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Kabalevsky: Romeo & Juliet, Colas Breugnon, Etc / Jelvakov Music | List Price | $8.99 (You save $0.84) | | Label | Naxos | | Orig Year | 9/17/1996 | | All Time Sales Rank |  11435  | | CD Universe Part number | 1042861 | | Catalog number | 8553411 | | Discs | 1 | | Release Date | Sep 17, 1996 | | Recording Time | 1 9 |
Kabalevsky: Romeo & Juliet, Colas Breugnon, Etc / Jelvakov Review
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Kabalevsky: Romeo & Juliet, Colas Breugnon, Etc / Jelvakov Music Composers on Kabalevsky: Romeo & Juliet, Colas Breugnon, Etc / Jelvakov CD : Dmitri Kabalevsky Conductors on Kabalevsky: Romeo & Juliet, Colas Breugnon, Etc / Jelvakov CD : Vasil Jelvakov Purchase Kabalevsky: Romeo & Juliet, Colas Breugnon, Etc / Jelvakov To buy, Click on price to add to cart | Jeno Jando Beethoven:Cello Sonatas Vol. 1 CD (2002)
Kabalevsky: Romeo & Juliet, Colas Breugnon, Etc / Jelvakov
 $6.59
Csaba Onczay/Jeno Jando
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Kabalevsky: Romeo & Juliet, Colas Breugnon, Etc / Jelvakov
$7.79
Wolfgang Rubsam,Organ
| | Barney Kessel Breakfast At Tiffany's/Bossa Nova/Contemporary Latin Rhythms CDs (2002)
Kabalevsky: Romeo & Juliet, Colas Breugnon, Etc / Jelvakov
$12.29  
Conte Candoli (trumpet); Victor Feldman (vibraphone); Emil Richards (marimba); Keith Mitchell (bass); Earl Palmer, Stan Levey (drums).
Originally released on Reprise (6019), Reprise (6049) & Reprise (6073).
This double CD is more about Barney Kessel the studio player than Kessel the jazz guitar legend. Still, this compilation of three LPs originally released between 1961-1963 has some good music, and Kessel the jazz man is not entirely absent, even though the settings do not call for him to stretch out.
Breakfast at Tiffany's is Kessel's handling of Henry Mancini's music from the classic Blake Edwards film with Audrey Hepburn. With a number entitled "Moon River Cha Cha," listeners pretty much know what's in store for them with this set: instrumental treatments of pop music that was riding high both on the airwaves and on the big screen. The tracks are brief and the playing doesn't stray far from the arrangements. The Bossa Nova session is a step closer to jazz, but the context is still a commercial one. Kessel surprises with a twangy personality right out of Steve Cropper's work with the MG's or Mickey Baker's extroverted solo work. Ray Johnson's cheesy organ is an ideal complement to Kessel's bluesy surf guitar. Contemporary Latin Rhythms is a jazz date, but still with a pop attitude. Kessel is the only soloist on the sunny, unassuming arrangements. The guitarist's spirited work on Tad Dameron's "Lady Bird" is a highlight that showcases Kessel's fluency in moving between chorded and single-note soloing.
Students of Kessel's playing will find this compilation an intriguing display of the guitarist's range and adaptability. Fans of Kessel the jazz player, though, will want to stick with his fine series of releases for Contemporary from this same period. ~ Jim Todd
Full Title - Breakfast At Tiffany's/Bossa Nova/Contemporary Latin Rhythms. A devotee of the West Coast Jazz style, he recorded these three original albums on Reprise in the early 1960s. Collectables.
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Kabalevsky: Romeo & Juliet, Colas Breugnon, Etc / Jelvakov
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Broadway Tenor Pays Tribute To Lerner. Guest:Lauren Bacall.
Includes liner notes by Barry Kleinbort.
Personnel includes: Brent Barrett, Lauren Bacall, Tami Tappan.
| | Count Basie At Newport CD (1957) Bonus Tracks; Reissue; Remastered; Deluxe Edition
Kabalevsky: Romeo & Juliet, Colas Breugnon, Etc / Jelvakov
$12.35 
Originally released on Verve (6024). Includes liner notes by Richard Sudhalter.
By the time of this 1957 recording, the Basie band was enjoying something of a renaissance, and the appreciation of the audience for this legendary musician helps make this live recording all the warmer. This was a special night for the band, as it represented a coming together of the contemporary Basie assemblage with some of the original Kansas City veterans. Entrepeneur John Hammond, who helped bring Basie to national attention in the '30s, warmly introduces the band one by one, stressing the importance of each member.
Thad Jones, Frank Foster and company lay down a solid version of "Swingin' At Newport," after which they are joined by one after another of Basie's old Kansas City cohorts. From Lester Young to Jimmy Rushing, the stage soon becomes flooded with KC royalty, as old meets new with glorious results. Clearly, this evening at Newport was a night to remember, and we're fortunate it was captured for posterity.
Digipak. W/ 5 Bonus Tracks.
Recorded at Newport Jazz Festival, Newport, Rhode Island on July 7, 1957.
Personnel: Count Basie (piano); Joe Williams, Jimmy Rushing (vocals); Lester Young, Illinois Jacquet (tenor saxophone); Marshall Royal, Bill Graham, Frank Foster, Frank Wess, Charlie Fowlkes (saxophone); Roy Eldridge, Wendall Culley, Joe Newman, Reunald Jones, Thad Jones (trumpet); Henry Coker, Benny Powell, Bill Hughes (trombones); Freddie Green (guitar); Ed Jones (bass); Sonny Payne, Jo Jones (drums).
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Kabalevsky: Romeo & Juliet, Colas Breugnon, Etc / Jelvakov
$11.59  
All tracks have been digitally mastered using 24-bit technology.
Peggy Lee's BLACK COFFEE is a consummate jazz vocal album. Here, Lee's singing generates many emotions at once. For example, few vocalists can convey such vulnerability and strength at the same time. However, Lee's approach never comes across as forced or strained. And it is certainly not complex; her tone resounds with purity and cool passion with every phrase. The musical accompaniment is also outstanding. The elegant piano stylings of Jimmy Rowles, or, alternately, Lou Levy bring great refinement to the proceedings. In contrast, the bluesy musings of trumpeter Pete Candoli infuse this album with a kind of raw, smoky flavor.
"A Woman Alone with the Blues" is one of the most stunning tracks on BLACK COFFEE. A languid ballad about heartache, Lee exacts the pain that loneliness and loss can bring. "You're My Thrill" is another goose-bump track. On this tune, Lee sings with all the coyness of a wooing suitor. Overall, the sheer intimacy and bubbling intensity of this record will enwrap the listener.
Personnel: Peggy Lee (vocals); Bill Pitman (guitar); Stella Castellucci (harp); Pete Candoli (trumpet); Jimmy Rowles, Lou Levy (piano); Larry Bunker (vibraphone, drums, percussion); Max Wayne, Buddy Clark (double bass); Ed Shaughnessy (drums).
Liner Note Author: Will Friedwald.
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Kabalevsky: Romeo & Juliet, Colas Breugnon, Etc / Jelvakov
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