959- ) is a fragment from his opera Anacleto Morones. ...
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